Ommadawn | ||||
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Studio album by | ||||
Released | November 1975 | |||
Recorded | January–September 1975 | |||
Studio | The Beacon, Kington, Herefordshire The Manor, Shipton-on-Cherwell, Oxfordshire (African drums) | |||
Genre | ||||
Length | 36:41 | |||
Label | Virgin | |||
Producer | Mike Oldfield | |||
Mike Oldfield chronology | ||||
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Singles from Ommadawn | ||||
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Ommadawn is the third studio album by English musician, multi-instrumentalist and songwriter Mike Oldfield, released in November 1975 on Virgin Records. [3]
Ommadawn peaked at No. 4 on the UK Albums Chart, No. 74 in Canada, [4] and No. 146 on the US Billboard 200. The song that concludes "Ommadawn (Part Two)", entitled "On Horseback", was released as a single in November 1975 with Oldfield's non-album track "In Dulci Jubilo". The album reached gold certification by the British Phonographic Industry within two months, signifying 100,000 copies sold. In 2010, Mercury Records issued a remastered edition containing new stereo and 5.1 surround sound mixes by Oldfield and extra material. Oldfield had wanted to make Amarok (1990) a sequel album to Ommadawn, but the idea was not realised until he released Return to Ommadawn (2017).
By the end of 1974, Oldfield had been propelled to worldwide fame by the unexpected critical and commercial success of his debut studio album, Tubular Bells (1973). He followed it with Hergest Ridge (1974), which generated a more negative critical reaction in comparison. That disappointed him, but led to a creative period as he vowed to deliver a follow-up that was "worthwhile and successful", proving that he was not a one-hit wonder with the success of Tubular Bells. [5] When Oldfield started to work on new music for Ommadawn, he wanted to avoid professional studios and persuaded his label, Virgin Records, to install a 24-track studio at The Beacon, his home near Kington, Herefordshire. [5] Oldfield recorded Ommadawn at The Beacon between January and September 1975; . [6] The African drums were recorded at The Manor in Shipton-on-Cherwell, Oxfordshire, where Oldfield had recorded Tubular Bells and Hergest Ridge, and which was chosen due to there not being enough space at The Beacon to accommodate the additional instruments and equipment. [5] [7] Oldfield is credited as the album's sole producer and engineer. [6]
Oldfield's mother died shortly after Oldfield had started recording. Later, he recalled that working on his new music at that point provided the only source of comfort for him. [5] He faced a serious technical issue several months in: having almost finished recording side one, the recording tape started to shed its oxide layer, causing irreparable damage. Virgin delivered a machine so that copies of the master tape could be made and Oldfield could carry on working, but the same problem recurred, leaving him with no choice but to start again using a new brand of tape. [5] He believed that the many overdubs he had put down on the track had worn it out. [7]
Oldfield initially felt depressed at having to start again, but then noticed that "something clicked inside of me" and realised that his previous takes had been good practice for the final ones. "All the musical pieces fell into place and the results sounded marvellous." [5] The original version of side one was released on the 2010 remaster as "Ommadawn (Lost Version)". [5] Excerpts from the scrapped version were used in Oldfield's interview on Tony Palmer's documentary series All You Need is Love [8] and in the 1977 film Reflection.
The cover photograph was taken by David Bailey. [6] The album's title was chosen at the end of the production process. Oldfield spotted a collection of words that Irish musician Clodagh Simonds had made up, one of them being ommadawn, and decided to use that. In 1975 he rejected a claim that the title came from the Irish Gaelic word amadán or omadhaun, meaning "fool", [7] but later said that it did mean "idiot." [9] [10] [11]
As with Oldfield's first two albums, Ommadawn is a single same-titled composition divided into Part One and Part Two, each designated to a single side of the LP. "Ommadawn (Part One)" has a length of 19:23 and "Ommadawn (Part Two)" runs for 17:17. [6] The latter ends with a song entitled "On Horseback", written by Oldfield and lyrics by Oldfield and William Murray and, while it was banded separately on vinyl from "Ommadawn (Part Two)", it was only referred to as "the horse song" in the liner notes, only properly credited by name on its accompanying single and on remastered copies of the album released from the 2010s onward. [6] The song relates to Oldfield, Murray, and Leslie Penning's time on horseback along Hergest Ridge. [12]
Most of the instruments that Oldfield played on the album are shown in a photograph featured on his compilation set Boxed (1976). [13]
In his autobiography, Changeling, Oldfield states that he just wanted "sounds", not "sensible" lyrics. He asked Clodagh Simonds, an Irish musician with whom he was working, to come up with something in Irish. She wrote down the first words that came into her head:
Oldfield states that Simonds had telephoned a relative or friend to translate these words into Irish for the song. As the album, like many of Oldfield's at that time, did not have a lyrics sheet, attempts were made to decipher the lyrics; one such attempt which has persisted over the years was:
Ab yul ann idyad awt
En yab na log a toc na awd
Taw may on omma dawn ekyowl
Omma dawn ekyowl
These lyrics are written in an English-based respelling system, but all four lines are easily recognisable as an Irish translation of the English words, although the first two lines have undergone a process of partial scrambling: combinations of vowel + semivowel are kept intact, but otherwise the lines are written backwards (so, e.g., idyad awt corresponds to taw daydi) and some word spaces have been changed. In standard Irish orthography, the lyrics are (with English translation, since the translation does not match the original exactly): [14]
Tá daidí 'na leaba Tá an cat ag ól an bhainne Tá mé an Amadán le Ceol Amadán le Ceol | Daddy's in his bed The cat's drinking the milk I'm the idiot singing (or the singing idiot) Idiot singing (or singing idiot) |
The word idiot (amadán in Irish) was Anglicised into Ommadawn and used as the title of the album. Prior to his autobiography, Oldfield had denied this meaning of ommadawn, calling it a nonsense word, apparently as a ruse to enhance the mystery of his music. [15] [16] [ contradictory ]
Review scores | |
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Source | Rating |
AllMusic | [1] |
In November 1975, Oldfield's non-album track "In Dulci Jubilo" was released with "On Horseback" on the B-side. It went on to peak at No. 4 on the UK singles chart in January 1976.
In 1976, an SQ quadraphonic mix of Ommadawn was released on Oldfield's compilation album Boxed .
In May 1977, the Liffey Light Orchestra performed the album live at Trinity College in Dublin. [17] Oldfield did not tour until 1979; he started to perform excerpts from the album from 1980 onwards.
Paul Stump, in his 1997 History of Progressive Rock, said that "the technically and emotionally polymathic Ommadawn operates on several levels at once, not least because Oldfield states two themes rather than one near the beginning and doesn't try to develop them sequentially over fifty minutes but allows each its space to breathe and display itself, both singularly and with the other." He also praised the album's harmonics and greater economy of expression as compared to Oldfield's first two albums. [18]
Excerpts from Ommadawn appeared in the NASA film The Space Movie (1979). A small portion of Part One was used as the theme to the children's TV show Jackanory on occasions when John Grant narrated his Littlenose stories.
Oldfield had initial ideas to make his later album Amarok (1990) as a sequel to Ommadawn, but the idea fell through. [19] He did not revisit the idea until 2015 when he started recording a true sequel, Return to Ommadawn (2017).
In June 2010, Ommadawn was reissued as Deluxe Edition by Mercury Records as part of Oldfield's remastered album series for the label. The set includes a restored cover artwork, new stereo and 5.1 surround sound mixes completed by Oldfield and bonus material, including the early version of Part One that was scrapped and "In Dulci Jubilo", "First Excursion", "Argiers", and "Portsmouth". [20]
Also in 2010, a limited edition 180-gram vinyl was released as a part of the Back to Black series. [21] The digital edition contains the content from the two CDs of the Deluxe Edition. The Japanese release features the Super High Material CD format.
A limited edition box set of the album was also released in 2010, containing the Deluxe Edition set, a vinyl pressing, and a numbered and signed print of the artwork. The set saw 250 copies made and sold through Oldfield's official website. [22]
All music by Mike Oldfield.
No. | Title | Length |
---|---|---|
1. | "Ommadawn (Part One)" | 19:23 |
No. | Title | Length |
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1. | "Ommadawn (Part Two)" | 17:17 |
Credits are adapted from the 1975 LP liner notes. [6]
Region | Certification | Certified units/sales |
---|---|---|
Netherlands (NVPI) [24] | Gold | 50,000^ |
United Kingdom (BPI) [25] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Michael Gordon Oldfield is an English retired musician, songwriter and producer best known for his debut studio album Tubular Bells (1973), which became an unexpected critical and commercial success. Though primarily a guitarist, Oldfield played a range of instruments, which included keyboards and percussion, as well as vocals. He had adopted a range of musical styles throughout his career, including progressive rock, world, folk, classical, electronic, ambient and new age music.
Sally Patricia Oldfield is an Irish singer-songwriter. She is the sister of composers Mike and Terry Oldfield.
Hergest Ridge is the second studio album by English musician and songwriter Mike Oldfield, released on 30 August 1974 by Virgin Records. The unexpected commercial and critical success of his debut album, Tubular Bells (1973), affected Oldfield, who decided against touring and avoided the press with his newfound fame. Instead, he retreated to Hergest Ridge on the England–Wales border and wrote the follow-up, which he recorded in 1974 at The Manor in Oxfordshire, with Tom Newman returning as co-producer. Similar to Oldfield's first, the album is a single composition split into two parts covering different moods and musical styles.
Incantations is the fourth studio album by English musician, songwriter, and producer Mike Oldfield, released on 1 December 1978 by Virgin Records. Following the release of his previous album Ommadawn (1975), Oldfield moved into a new home in Bisley, Gloucestershire, where he set up a new recording studio. He started on a follow-up in 1977 which took form as a double album with one, side-long track on each side of the LP record. Oldfield wished to use real incantations in the music, but ended up using folklore as a loose running theme, such as Diana the Huntress. Though primarily instrumental, lyrical sections are adapted from works by poets Henry Longfellow and Ben Jonson. Oldfield completed the self-awareness seminar Exegesis while recording Incantations.
Amarok is the thirteenth studio album by English multi-instrumentalist and songwriter Mike Oldfield, released in May 1990 by Virgin Records. Oldfield originally conceived it as an "angry protest album", showcasing his musical technique. It is presented as a single sixty-minute track of continuous, uninterrupted but constantly changing music.
Tubular Bells III is the eighteenth studio album by English guitarist, songwriter, and producer Mike Oldfield. It was released on 31 August 1998 by Warner Music UK as the third instalment in his Tubular Bells album series. After relocating from England to the Spanish island of Ibiza in 1996, Oldfield started work on the album and gained inspiration to incorporate electronic music from the island's local bars and clubs.
Elements – The Best of Mike Oldfield is a compilation album by Mike Oldfield, released in 1993 by Virgin Records.
The Complete Mike Oldfield is a compilation album by Mike Oldfield, released on 21 October 1985 by Virgin Records in the UK.
Thomas Dennis Newman is an English record producer and musician. In 1970 he began working with Richard Branson and helped to found The Manor Studio in Oxford for the nascent Virgin Records. There he produced the recording of Mike Oldfield's Tubular Bells.
"In Dulci Jubilo"/"On Horseback" is a double A-side single and third overall by English musician Mike Oldfield, released in November 1975 by Virgin Records. It features an instrumental version of the German traditional Christmas carol "In dulci jubilo" and Oldfield's second version of the song following an earlier recording released as the B-side to his previous single, "Don Alfonso". The song "On Horseback" is the final and previously untitled section to "Ommadawn " from his third studio album Ommadawn, released just one month before. The single is certified silver by the British Phonographic Industry for selling 200,000 copies in the UK.
"Don Alfonso" is the second UK single by musician Mike Oldfield, released in 1975. Side 1 has an additional credit: "featuring David Bedford on vocals". This is a comic novelty song from the 20th century, sung by a boasting, bogus toreador, who seems to know very little about bullfighting.
"Portsmouth" is a traditional English folk dance tune, similar to an Irish or Scottish hornpipe melody. It is sometimes referred to as the "Portsmouth Hornpipe".
Boxed is a 1976 compilation album of music written and performed by Mike Oldfield. It features four channel quadraphonic remix versions of his first three albums:Tubular Bells, Hergest Ridge and Ommadawn. An additional fourth LP contains new musical collaborations with other artists.
The Platinum Collection is a 2006 Virgin Records compilation album written and mostly performed by Mike Oldfield. It contains most of Oldfield's best known work, and some rare mixes of songs that had previously only been available as B-sides to singles.
Elements Box is a 4CD box set by Mike Oldfield released in 1993.
Elements - The Best of Mike Oldfield is a video collection by Mike Oldfield released in October 1993. It was released by Virgin Records on VHS and LaserDisc. A DVD edition of the video release, including additional extras, was produced in 2004.
William A. Murray was a Scottish drummer and photographer.
Clodagh Simonds is an Irish musician, songwriter and singer. She was born in Banbridge, County Down, Northern Ireland and raised and educated in Killiney, County Dublin.
Return to Ommadawn is the twenty-sixth and final studio album by English musician and songwriter Mike Oldfield. It was released on 20 January 2017 on Virgin EMI Records and is the sequel to his 1975 album Ommadawn. The CD/DVD-Audio set contains a 5.1 surround sound mix of the album. Return to Ommadawn is the last studio album Oldfield released before the announcement of his retirement in 2023.
Les Penning is a British folk musician and composer, best known for his work with Mike Oldfield on the album Ommadawn and several of Oldfield's singles. He is credited with introducing Oldfield to medieval music through their time playing together at Penrhos Court. He has worked with many other artists, playing woodwind, as producer or as recording engineer, and has created radio drama for BBC Hereford and Worcester and music for two S4C television series: Gwyddion and an adaption by Gareth Miles of the William John Griffith novel Storïau'r Henllys Fawr. In 1978 he was a musician and performer on the BBC adaptation of ‘Kilvert’s Diary’.
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