The following is a list of choral symphonies.
The following is a list of choral symphonies.
Works are listed in chronological order. Works with an asterisk (*) indicate that text is used throughout the entire composition.
Works are listed in chronological order. These works are scored without orchestra, but the composers nevertheless titled or sub-titled them as symphonies. [3]
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A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section, brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts.
Symphony No. 6 may refer to:
Symphony No. 7 may refer to:
Symphony No. 4 may refer to:
Symphony No. 9 may refer to:
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. They are often viewed as equivalent to or surpassing the American Grammy award, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
Symphony No. 10 may refer to:
Mieczysław Weinberg was a Polish-born Soviet composer and pianist.
Symphony No. 1 may refer to:
Rued Langgaard was a late-Romantic Danish composer and organist. His then-unconventional music was at odds with that of his Danish contemporaries but was recognized 16 years after his death.
E-flat major is a major scale based on E♭, consisting of the pitches E♭, F, G, A♭, B♭, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E♭ minor,.
Lobgesang, Op. 52, is an 11-movement "Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra" by Felix Mendelssohn. After the composer's death it was published as his Symphony No. 2 in B-flat major, a naming and a numbering that are not his. The required soloists are two sopranos and a tenor. The work lasts almost twice as long as any of Mendelssohn's purely instrumental symphonies.
The E-flat clarinet is a member of the clarinet family, smaller than the more common B♭ clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing instrument in E♭ with a sounding pitch a minor third higher than written. In Italian it is sometimes referred to as a terzino and is generally listed in B♭-based scores as terzino in Mi♭. The E-flat clarinet has a total length of about 49 cm.
A choral symphony is a musical composition for orchestra, choir, and sometimes solo vocalists that, in its internal workings and overall musical architecture, adheres broadly to symphonic musical form. The term "choral symphony" in this context was coined by Hector Berlioz when he described his Roméo et Juliette as such in his five-paragraph introduction to that work. The direct antecedent for the choral symphony is Ludwig van Beethoven's Ninth Symphony. Beethoven's Ninth incorporates part of the Ode an die Freude, a poem by Friedrich Schiller, with text sung by soloists and chorus in the last movement. It is the first example of a major composer's use of the human voice on the same level as instruments in a symphony.
The International Classical Music Awards (ICMA) are music awards first awarded 6 April 2011. ICMA replace the Cannes Classical Awards formerly awarded at MIDEM. The jury consists of music critics of magazines Andante, Crescendo, Fono Forum, Gramofon, Kultura, Musica, Musik & Theater, Opera, Pizzicato, Rondo Classic, Scherzo, with radio stations MDR Kultur (Germany), Orpheus Radio 99.2FM (Russia), Radio 100,7 (Luxembourg), the International Music and Media Centre (IMZ) (Austria), website Resmusica.com (France) and radio Classic (Finland).
In music, Op. 111 stands for Opus number 111. Compositions that are assigned this number include:
Talia Or is an Israeli-born operatic and concert soprano based in Germany. Her repertoire ranges from concert and lied to contemporary music. She is a lecturer on singing at Musikhochschule München.