"Loverboy" | ||||
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Single by Mariah Carey featuring Cameo | ||||
from the album Glitter | ||||
Released | June 19, 2001 | |||
Recorded | 2000 | |||
Genre | ||||
Length | 3:49 | |||
Label | Virgin | |||
Songwriter(s) |
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Producer(s) |
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Mariah Carey singles chronology | ||||
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Cameo singles chronology | ||||
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"Loverboy" is a song by American singer and songwriter Mariah Carey. It was released on June 19, 2001, by Virgin Records America as the lead single from her eighth studio album Glitter , the soundtrack to the 2001 film of the same name. Written and produced by Carey, Larry Blackmon, Thomas Jenkins and Clark Kent, "Loverboy" is built around a sample from "Candy" by the funk band Cameo, who are also featured on the track. Lyrically, the song finds Carey fantasizing about her loverboy, a man that will fulfill her physical and sexual desires. The recording was accompanied by an official remix, titled "Loverboy Remix", featuring guest artists Ludacris, Da Brat, Shawnna and Twenty II.
The track was subject to controversy, following confirmed reports that Jennifer Lopez and Tommy Mottola (Carey's ex-husband) stole the idea of sampling the singer's original planned sample, Yellow Magic Orchestra's "Firecracker", over a month after Carey had signed for it. Since Carey's Glitter was to be released over a month after Lopez's album, she changed the song's melody to sample from "Candy" instead. Further controversy ensued following its release, as Carey was hospitalized for severe mental and physical exhaustion, following poorly received television appearances involving both the song and album.
After the song's release in the United States, "Loverboy" stalled on the Billboard Hot 100 at number two due to weak radio airplay. The single jumped 58 spots on the Billboard Hot 100 the week ending August 4, 2001, with sales driven by a Virgin promotion offering the CD for a bargain-priced 49 cents. [2] "Loverboy" only spent 14 weeks on the chart. It also became Carey's first lead single to not reach number one. Though it peaked at number one in Croatia and reached the top 10 in Australia and Canada, the song failed to garner strong charting elsewhere, reaching the top 20 in Portugal, Italy and the United Kingdom.
"Loverboy" received generally mixed reviews from music critics; many called the song unoriginal and dated while others felt that the featured artists (primarily on the remix version) overpowered Carey and made the song disorganized. A music video, directed by David LaChapelle, was shot for both versions of the song. The first version features Carey as a scantily-clad car girl, waving a flag as her loverboy finishes a race. The video for the remix version features similar footage, only including shots of the song's guests in race-cars during their verses. She performed "Loverboy" live on The Sweet Sweet Fantasy Tour in 2016, as well as her Caution World Tour in 2019.
In 2020, the original "Firecracker"-sampled version of "Loverboy" was included on Carey's eighth compilation album The Rarities and was released as a limited edition double a-side Japanese single in December 2020.
Originally planned to be released at a later date, "Loverboy" was leaked to radio on June 1, 2001. As a result, Virgin Records pushed the release date in order to control the leak. [3] Following the release of "Loverboy", Carey embarked on a short promotional campaign for the song. [4] On July 18, 2001, Virgin scheduled Carey to do a day of interviews with radio stations. After she called in an hour late to Q100 in Atlanta at 9:00 a.m. and the hosts informed Carey that she was late, the rest of the day's interviews were canceled. [5] The next day, Carey made a surprise appearance on the MTV program Total Request Live (TRL). [6] As the show's host Carson Daly began taping following a commercial break, Carey came out onto the filming stage, pushing an ice cream cart while wearing a large men's shirt. [7] Seemingly anxious and exhilarated, Carey began giving out individual bars of ice cream to fans and guests on the program, while waving to the crowd down below on Times Square, while diverging into a rambling monologue regarding therapy. [7] Carey then walked to Daly's platform and began a striptease, in which she shed her shirt to reveal a tight yellow and green ensemble, leading him to exclaim "Mariah Carey has lost her mind!". [6] While she later revealed that Daly was aware of her presence in the building prior to her appearance, she admitted that he was meant to act surprised in order to provide a more dramatic effect for the program. [7]
Carey's appearance on TRL garnered strong media attention, with many critics and newspapers citing her behavior as "troubled" and "erratic". [4] In the days following her appearance on TRL, Carey had begun displaying "erratic behavior" during a public record signing for the single at Tower Records in New York. [6] As the appearance was filmed, she began rambling on several points, leading her to discuss radio-host Howard Stern and how his form of humor on his program bothered her greatly. [7] At that point, Carey's publicist Cindi Berger grabbed the microphone from her hand and ordered the cameras to stop filming. A few days later, Carey began posting irregular voice notes and messages on her official website:
I'm trying to understand things in life right now and so I really don't feel that I should be doing music right now. What I'd like to do is just a take a little break or at least get one night of sleep without someone popping up about a video. All I really want is [to] just be me and that's what I should have done in the first place ... I don't say this much but guess what, I don't take care of myself. [6]
After the removal of the messages, Berger commented that Carey had been "obviously exhausted and not thinking clearly" when she posted the letters. [7] Two days later on July 26, she was suddenly hospitalized, citing "extreme exhaustion" and a "physical and emotional breakdown". [8] Following the heavy media coverage surrounding Carey's publicized breakdown and hospitalization, Virgin Records and 20th Century Fox delayed the release of both the film's soundtrack and the film itself for three weeks: from August 21 to September 11 and from August 31 to September 21, respectively. [9]
Following Carey's absence from the public eye, as well as her abandonment of promotional appearances for the film and soundtrack, her unprecedented $100 million five-album record deal with Virgin Records (EMI Records) was bought out for $50 million. [8] [10] The decision was brought out due to the low sales of the project, as well as the negative publicity surrounding her breakdown. [4] Soon after, Carey flew to Capri, Italy for a period of five months, in which she began writing material for her new album, stemming from all the personal experiences she had endured throughout the past year. [4] Additionally, she founded her own label modelled after her initials, MonarC Entertainment and signed a new three-album record deal with Island Records, valued at over $23 million. [4]
In 2020, the original and previously unreleased version of "Loverboy" that sampled "Firecracker" was included on Carey's compilation album The Rarities as part of the "#MC30" initiative. The latter was a campaign marking the 30th anniversary of Carey's self-titled debut studio album, Mariah Carey (1990), and coincides with her memoir The Meaning of Mariah Carey (2020). [11] [12] "Loverboy" (Firecracker – Original Version) was released as a limited edition double a-side single with "Here We Go Around Again", another song taken from The Rarities. [13]
"Loverboy" 's hook is built around a sample of "Candy", by Cameo. Aside from borrowing from the melody, "Loverboy" features the members of Cameo, including group leader Larry Blackmon, as vocalists on the track. According to Chuck Taylor from Billboard , "Loverboy" is reminiscent of several of Carey's previous lead singles, as they too were predominantly built around samples of older songs. [14] He described some of its background flourishes as "swirling harmonies overtop" and noted the inclusion of many shouts and ad-libs from Carey and Cameo. [14]
Due to the song's heavy usage of the "Candy" sample and the heavy blend of instrumentation and vocals, he said that to his bewilderment, the song was "devoid of a standard hook". [14] NME 's Elios Therepio felt the idea of sampling "Candy" was genius "on paper", but once it was recorded, it suffered from various miscalculations. [15] He felt it did not match the success Carey's previous single, "Fantasy" (which also recalled its melody from an older song), and criticized the inclusion of several over-the-top "keyboard and synth arrangements". [15] Regarding Carey's voice, aside from describing it as "obscured", Therepio expressed his difficulty in understanding her lyrical phrases, claiming it was weakened from "no-everyone-can-understand-what-you're-saying'-itis". [15] Gil Kaufman from MTV News noted the inclusion of "bouncing funky bass [and] rock guitars", [16] while Roger Caitlin of the Hartford Courant described how Carey was often reduced to "breathy background vocals" on "Loverboy". [17]
Lyrically, the song finds Carey looking for her "loverboy" and a sugar-daddy who is going to "love her right". Therepio found it ironic how Carey was crooning for a sugar-daddy, when she had just left one (referring to her older ex-husband Tommy Mottola). Additionally, he felt Carey was molding her image from that of a balladeer, to a "pin-up image" of a pop star. [15] The song's lyrics are racy and feature the protagonist asking for her "loverboy" to fulfill her sexual desires: "Loverboy come on and love me / Give me more". [18]
Throughout 2000, Carey had already been writing and recording material for Glitter. [19] During this period, she developed the concept for the album's lead single, "Loverboy". Originally, Carey had sampled the melody and hook from the 1978 Yellow Magic Orchestra song "Firecracker", using an interpolation of it throughout the chorus and introduction. [19] In early theatrical trailers for Glitter, the original version of "Loverboy" was still featured. As Carey had ended her contract with Columbia Records, Jennifer Lopez was signed by Tommy Mottola and had begun recording material for her album, J.Lo (2001). [19] According to The Inc.'s Irv Gotti, Mottola, head of Columbia and Carey's ex-husband, knew of Carey's usage of the "Firecracker" sample and attempted to have Lopez use the same sample before her. [19] At the time, Carey had become increasingly paranoid over outside executives being informed about Glitter, especially following news of Mottola's "theft" of the song. [20]
When the music publishers for "Firecracker" were questioned, they admitted Carey had licensed usage of the sample first, and Lopez's team had signed for it over one month later, under Mottola's arrangement. [20] Following the scandal, Carey was not able to use the original sample, as Lopez's album was to be released far earlier than Glitter. [20] She subsequently changed the composition of "Loverboy" and incorporated a new sample, "Candy" by Cameo. [20] The "Firecracker" sample ended up being used by Lopez on her song "I'm Real", from her album J.Lo, [20] while the original version of Carey's "Loverboy" with the "Firecracker" sample was later included on her compilation album The Rarities (2020). [21]
Review scores | |
---|---|
Source | Rating |
AllMusic | [22] |
Entertainment Weekly | C− [18] |
NME | [15] |
Stereogum | 4/10 [23] |
"Loverboy" was met with generally mixed reviews from music critics; many were not impressed with the incorporation of the sample and felt the song did not lead Carey into any newer ground or innovation. Additionally, several reviewers were not impressed with Carey's concealed vocals and the song's complex production. Sarah Rodman of the Boston Herald described the song's production as a "traffic-jam" and wrote "'Loverboy' is another in an increasingly long line of glitzy, candy-coated, creatively stunted song." [24] Writing for the Los Angeles Times , Natalie Nichols felt "Loverboy" was "predictable" and presented nothing new for Carey's audience. [25] USA Today 's Edna Gunderson wrote the song off as "skimpy", [26] while Glenn Gamboa from Newsday described its overall reception as "lukewarm". [27]
Harry Guerin from Raidió Teilifís Éireann outed the song as one of Carey's "finest moments" on Glitter and disagreed with criticism regarding the "overly-populated" musical background". [28] Allmusic editor Stephen Thomas Erlewine listed the song as the only "recommended" song from Glitter, [29] while Gil Kaufman of MTV News called it a "fun, uptempo dance number". [16] Craig Seymour from Entertainment Weekly rated "Loverboy" a C−, criticizing its lyrical content and production. [18] An anonymous writer from The Guardian felt the song had "no decipherable tune", due to the inclusion of electronic musical instruments and background shouts and ad-libs. [30] Billboard's Chuck Taylor described the song as "self-sabotage" and felt Carey was gambling her longevity. He described the production as a "mumbo jumbo of disparate elements" and wrote "the mighty may have fallen here". [14]
In the United States, "Loverboy" became Carey's second-lowest debut of her career on the Billboard Hot 100 chart at number 79. [31] On the week of August 4, 2001, the song jumped from number 60 to number two on the chart, as a result of Carey's publicized hospitalization, as well as Virgin's price reduction on the single, becoming the largest jump into the top-three spot in Billboard history; this record was later broke by American singer JoJo for her song "Too Little Too Late" (2006). [32] [33] [34] Its poor radio airplay throughout the United States was given as the reason as to why it did not reach number one. [35] It also peaked atop the Billboard's Hot Singles Sales chart for four consecutive weeks. [35] "Loverboy" finished as the best-selling single of 2001 in the United States, with sales of 571,000 units, falling short of the previous year's best-seller, which accumulated sales upwards of one million copies. [36] The Recording Industry Association of America (RIAA) certified the song Gold. [37] In Canada, "Loverboy" peaked at number three on the singles chart and charted for a total of thirteen weeks. [38]
Throughout Australasia and Europe, the song peaked outside the top 20 in most countries. "Loverboy" debuted at its peak position of number seven on the Australian Singles Chart, during the week of July 29, 2001. [39] The following week, the song began its decline and experienced a total chart trajectory of seven weeks. [39] The song was certified Gold by the Australian Recording Industry Association (ARIA), denoting shipments of over 35,000 units. [40] On July 29, 2001, "Loverboy" debuted at number 65 on the Ö3 Austria Top 40 chart, spending a total of three weeks in the chart. [41] The song achieved relatively weak charting in both the Flemish and Wallonian territories in Belgium, peaking at numbers 49 and 34, respectively. [42] Making its debut at its peak position of number 54, "Loverboy" charted for a total of nine weeks in France, before falling out on November 3, 2001. [43] On the Dutch Top 40 chart, the song made its debut at number 68. [44] The following week the song peaked at number 34, before dropping outside the top 40 three weeks later, ending its five-week run. [44] On July 26, 2001, "Loverboy" debuted at number 49 on the Swedish Singles Chart and reached a peak of number 44. [45] Similarly in Switzerland, the song peaked at number 66 and spent only four weeks fluctuating inside the chart. [46] On the UK Singles Chart, the song debuted at its peak of number 12. [47] The following week, the song dropped to number 29 on the chart, [48] before dropping outside the top 40 two weeks later. [47]
Aside from the regular version of the song, an official remix of "Loverboy" was included on Glitter. The song's main remix, titled "Loverboy Remix", uses the same sample as the album version and retains all of Carey's original vocals. It has a different introduction, the singing and spoken parts of Cameo are greatly reduced (and are not credited), and additional raps are included by Da Brat, Ludacris, Shawnna, and Twenty II. NME writer Elios Therepio rated the remix five out of ten stars and claimed the song to have been a much weaker lead single than Carey's "Fantasy" (1995). [15] Jim Farber from Daily News criticized Brat's verse, writing how it "cut right through" the production. [35] The Morning Call 's Len Righi described the remix as "cloddish", [49] while Jim Abbott from the Orlando Sentinel felt the song's guests "upstaged" Carey. [50]
Two music videos, both directed by David LaChapelle, were shot for the song and its accompanying remix and premiered on Total Request Live on June 8, 2001. [3] The videos introduced a less demure image of Carey, one that received negative backlash from critics. She appears in the video with a lighter hair color than she had sported in the past and wearing a series of revealing ensembles. Reviewers disregarded Carey's newer image, primarily her double-handkerchief bra, and likened her to younger pop singers such as Britney Spears, which they felt cheapened the singer. The video begins with Cameo frontman Larry Blackmon driving all over a racetrack, while Carey, dressed in revealing clothing, is shown singing in various "car girl" positions at the track on a hot summer day. [51] She flags down cars as the "flag girl" and dances as a "tire girl" in a kaleidoscope-inspired sequence, before jumping out of a pop out cake to the roars of the crowd below.
Several other scenes of Carey in a pink jumpsuit while riding on top of a race-car are shown, during which Blackmon continues the race. A video was also made for the remix and retains most of the shots of the original. In it, Ludacris and Shawnna can be seen rapping together as they ride in an old car, while Da Brat and Twenty II rap together in a more modern car without a hood.
The music video for "Loverboy" received generally negative reviews from critics, many of whom felt Carey was portrayed in an overtly sexual manner. A writer from The Guardian criticized the video, calling it "wacky" and describing Carey's choreography as "running amok". [30] Slant Magazine's Sal Cinquemani felt the video was "brilliantly over-the-top", [52] while an anonymous columnist from NME commented that it would cause male viewers to "play with themselves" after watching. [15] In a countdown of "The 5 Least Sexiest Music Videos", Priya Elan from NME included the video at number three, writing how the singer "spins with the mad-eyed grace of someone who hasn't been to sleep for 72 hours" (referring to Carey's mention of insomnia as a reason for her breakdown). [53] Japiya Burns of The Michigan Daily was critical of Carey's portrayal in the video, primarily her double-handkerchief bra. He felt that in doing so, Carey was cheapening herself and her image to resemble younger pop singers such as Britney Spears. [54]
At the time of its release, Carey did not perform "Loverboy" live. The first performance of the song came 5 months later at a private special concert for the US troops at Camp Bondsteele in Kosovo. Carey also performed her single at the time "Never Too Far / Hero Medley", "My All", a snippet of "Santa Claus Is Comin' to Town" and "All I Want for Christmas Is You". 15 years later, it was performed again on Carey's Sweet Sweet Fantasy Tour in 2016, this time as part of the Car Ride medley. [55] Three years later, it was also performed as part of the #JusticeForGlitter medley of Carey's Caution World Tour. [56]
Australian CD single [57]
Australian promo CD single [58]
Japanese CD single [59]
European CD maxi-single [60]
| European CD single [61]
UK 12-inch vinyl single [62]
UK promo maxi-single [63]
US CD maxi-single [64]
Japanese Limited Edition 2020 Cassette Single [13]
|
Credits for Glitter adapted from the album's liner notes. [65]
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [106] | Gold | 35,000^ |
South Africa (RISA) [107] | Gold | 25,000 [107] |
United States (RIAA) [37] | Gold | 571,000 [36] |
^ Shipments figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
Europe | June 7, 2001 | Radio airplay | Virgin | |
United States | June 19, 2001 |
| ||
Italy | July 1, 2001 | Digital download | EMI | |
Europe | July 9, 2001 | |||
Australia | July 16, 2001 | CD | ||
United Kingdom | Virgin | |||
United States | July 17, 2001 |
| ||
Japan | July 18, 2001 | CD | Sony Music Japan |
Glitter is a 2001 American romantic musical drama film starring Mariah Carey, Terrence Howard and Max Beesley, written by Kate Lanier, and directed by Vondie Curtis Hall. Carey plays Billie Frank, an aspiring singer who, along with her friends Louise and Roxanne, is a club dancer. Timothy Walker offers them a contract as backup singers/dancers to another singer. At the premiere of the song they record, Billie meets Julian "Dice" Black, a nightclub DJ, who helps her in her solo career. In the process, Billie and Dice fall in love.
"It's Like That" is a song by American singer-songwriter Mariah Carey from her tenth studio album, The Emancipation of Mimi (2005). Written by Carey, Jermaine Dupri, Manuel Seal, and Johntá Austin, and produced by Carey, Dupri, and Seal, the song borrows the hook "It's Like That Y'all" from the Run–D.M.C. tracks "Hollis Crew" and "Here We Go (Live)". Several other tracks were contenders for the album's lead single. However, plans were changed when Island Def Jam Music head L.A. Reid suggested to Carey she record a few more strong songs to ensure the album's success, thus "It's Like That" was written and chosen as the album's lead single, being released on January 25, 2005.
"Thank God I Found You" is a song by American singer-songwriter Mariah Carey, featuring guest vocals from R&B singer Joe and American boy band 98 Degrees. It was released on November 15, 1999, through Columbia Records, as the second single from her seventh studio album, Rainbow (1999). Written and produced by Carey alongside Jimmy Jam and Terry Lewis, the song is a soulful pop power ballad with lyrics depicting a powerful love relationship in which the protagonist tells her lover "thank God I found you", that was inspired by a relationship Carey was going through at the time.
"Heartbreaker" is a song by American singer-songwriter Mariah Carey featuring American rapper Jay-Z for her seventh studio album Rainbow (1999). It was released on August 23, 1999, by Columbia Records as the lead single from Rainbow. The song was written by the artists and produced by Carey and DJ Clue, with additional writers being credited for the hook being built around a sample from "Attack of the Name Game" by Stacy Lattisaw. "Heartbreaker" pushed Carey even further into the R&B and hip hop market, becoming her second commercial single to feature a rapper. Lyrically, the song describes lovesickness towards an unfaithful partner.
"Never Too Far" is a song recorded by American singer and songwriter Mariah Carey for her first soundtrack and eighth studio album Glitter (2001). It was written and produced by herself and Jimmy Jam and Terry Lewis. The song was released as the album's second single on August 14, 2001 by Virgin Records. The song is a mid-tempo ballad which lyrically deals with heartbreak. "Never Too Far" was used on the charity single "Never Too Far/Hero Medley", which combines the first verse of the song with a re-recorded version of the first verse and bridge of Carey's previous single "Hero" (1993).
"Don't Stop " is a song by American singer and songwriter Mariah Carey, featuring Mystikal, from her first soundtrack and eighth studio album Glitter (2001). It was written by herself, DJ Clue, Duro, and Mystikal, while production was handled by the former three. The song is built around a sample of the 1980 song "Funkin' for Jamaica (N.Y.)" produced by Tom Browne and Toni Smith, who are credited as co-writers. It was released as the album's third single on September 11, 2001 by Virgin Records America. The song features Mystikal evoking his past single "Shake Ya Ass" during his verses, while Carey tells him "don't stop".
"Never Too Far/Hero Medley" is a medley recorded by American singer and songwriter Mariah Carey, released as a charity single on December 11, 2001 by Virgin Records in the US. It is also included as a bonus track in the Japanese release of Carey's Greatest Hits (2001). The medley combines the first verse and chorus of "Never Too Far", co-written and co-produced by Carey and Jimmy Jam and Terry Lewis, with a re-recorded version of the first verse, chorus and bridge of "Hero", written and produced by Carey and Walter Afanasieff. As the latter did not receive co-production credits due to the change in instrumentation, Randy Jackson was named as producer alongside Carey instead. The single was meant to express a message of unity and love in the aftermath of the September 11 attacks.
American singer Mariah Carey has released 88 official singles, 22 promotional singles, and has made 30 guest appearances. Her self-titled debut album in 1990 yielded four number-one singles on the Billboard Hot 100, the first being "Vision of Love", a song credited with revolutionizing the usage of distinguished vocal stylings, predominantly the practice of melisma, and effectively influencing virtually every female R&B performer since the 1990s. Subsequent singles "Emotions" (1991) and Carey's cover of the Jackson 5 track "I'll Be There" (1992) continued the singer's streak of US number-one singles, with the latter becoming her fourth chart-topper in Canada and first in the Netherlands. With the release of Carey's third studio album, Music Box (1993), the singer's international popularity surged upon release of "Hero" and the album's third single, her cover of Harry Nilsson's "Without You", which became the singer's first number-one single in several countries across Europe.
The Remixes is the first remix album by American singer and songwriter Mariah Carey, released on June 25, 2003, by Columbia Records. It is primarily a collection of remixes of some of Carey's songs: disc one is compiled of club mixes, while disc two contains Carey's hip hop collaborations and remixes.
"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991 by Columbia Records. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. Jeff Preiss directed the song's music video.
"Dreamlover" is a song recorded by American singer-songwriter and record producer Mariah Carey, released on July 27, 1993 by Columbia Records, as the lead single from the singer's third studio album, Music Box (1993). Its lyrics were written by Carey, with music composed by Carey and Dave Hall, and was produced by Carey, Walter Afanasieff and Hall. The song incorporates a sample of the hook from "Blind Alley" by the Emotions—previously used in "Ain't No Half-Steppin'" (1988) by Big Daddy Kane—into its melody and instrumentation. "Dreamlover" marked a more pronounced attempt on Carey's part to incorporate hip hop into her music, as was seen in her decision to work with Hall, who had previously produced What's the 411? (1992) by Mary J. Blige. This was partly in light of the mixed reception to her previous studio effort Emotions (1991), which featured gospel and 1960s soul influences. Lyrically, the song pictures a protagonist calling for a perfect lover, her "dreamlover," to whisk her away into the night and not "disillusion" her like others in the past.
"My All" is a song by American singer-songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the album's fifth single overall and second commercial single on April 21, 1998, by Columbia Records. The song was written and produced by Carey and Walter Afanasieff. "My All" is built around Latin guitar chord melodies, and makes subtle use of Latin percussion throughout the first chorus, before taking on a more conventional R&B-style beat. Carey was inspired to write the song and use Latin inspired melodies after a trip to Puerto Rico, where she was influenced by the culture. The song's lyrics tell of a lonely woman declaring she would give "her all" to have just one more night with her estranged lover. It is the first song Carey wrote for the Butterfly album.
"Fantasy" is a song by the American singer-songwriter Mariah Carey. It was released on August 23, 1995, by Columbia Records as the lead single from her fifth album, Daydream (1995). The track was written and produced by Carey and Dave Hall. It samples Tom Tom Club's 1981 song "Genius of Love". The lyrics describe a woman who is in love with a man, and how every time she sees him she starts fantasizing about an impossible relationship with him. The remix for the song features rap verses from Ol' Dirty Bastard, something Carey arranged to assist in her crossover into the hip-hop market and credited for introducing R&B and hip hop collaboration into mainstream pop culture, and for popularizing rap as a featuring act.
"Honey" is a song by American singer and songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the lead single from Butterfly on July 29, 1997, by Columbia Records. The song was written and produced by Carey, Sean Combs, Kamaal "Q-Tip" Fareed and Steven "Stevie J" Jordan. The song samples "Hey DJ" by World-Famous Supreme Team and "The Body Rock" by the Treacherous Three. "Honey" was a redefining song in Carey's career, pushing her further into the hip hop scene.
Glitter is the soundtrack to the 2001 film of the same title and the eighth studio album by American singer-songwriter Mariah Carey. It was released in the United States on September 11, 2001 by Virgin Records. Mixing dance-pop, funk, hip hop and R&B, the album was a departure from Carey's previous releases, focusing heavily on a 80's post-disco sound to accompany the film which was set in 1983. The singer collaborated with Jimmy Jam and Terry Lewis and DJ Clue, who also co-produced the album. The album features several musical acts such as Eric Benét, Ludacris, Da Brat, Busta Rhymes, Fabolous, and Ja Rule.
"I'm Real" is the name of two songs recorded by American actress and singer Jennifer Lopez, both primarily for her second studio album, J.Lo (2001). The original song was released as the album's third single; Ja Rule of Murder Inc. Records wrote and was featured on a newly-written song with completely different lyrics and production titled "I'm Real (Murder Remix)", which was featured on a re-issue of J.Lo in July 2001, on Lopez's remix album, J to tha L–O! The Remixes (2002), and on Ja Rule's third studio album, Pain Is Love (2001).
"Touch My Body" is a song by American singer-songwriter Mariah Carey, released as the lead single from her eleventh studio album, E=MC² (2008), on February 12, 2008, by Island Records. Carey co-produced the song with Tricky Stewart, and they co-wrote it with Crystal "Cri$tyle" Johnson and Terius "The-Dream" Nash. The song's lyrics feature a double message, with the first describing sexual fantasies with her lover, while also jokingly warning him against recording or releasing information regarding their rendezvous.
"I'll Be Lovin' U Long Time" is a song recorded by American singer-songwriter Mariah Carey for her eleventh studio album E=MC² (2008). It was produced by Carey, Aldrin Davis, who wrote it alongside Crystal Johnson and Clifford Harris. As the song's hook and instrumentation is derived from sampling DeBarge's "Stay with Me", Mark DeBarge and Etterlene Jordan also share songwriting credits. Lyrically, the song demonstrates the lengths the protagonist will go for her lover. It was released as the third single from E=MC² on July 1, 2008, by Island Records; its remix featuring T.I. was simultaneously released.
The Rarities is the eighth compilation album by American singer-songwriter Mariah Carey, released on October 2, 2020, by Columbia Records and Legacy Recordings. The album coincided with Carey's 2020 memoir The Meaning of Mariah Carey, which discussed various songs on the albums, their meanings and stories. The album was released as a part of "#MC30", a promotional marking campaign which marked the 30th anniversary of Carey's self-titled debut album.
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