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An organ symphony is a piece for solo pipe organ in various movements. It is a symphonic genre, not so much in musical form (in which it is more similar to the organ sonata or suite), but in imitating orchestral tone color, texture, and symphonic process.
Though the very first organ symphony was written by German composer Wilhelm Valentin Volckmar in 1867, the genre is mainly associated with French romanticism. César Franck wrote what is considered to be the first French organ symphony in his Grande Pièce Symphonique several years earlier, and the composers Charles-Marie Widor, who wrote ten organ symphonies, and his pupil Louis Vierne, who wrote six, continued to cultivate the genre. Modern composers such as Jean Guillou have written organ symphonies as well.
The term organ symphony is also used occasionally to refer to orchestral symphonies with a prominent solo role for an organ (as distinct from an organ concerto). The best known examples of such pieces are Camille Saint-Saëns's Symphony No. 3 and the Symphony for Organ and Orchestra by Aaron Copland, though strictly speaking such pieces are closer in form to orchestral symphonies than to the solo organ works described above.
This page lists the best known symphonies for solo pipe organ and symphonies for orchestra and organ. Organ concertos (such as those by George Frideric Handel, Francis Poulenc, and David Briggs) are not listed here; neither are orchestral symphonies featuring calling for organ where the organ does not have a prominent solo part (such as those by Gustav Mahler or Arnold Bax).
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section, brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts.
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