John William Coltrane was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Kai Chresten Winding was a Danish-born American trombonist and jazz composer. He is known for his collaborations with fellow trombonist J. J. Johnson. His version of "More", the theme from the movie Mondo Cane, reached in 1963 number 8 in the Billboard Hot 100 and remained his only entry here.
Gerald Joseph Mulligan, also known as Jeru, was an American jazz saxophonist, clarinetist, composer and arranger. Though primarily known as one of the leading jazz baritone saxophonists—playing the instrument with a light and airy tone in the era of cool jazz—Mulligan was also a significant arranger working with Claude Thornhill, Miles Davis, Stan Kenton, and others. His piano-less quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz ensembles. Mulligan was also a skilled pianist and played several other reed instruments. Several of his compositions including "Walkin' Shoes" and "Five Brothers", have become standards.
Callen Radcliffe Tjader Jr. was an American Latin Jazz musician, often described as the most successful non-Latino Latin musician. He explored other jazz idioms, especially small group modern jazz, even as he continued to perform music of Africa, the Caribbean and Latin America.
Stephen Cuthbert Vivian Dodgson was a British composer and broadcaster. Dodgson's prolific musical output covered most genres, ranging from opera and large-scale orchestral music to chamber and instrumental music, as well as choral works and song. Three instruments to which he dedicated particular attention were the guitar, harpsichord and recorder. He wrote in a mainly tonal, although sometimes unconventional, idiom. Some of his works use unusual combinations of instruments.
Benjamin Frankel was a British composer. His best known pieces include a cycle of five string quartets, eight symphonies, and concertos for violin and viola. He was also notable for writing over 100 film scores and working as a big band arranger in the 1930s. During the last 15 years of his life, Frankel also developed his own style of 12-note composition which retained contact with tonality.
Franciscus ("Frans") Jozef Brüggen was a Dutch conductor, recorder player and baroque flautist.
Overdubbing is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers.
Arnold Atkinson Cooke was a British composer, a pupil of Paul Hindemith. He wrote a considerable amount of chamber music, including five string quartets and many instrumental sonatas, much of which is only now becoming accessible through modern recordings. Cooke also composed two operas, six symphonies and several concertos.
Michala Petri is a Danish recorder player. Her debut as a soloist was in 1969. She is the step-granddaughter of Danish actress Ingeborg Brams.
Conrad Henry Kirnon known professionally as Connie Kay, was an American jazz and R&B drummer, who was a member of the Modern Jazz Quartet.
The Hollywood String Quartet (HSQ) was an American string quartet founded by violinist/conductor Felix Slatkin and his wife cellist Eleanor Aller. The Hollywood String Quartet is considered to be the first American-born and trained classical music chamber group to make an international impact, mainly through its landmark recordings. These recordings have long been regarded as among the most outstanding recorded performances of the string quartet repertoire.
An electric sitar is a type of electric guitar designed to mimic the sound of the sitar, a traditional musical instrument of India. Depending on the manufacturer and model, these instruments bear varying degrees of resemblance to the traditional sitar. Most resemble the electric guitar in the style of the body and headstock, though some have a body shaped to resemble that of the sitar.
The Amsterdam Loeki Stardust Quartet is a professional Dutch recorder quartet.
The Melos Ensemble is a group of musicians who started in 1950 in London to play chamber music in mixed instrumentation of string instruments, wind instruments and others. Benjamin Britten composed the chamber music for his War Requiem for the Melos Ensemble and conducted the group in the first performance in Coventry.
Alan Shulman was an American composer and cellist. He wrote a considerable amount of symphonic music, chamber music, and jazz music. Trumpeter Eddie Bailey said, "Alan had the greatest ear of any musician I ever came across. He had better than perfect pitch. I've simply never met anyone like him." Some of his more well known works include his 1940 Neo-Classical Theme and Variations for Viola and Piano and his A Laurentian Overture, which was premiered by the New York Philharmonic in 1952 under the baton of Guido Cantelli. Also of note is his 1948 Concerto for Cello and Orchestra which was also premiered by the New York Philharmonic with cellist Leonard Rose and conductor Dmitri Mitropoulos. Many of Shulman's works have been recorded, and the violinist Jascha Heifetz and jazz clarinetist Artie Shaw have been particular exponents of his work both in performance and on recordings.
Rob du Bois was a Dutch composer, pianist, and jurist.
Karel van Steenhoven is a Dutch recorder player and composer.
Daniël Brüggen is a Dutch recorder player.
Walter Bergmann was a German harpsichord and recorder player, editor and composer who settled in England in 1939. He became a key figure in the revival of interest in the recorder and the counter tenor voice in England after the war.