"Open Arms" | ||||
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Single by Journey | ||||
from the album Escape and Heavy Metal: Original Film Soundtrack | ||||
B-side | "Little Girl" | |||
Released | January 8, 1982 (US) [1] | |||
Recorded | 1981 | |||
Genre | Soft rock [2] | |||
Length | 3:18 | |||
Label | Columbia | |||
Songwriter(s) | ||||
Producer(s) |
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Journey singles chronology | ||||
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"Open Arms" is a song by American rock band Journey. It was released as a single from the Heavy Metal soundtrack and their 1981 album, Escape . Co-written by band members Steve Perry and Jonathan Cain, the song is a power ballad whose lyrics attempt to renew a drifting relationship. It is one of the band's most recognizable radio hits and their biggest US Billboard Hot 100 hit, reaching number two in February 1982 and holding that position for six weeks (behind "Centerfold" by the J. Geils Band and "I Love Rock 'n' Roll" by Joan Jett and the Blackhearts). [3] It also reached number two in Canada.
"Open Arms" has been covered by various recording artists. American singer-songwriter Mariah Carey enjoyed an international hit with the song in 1996; hers is arguably the best-known version of the song in the United Kingdom, where it reached number 4 on the UK Singles Chart. The song has also been covered by such artists as American singer and songwriter Barry Manilow, R&B group Boyz II Men, American country music legend Dolly Parton, and Canadian singer Celine Dion. It is a favorite on reality television singing competitions as well, being performed by contestants on US shows The Voice and American Idol , and on the UK's The X Factor.
Journey's recording of "Open Arms" has been described as one of the greatest love songs ever written; [4] [5] VH1 named the song as the greatest power ballad of all time. [6] Mike DeGagne of AllMusic described it as "one of rock's most beautiful ballads", which "gleams with an honesty and feel only Steve Perry could muster." [7]
Journey recorded "Open Arms" for their seventh studio album, Escape , which was produced by Kevin Elson and Mike Stone. Jonathan Cain had begun writing the song while he was still a member of The Babys, but Babys vocalist/bassist John Waite turned down the melody as "sentimental rubbish." Cain eventually finished the song with Steve Perry during the writing sessions for Escape, changing the key from A to D and changing the melody slightly, [8] but it was almost left off the album; Journey's guitarist Neal Schon reportedly disliked the song because "it was so far removed from anything [Journey] had ever attempted to record before." [8] Drummer Steve Smith recalls that Schon noted that it "sounds kinda Mary Poppins," [8] added to which the other members of the band were against the idea of performing ballads. [9]
In 2005 Perry commented on the emotions he felt while producing Live in Houston 1981: The Escape Tour and listening to the band performing the song 24 years previously: "I had to keep my head down on the console when 'Open Arms' was on. There is one line in the song that I always wanted to be a certain way. I have ideals about certain things. The line 'wanting you near' — I just wanted that line to go up and soar. I wanted it to be heartfelt. Every time it would come by I would just have to keep my head down and try to swallow the lump in my throat. I felt so proud of the song." [10]
In the Journey episode of VH1's Behind the Music , Perry recalls the recording sessions for the song becoming an ordeal; Schon taunted Perry and Cain in the studio. But when the band performed it in concert for the first time during their Escape Tour in the fall of 1981, the audience was thunderstruck, much to Schon's disbelief. After two encores, the band left the stage and Schon suddenly said, "Man, that song really kicked ass!" Perry recalled being incensed at Schon's hypocrisy. "I looked at him, and I wanted to kill him," he later said. [8]
During an episode of the radio show In the Studio with Redbeard devoted to the album Escape, Jonathan Cain said he was ill with a bad cold when he recorded the piano track to "Open Arms" and wanted to re-do the track. Everybody else disagreed and they used the track Cain recorded while "under the weather".
"Open Arms" was used on the soundtrack to the animated Canadian film Heavy Metal (released to theatres in August 1981), and it was released as the third single from Escape in January 1982 in the United States. It was also featured on two occasions during scenes of the 1982 film The Last American Virgin . It became one of Journey's biggest singles there, and the most successful of the five singles released from Escape (only one other, "Who's Crying Now", reached the top five). It stayed at number 2 for six weeks on the Billboard Hot 100, kept from the number one spot by "Centerfold" by the J. Geils Band and "I Love Rock 'n' Roll" by Joan Jett and the Blackhearts, and it was also a top ten hit on Hot Adult Contemporary Tracks. The single was less successful on the Hot Mainstream Rock Tracks, only reaching the top forty.
The song and its status as a power ballad has been remembered years following its original release. One critic praised "Open Arms" as "a lyrical rock ballad and one of the band's best-written songs", [11] while the Associated Press wrote that the song was "fueled by Perry's operatic, high-flying vocal style." [12] It has also been referred to as a "wedding anthem" (in a December 2005 Lumino article [13] ), and VH1 placed the song at number 1 on their "25 Greatest Power Ballads" list. [14] AllMusic said "One of rock's most beautiful ballads, 'Open Arms' gleams with an honesty and feel only Steve Perry could muster," [15] and a review of a Journey concert in the Atlanta Journal-Constitution characterized the song as a "classic ballad". [16] Steve Perry told the Boston Globe , "I can't tell you how many times I get a tap on the shoulder and somebody says...'This was my prom song'." [17] Billboard called it a "sentimental ballad featuring some delicate keyboard work and Steve Perry's seductive vocal." [18] The song was later included on Journey's box set Time3 (1992) and the compilation album The Essential Journey (2001).
In 2003 American Idol contestant Clay Aiken performed [19] the song during a key semi-final round of the show, and later in a duet with fellow Idol Kelly Clarkson (the winner from the previous year) on their joint February—April 2004 concert tour. "Open Arms" was included on the set list for Britney Spears' 1999 ...Baby One More Time Tour, and it was also used as the love theme for Japanese director Eiichiro Hasumi's film Umizaru (2004). [20] Matt Stone and Trey Parker, the creators of the animated television comedy South Park , frequently reference and parody Journey and their music in their work. In Episode 132 of South Park, entitled "Erection Day" (2005), a little girl playing piano in a talent competition begins to sing the opening to "Open Arms" ("Lying beside you, here in the dark...") before the scene ends. In the 2007 film I Now Pronounce You Chuck and Larry the song is played during a gay benefit costume party. "Open Arms" is one of twelve greatest hits re-recorded by Journey featuring current lead vocalist Arnel Pineda on the second disc of their latest 2008 album Revelation . The song also appeared in the 1982 film The Last American Virgin as well as a 1982 episode of the US daytime soap opera General Hospital . The song was used in the Season 3 finale of Cobra Kai .
Weekly charts
| Year-end charts
Certifications
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"Open Arms" | ||||
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Single by Mariah Carey | ||||
from the album Daydream | ||||
B-side |
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Released | December 5, 1995 | |||
Recorded | 1995 | |||
Length | 3:30 | |||
Label | Columbia | |||
Songwriter(s) | ||||
Producer(s) |
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Mariah Carey singles chronology | ||||
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Audio | ||||
"Open Arms" on YouTube |
Mariah Carey co-produced her cover of the song with Walter Afanasieff for her fifth album, Daydream (1995). Carey's career has crossed paths with Journey's: the band's drummer Steve Smith played drums on many of her earlier singles, and its bassist for a short period in the mid-1980s, Randy Jackson, has worked with her for a long time.
The song was released as the album's third single between late 1995 and early 1996 by Columbia Records in most markets outside the United States. It became a number 4 hit in the United Kingdom and was performed live on the BBC's flagship chart television show, Top of the Pops . It also reached the top-ten in Ireland, Poland and New Zealand; and the top-twenty in Iceland and the Netherlands. The single's music video, directed by Larry Jordan, is a live performance of the song by Carey at Madison Square Garden. The video for the Spanish version of the song, "El Amor Que Soñé", was recorded after the MSG show as Mariah performed to the studio track.
While recording for the album, Carey expressed the desire to cover the song, saying: "I've always loved Steve Perry's voice, I think he's really an amazing singer. [...] I have a lot of good memories of growing up listening to that song and I always used to sing it and think that it would be a great singer song, kind of a great performance song.” [35] Together with Walter Afanasieff, they toned down the song's arrangement, making it a bit glossy, especially in comparison to the "raw and powerful 'One Sweet Day.'" [35] Additionally, with the help of her background singers, Carey added a touch of gospel to the song. [35] Lyrically, the song presents Mariah crying out "in humility for a relationship to be restored." [36]
Released as the album's third single in the United Kingdom, Australia and Europe in general, "Open Arms" received a CD single release in December 1995, [37] whilst the radio release in the UK occurred in early February 1996. [38] A UK CD single for "Open Arms" included the Daydream track "I Am Free" and live versions of "Fantasy" and "Vision of Love" (1990). [39] Another version of the CD single comprised the album cuts of "Hero" (1993) and "Without You" (1994), and a radio edit of "I'll Be There" (1992). [40] A Spanish version of the song titled "El Amor Que Soñé" ("The Love I Dreamt Of") was also released on Australian's editions of the single, [41] as well as Spanish and Latin American re-editions of Daydream. [42]
The cover was universally panned by critics. Bill Lamb felt it was "simply an uninspired song selection." [43] Stephen Thomas Erlewine of Allmusic also criticized the cover, calling it "second rate". [44] "Open Arms" received a negative review from Stephen Holden as well, who called it a "sobbing remake". [45] Rolling Stone called it an "ill-advised" cover. [46] A Billboard reviewer was more favorable, labelling it a "reverent rendition". [47] Mike Wass of Idolator ranked it at number 4 on his list of Carey's best covers. [48]
UK sales for the song stand at 105,000 units. [49]
UK CD (Part 1) / Australian CD/Cassette (Part 1)
UK CD (Part 2)
Australian CD/Cassette (Part 2)
UK Cassette Single
European CD Single
European CD Maxi-Single / European 12" Single
Weekly charts
| Year-end charts
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Mariah Carey is an American singer, songwriter, record producer, and actress. Dubbed the "Songbird Supreme" by Guinness World Records, Carey is known for her five-octave vocal range, melismatic singing style and signature use of the whistle register. An influential figure in music, she was ranked as the fifth greatest singer of all time by Rolling Stone in 2023.
Departure is the sixth studio album by American rock band Journey. It was released on February 29, 1980, by Columbia Records.
Journey is an American rock band formed in San Francisco in 1973 by former members of Santana, the Steve Miller Band, and Frumious Bandersnatch. The band as of 2024 consists of Neal Schon on guitars and vocals ; Jonathan Cain on keyboards, guitars and vocals; Deen Castronovo on drums and vocals; Arnel Pineda on lead vocals; Jason Derlatka on keyboards and vocals; and Todd Jensen on bass.
"Can't Take That Away (Mariah's Theme)" is a song recorded by American singer-songwriter Mariah Carey for her seventh studio album Rainbow (1999). The song was written by Carey and Diane Warren, and produced by Carey and Jimmy Jam and Terry Lewis. It was released as the third single from Rainbow and a double A-side with "Crybaby" on April 17, 2000, by Columbia Records. The song is a ballad, blending pop and R&B beats while incorporating its sound from several instruments including the violin, piano and organ. Lyrically, the song speaks of finding inner strength, and not allowing others to tear away your dreams.
Daydream is the fifth studio album by American singer-songwriter Mariah Carey, released on September 26, 1995, by Columbia Records. The follow-up to her internationally successful studio album Music Box (1993), and the holiday album Merry Christmas (1994), Daydream differed from her previous releases by leaning increasingly towards urban music. Throughout the project, Carey collaborated with Walter Afanasieff, with whom she wrote and produced most of her previous albums. With Daydream, Carey took more control over the musical direction as well as the album's composition. Carey considered the album to be the beginning of her musical and vocal transition, a change that would become more evident in her sixth studio album Butterfly (1997). During the album's production, Carey endured many creative differences with her label and then-husband Tommy Mottola. On Daydream, Carey collaborated with Jermaine Dupri, Kenneth "Babyface" Edmonds, and R&B group Boyz II Men. With Afanasieff's assistance and the addition of a few contemporary producers, she was able to make a subtle transition into the contemporary R&B market, after previously only pursuing pop, adult contemporary and traditional R&B music.
"Forever" is a rock and roll and pop song recorded by American singer Mariah Carey for her fifth studio album, Daydream (1995). Columbia Records released it to American radio stations for airplay on June 18, 1996, as the album's fifth single. The lyrics, written by Carey, are about one's continued affection despite the end of a romantic relationship. She composed the music and produced the song with Walter Afanasieff. Described by critics as referencing American music of the 1950s and 1960s, "Forever" is a doo-wop-influenced sentimental ballad in the form of a waltz. Its composition includes keyboards, guitars, and programming.
"Bringin' On the Heartbreak" is a song by English rock band Def Leppard. A power ballad, it was the second single from their 1981 album High 'n' Dry. The song was written by three of the band's members, Steve Clark, Pete Willis and Joe Elliott.
"Never Too Far" is a song recorded by American singer-songwriter Mariah Carey for her first soundtrack and eighth studio album Glitter (2001). It was written and produced by herself and Jimmy Jam and Terry Lewis. The song was released as the album's second single on August 14, 2001, by Virgin Records. The song is a mid-tempo ballad which lyrically deals with heartbreak. "Never Too Far" was used on the charity single "Never Too Far/Hero Medley", which combines the first verse of the song with a re-recorded version of the first verse and bridge of Carey's previous single "Hero" (1993).
"The Roof (Back in Time)" is a song by American singer-songwriter Mariah Carey, taken from her sixth studio album, Butterfly (1997). Columbia Records released it in Europe as the album's fourth single on March 16, 1998. The song was written and produced by Carey and Trackmasters, and is built around a sample from "Shook Ones (Part II)" (1995) by American hip hop duo Mobb Deep. The song's lyrics recount an intimate roof-top encounter between lovers, and how the memory affects the protagonist. The extended remix features a rap verse by Mobb Deep; both versions were praised by contemporary music critics.
"Butterfly" is a song recorded by American singer Mariah Carey for her sixth studio album Butterfly (1997). Columbia Records released it as the second single from the album in September 1997. Written by Carey from the perspective of her husband, Columbia executive Tommy Mottola, the lyrics are about what she wished he would have told her amid their separation. Carey worked with Walter Afanasieff to produce the song and compose its music, which features keyboards, synthesizers, and programmed drums. She adopts a restrained vocal style that gradually evolves from whispers at the beginning to chest voice near its conclusion. A pop, gospel, and R&B ballad, "Butterfly" was originally conceived as the house record "Fly Away". Carey co-produced the latter with David Morales; it appears on both the album and as the single's B-side.
"Make It Happen" is a song by American singer-songwriter Mariah Carey. Written and produced by Carey and C+C Music Factory's David Cole and Robert Clivillés. It was released on April 4, 1992, by Columbia Records as the third and final single from her second studio album, Emotions (1991). The pop-, R&B-, and dance-influenced track incorporates traces of gospel in its bridge and crescendo. Described by author Chris Nickson as Carey's most personal and inspirational song, it tells of her personal struggles prior to her rise to fame, and how her faith in God helped sustain her.
"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991, by Columbia Records. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. Jeff Preiss directed the song's music video.
"Vision of Love" is the debut single by American singer-songwriter Mariah Carey, recorded for her eponymous debut studio album (1990). It was written by Carey and Ben Margulies. After being featured on Carey's demo tape for Columbia Records, the song was re-recorded and produced by Rhett Lawrence and Narada Michael Walden. The song features a slow-dance theme tempo and backing vocals sung by Carey, and introduces her usage of the whistle register. The lyrics of the song represent her past life filled with "alienation" and how she had dreamed of achieving her triumph over adversity up to the moment when it finally came to fruition as the "vision of love" that she had always believed in, despite everything that she has had to deal with in life. The song was released as the lead single from Mariah Carey on May 15, 1990, by Columbia Records.
"My All" is a song by American singer-songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the album's fifth single overall and second commercial single on April 21, 1998, by Columbia Records. The song was written and produced by Carey and Walter Afanasieff. "My All" is built around Latin guitar chord melodies, and makes subtle use of Latin percussion throughout the first chorus, before taking on a more conventional R&B-style beat. Carey was inspired to write the song and use Latin inspired melodies after a trip to Puerto Rico, where she was influenced by the culture. The song's lyrics tell of a lonely woman declaring she would give "her all" to have just one more night with her estranged lover. It is the first song Carey wrote for the Butterfly album.
"Fantasy" is a song by the American singer-songwriter Mariah Carey. It was released on August 23, 1995, by Columbia Records as the lead single from her fifth album, Daydream (1995). The track was written and produced by Carey and Dave Hall. It samples Tom Tom Club's 1981 song "Genius of Love". The lyrics describe a woman who is in love with a man, and how every time she sees him she starts fantasizing about an impossible relationship with him. The remix for the song features rap verses from Ol' Dirty Bastard, something Carey arranged to assist in her crossover into the hip-hop market and credited for introducing R&B and hip hop collaboration into mainstream pop culture, and for popularizing rap as a featuring act.
"One Sweet Day" is a song by American singer-songwriter Mariah Carey and American vocal group Boyz II Men. The song was released on November 14, 1995, as the second single from the former's fifth studio album, Daydream (1995) by Columbia Records. The artists co-wrote the song with Walter Afanasieff, who co-produced it with Carey. Lyrically, the song speaks about the death of a loved one, how the protagonist took their presence for granted and misses them, and finally about seeing the person in heaven. The artists wrote the song about specific people in their lives, being inspired by sufferers of the AIDS epidemic, which was globally prevalent at the time.
"Always Be My Baby" is a song by American singer-songwriter Mariah Carey from her fifth studio album, Daydream (1995). Written by Carey, Jermaine Dupri and Manuel Seal, and produced by Carey and Dupri, It was released by Columbia Records on February 20, 1996, as the album's third single in the United States and fourth single internationally. A midtempo pop and R&B ballad, "Always Be My Baby" describes the attachment the singer feels towards an estranged lover, while confidently asserting that they will eventually reunite. Described by critics as both a love song and a breakup song, its composition is characterized by piano keyboards, drums, acoustic guitars, and layered background vocals.
"Never Forget You" is a song recorded by American singer-songwriter Mariah Carey for her third studio album, Music Box (1993). Carey co-wrote the slow jam with Babyface and the pair produced it with Daryl Simmons. Columbia Records released the song on January 21, 1994, as the B-side to "Without You" and promoted it to American urban contemporary radio stations as the album's fourth single. The lyrics lament the end of a romance. Strings, synthesizers, and percussion characterize the composition; Jermaine Dupri altered them for remixes.
"Any Way You Want It" is a song by American rock band Journey, released in February 1980 as the lead single from the band's sixth album Departure (1980). Written by lead singer Steve Perry and guitarist Neal Schon, it peaked at number 23 on the US Billboard Hot 100 chart.
"Underneath the Stars" is a song by American singer-songwriter Mariah Carey. The song was written and produced by Carey and Walter Afanasieff, for her fifth studio album, Daydream (1995). It was released as a promotional single on November 19, 1996, through Columbia Records, and as a B-side to "Forever" in Australia. The R&B-influenced song, which has been considered by Carey as one of her personal favorites, features a soft and retro-style melody and had music critics drawing comparisons to earlier works from Minnie Riperton, one of Carey's vocal inspirations.