This is a list of sculptures by Tony Smith, most of which are installed outdoors. While Smith made many artworks in a variety of media and his work as an architectural designer, he is widely known for his sculptures, which range from the small to monumental scale. [1] [2] No complete inventory has been published that identifies the current location of all of these works, but in the 1990s Save Outdoor Sculpture! (SOS!) participants completed an inventory and assessment of 83 of these sculptures. [3]
Photo | Title | Year | Edition Number | Media | Dimensions | Owner | Current Location | GPS Coordinates | City | State/Country | Private or Public |
---|---|---|---|---|---|---|---|---|---|---|---|
Untitled | 1954 | Wood | 21-3/8" x 20-1/2" x 12" | Private collection | Private | ||||||
Untitled | 1956 | Concrete | 8" x 5" x 3" | Private collection | Private | ||||||
Throne | 1956-57 | 6/6 | Steel, painted black | 28" x 39" x 32" | Private collection | Private | |||||
Untitled | 1960 | Wire shirt hangers, plaster, and gauze fabric | 47-1/2" x 12-1/2" x 12" | Private collection | Private | ||||||
Bennington Structure | 1961 | Plywood, metal, lathe, and Portland cement | 40' long overall, diameter of each unit approx 9' | Destroyed | |||||||
Cigarette (1/3) | 1961 | 1/3 | Steel, Cor-ten, oiled finish | 15'1" × 25'6" × 18'7" | Albright–Knox Art Gallery | 42°55′53.39″N78°52′34.63″W / 42.9314972°N 78.8762861°W | Buffalo | NY | Public | ||
Cigarette (2/3) | 1961 | 2/3 | Steel, painted black | 15'1" × 25'6" × 18'7" | Museum of Modern Art | Not on view | New York City | NY | Public | ||
Cigarette (3/3) | 1961 | 3/3 | Steel, painted black | 15'1" × 25'6" × 18'7" | Kykuit (John D. Rockefeller Estate) | 41°5′20.66″N73°50′31.21″W / 41.0890722°N 73.8420028°W | Sleepy Hollow | NY | Public | ||
Cigarette (AP) | 1962 | A.P. | Steel, painted black | 15'1" × 25'6" × 18'7" | Private collection | Private | |||||
For Marjorie | 1961 | 1/1 | Steel, painted red | 17' × 31'2" × 18' | Massachusetts Institute of Technology | 42°21′17.11″N71°6′9.70″W / 42.3547528°N 71.1026944°W | Cambridge | MA | Public | ||
Light Box (AP) | 1961 | 5/9 | Cast bronze, black patina | 26-1/4" x 20" x 22" | Tony Smith Estate | Private | |||||
Marriage (1/3) | 1961 | 1/3 | Steel, painted black | 10' × 10' × 12' | Norway | Carter-Menil Human Rights Foundation | 59°54′36.18″N10°44′7.04″E / 59.9100500°N 10.7352889°E | Oslo | Norway | Public | |
Marriage (2/3) | 1961 | 2/3 | Steel, painted black | 10' × 10' × 12' | Des Moines Art Center | Pappajohn Sculpture Park | 41°35′5.81″N93°38′8.77″W / 41.5849472°N 93.6357694°W | Des Moines | IA | Public | |
Marriage (3/3) | 1961 | 3/3 | Steel, painted black | 10' × 10' × 12' | Clos Pegase Winery | 38°34′16.27″N122°33′18.51″W / 38.5711861°N 122.5551417°W | Calistoga | CA | Public | ||
Marriage (AP) | 1961 | A.P. | Steel, painted black | 10' × 10' × 12' | Private collection | Private | |||||
Spitball (1/3) | 1961 | 1/3 | Steel, painted black | 11'5" × 14' × 13'4-1/2" | The Menil Collection | Not on view | Houston | TX | Public | ||
Spitball (2/3) | 1961 | 2/3 | Steel, painted black | 11'5" × 14' × 13'4-1/2" | Case Western Reserve University | The John and Mildred Andrews Putnam Sculpture Garden | 41°30′10.92″N81°36′27.93″W / 41.5030333°N 81.6077583°W | Cleveland | OH | Public | |
Spitball (3/3) | 1961 | 3/3 | Steel, painted black | 11'5" × 14' × 13'4-1/2" | Baltimore Museum of Art | 39°19′36.56″N76°37′6.24″W / 39.3268222°N 76.6184000°W | Baltimore | MD | Public | ||
Spitball (AP) | 1961 | A.P. | Steel, painted black | 11'5" × 14' × 13'4-1/2" | Private collection | Private | |||||
Tetrahedron | 1961 | Plaster, gauze bandage, newspaper, armature | 38" x 48" x 43" | Private collection | Private | ||||||
Tau (1/3) | 1961–62 | 1/3 | Steel, painted black | 14' × 21'6" × 12'4-1/4" | Hunter College | Hunter College Art Galleries | 40°46′4.18″N73°57′51.96″W / 40.7678278°N 73.9644333°W | New York | NY | Public | |
Tau (AP) | 1961–62 | A.P. | Steel, painted black | 14' × 21'6" × 12'4-1/4" | South Orange | 40°45′0.96″N74°15′40.29″W / 40.7502667°N 74.2611917°W | South Orange | NJ | Public | ||
Beardwig (1/6) | 1962 | 2/6 | Steel, oiled finish | 42" × 36" × 36" | Private collection | Private | |||||
Beardwig (2/6) | 1962 | 2/6 | Steel, oiled finish | 42" × 36" × 36" | Private collection | Private | |||||
Black Box (1/3) | 1962 | 1/3 | Steel, oiled finish | 22-1/2" × 33" × 25" | Private collection | Private | |||||
Black Box (2/3) | 1962 | 2/3 | Steel, oiled finish | 22-1/2" × 33" × 25" | National Gallery of Canada | Ottawa | Canada | Public | |||
Black Box (3/3) | 1962 | 3/3 | Steel, oiled finish | 22-1/2" × 33" × 25" | Tony Smith Estate | Private | |||||
Black Box (AP) | 1962 | A.P. | Steel, oiled finish | 22-1/2" × 33" × 25" | Private collection | Private | |||||
Cross (AP) | 1960-62 | A.P. | Cast bronze, black patina | 32" × 32" × 32" | Private Collection | Private | |||||
Die (1/3) | 1962 | 1/3 | Steel, oiled finish | 6' × 6' × 6' | Whitney Museum of American Art | New York | NY | Public | |||
Die (2/3) | 1962 | 2/3 | Steel, oiled finish | 6' × 6' × 6' | National Gallery of Art | Installed indoors [4] | Washington | DC | Public | ||
Die (3/3) | 1962 | 3/3 | Steel, oiled finish | 6' × 6' × 6' | Private collection | Private | |||||
Die (AP) | 1962 | A.P. | Steel, oiled finish | 6' × 6' × 6' | The Museum of Modern Art | New York | NY | Public | |||
Free Ride (1/3) | 1962 | 1/3 | Steel, oiled finish | 6'8" × 6'8" × 6'8" | Private collection | Private | |||||
Free Ride (2/3) | 1962 | 2/3 | Steel, oiled finish | 6'8" × 6'8" × 6'8" | Saint Louis Art Museum | St. Louis | MO | Public | |||
Free Ride (3/3) | 1962 | 3/3 | Steel, painted black | 6'8" × 6'8" × 6'8" | The Museum of Modern Art | New York | NY | Public | |||
Free Ride (AP) | 1962 | A.P. | Steel, painted black | 6'8" × 6'8" × 6'8" | Private collection | Private | |||||
Gracehoper (1/3) | 1962 | 1/3 | Steel, painted black | 22'8" × 24' × 46' | Detroit Institute of Arts | 42°21′36.21″N83°3′55.29″W / 42.3600583°N 83.0653583°W | Detroit | MI | Public | ||
Gracehoper (2/3) | 1962 | 2/3 | Steel, painted black | 22'8" × 24' × 46' | The Kentucky Center for the Performing Arts | 38°15′36.87″N85°44′55.03″W / 38.2602417°N 85.7486194°W | Louisville | KY | Public | ||
Night (1/3) | 1962 | 1/3 | Steel, painted black | 12' × 12' × 16' | Private collection | Private | |||||
Night (2/3) | 1962 | 2/3 | Steel, painted black | 12' × 12' × 16' | Private collection | Private | |||||
Night (3/3) | 1962 | 3/3 | Steel, painted black | 12' × 12' × 16' | Gateway Foundation | Citygarden | 38°37′37.53″N90°11′38.06″W / 38.6270917°N 90.1939056°W | St. Louis | MO | Public | |
Night (AP) | 1962 | A.P. | Steel, painted black | 12' × 12' × 16' | Private collection | Private | |||||
Playground (1/3) | 1962 | 1/3 | Steel, painted black | 5'4" × 10'8" × 5'4" | Memorial Art Gallery | 43°9′25.51″N77°35′18.09″W / 43.1570861°N 77.5883583°W | Rochester | NY | Public | ||
Playground (2/3) | 1962 | 2/3 | Steel, painted black | 5'4" × 10'8" × 5'4" | Private collection | Private | |||||
Playground (3/3) | 1962 | 3/3 | Steel, painted black | 5'4" × 10'8" × 5'4" | City of Beverly Hills | Beverly Gardens Park | 34°4′22.87″N118°24′7.33″W / 34.0730194°N 118.4020361°W | Hollywood | CA | Public | |
Playground (AP) | 1962 | A.P. | Steel, painted black | 5'4" × 10'8" × 5'4" | Private collection | Private | |||||
Ringcross | 1962 | A.P. | Wood | 30" × 30" × 30" | Private collection | Private | |||||
The Snake Is Out (1/3) | 1962 | 1/3 | Steel, painted black | 15'1-1/2" × 23' 2" × 18'10" | Empire State Plaza Art Collection | Governor Nelson A. Rockefeller Empire State Plaza | 42°39′0.66″N73°45′40.03″W / 42.6501833°N 73.7611194°W | Albany | NY | Public | |
The Snake Is Out (2/3) | 1962 | 2/3 | Steel, painted black | 15'1-1/2" × 23' 2" × 18'10" | The Menil Collection | Not on view | Houston | TX | Public | ||
The Snake Is Out (3/3) | 1962 | 3/3 | Steel, painted black | 15'1-1/2" × 23' 2" × 18'10" | Nasher Sculpture Center | 32°52′16.4″N96°49′43.94″W / 32.871222°N 96.8288722°W | Dallas | TX | Public | ||
The Snake Is Out (AP) | 1962 | A.P. | Steel, painted black | 15'1-1/2" × 23' 2" × 18'10" | National Gallery of Art | 38°53′27.64″N77°1′2.53″W / 38.8910111°N 77.0173694°W | Washington | DC | Public | ||
Tower of the Winds (1/6) | 1962 | 1/6 | Cast bronze, black patina | 33" x 33" x 33" | Institut Valencia d'Art Modern | Valencia | Spain | Public | |||
We Lost (1/3) | 1962 | 1/3 | Steel, painted black | 10'8" × 10'8" × 10'8" | University of Pennsylvania | 39°57′9.93″N75°11′20.8″W / 39.9527583°N 75.189111°W | Philadelphia | PA | Public | ||
We Lost (2/3) | 1962 | 2/3 | Steel, painted black | 10'8" × 10'8" × 10'8" | Matthew Marks Gallery | Private | |||||
We Lost (3/3) | 1962 | 3/3 | Steel, painted black | 10'8" × 10'8" × 10'8" | Private collection | Private | |||||
Wingbone | 1962 | Plaster, gauze bandage, newspaper, armature | 2'2" x 2'1" x 9'8" | Solomon R. Guggenheim Museum | New York | NY | Public | ||||
Willy (1/3) | 1962 | 1/3 | Steel, painted black | 7'7-1/4" × 18'8" × 11'3" | University of Nebraska–Lincoln | Sheldon Museum of Art and Sculpture Garden | 40°49′1.01″N96°42′19.36″W / 40.8169472°N 96.7053778°W | Lincoln | NE | Public | |
Willy (2/3) | 1962 | 2/3 | Steel, painted black | 7'7-1/4" × 18'8" × 11'3" | Dallas Museum of Art | 32°47′11.74″N96°48′0.07″W / 32.7865944°N 96.8000194°W | Dallas | TX | Public | ||
Willy (3/3) | 1962 | 3/3 | Steel, painted black | 7'7-1/4" × 18'8" × 11'3" | Hansol Art Foundation (Hansol) | Seoul | South Korea | Public | |||
Willy (AP) | 1962 | A.P. | Steel, painted black | 7'7-1/4" × 18'8" × 11'3" | Des Moines Art Center | 41°35′6.13″N93°38′11″W / 41.5850361°N 93.63639°W | Des Moines | IA | Public | ||
Duck (1/3) | 1962–63 | 1/3 | Steel, painted black | 11'4" × 13'10" × 9'3" | Donald M. Kendall Sculpture Gardens | 41°2′13.81″N73°41′39.91″W / 41.0371694°N 73.6944194°W | Purchase | NY | Public | ||
Duck (2/3) | 1962–63 | 2/3 | Steel, painted black | 11'4" × 13'10" × 9'3" | Private collection | Private | |||||
Duck (3/3) | 1962–63 | 3/3 | Steel, painted black | 11'4" × 13'10" × 9'3" | Private collection | Private | |||||
Duck (AP) | 1962–63 | A.P. | Steel, painted black | 11'4" × 13'10" × 9'3" | Private collection | Private | |||||
Memphis | 1962–63 | 1/6 | Bronze, painted red, blue, ochre | 81.3 x 63.5 x 63.5 cm | Pace Gallery | Private | |||||
Mistake | 1963 | 6/9 | Cast bronze, black patina | 12" x 12" x 8" | Private Collection | Private | |||||
The Elevens Are Up (1/3) | 1963 | 1/3 | Steel, painted black | 8' × 8' × 8', (2 units, each 8' × 2' × 8') | The Menil Collection | 29°44′9.12″N95°23′53.09″W / 29.7358667°N 95.3980806°W | Houston | TX | Public | ||
The Elevens Are Up (2/3) | 1963 | 2/3 | Steel, painted black | 8' × 8' × 8', (2 units, each 8' × 2' × 8') | Private collection | Private | |||||
The Elevens Are Up (3/3) | 1963 | 3/3 | Steel, painted black | 8' × 8' × 8', (2 units, each 8' × 2' × 8') | Private collection | Private | |||||
The Elevens Are Up (AP) | 1963 | A.P. | Steel, painted black | 8' × 8' × 8', (2 units, each 8' × 2' × 8') | Louisiana Museum of Modern Art | Humlebæk | Denmark | Public | |||
Moondog (1/3) | 1964 | 1/3 | Aluminum, painted black | 17'1-1/4" × 13'7-1/4" × 15'8-1/2" | Benesse Corporation | Tokyo | Japan | Public | |||
Moondog (2/3) | 1964 | 2/3 | Aluminum, painted black | 17'1-1/4" × 13'7-1/4" × 15'8-1/2" | Private collection | Private | |||||
Moondog (3/3) | 1964 | 3/3 | Aluminum, painted black | 17'1-1/4" × 13'7-1/4" × 15'8-1/2" | National Gallery of Art | 38°53′27.31″N77°1′21.85″W / 38.8909194°N 77.0227361°W | Washington | DC | Public | ||
Moondog (AP) | 1964 | A.P. | Aluminum, painted black | 17'1-1/4" × 13'7-1/4" × 15'8-1/2" | The Museum of Modern Art | New York | NY | Public | |||
Wall (1/3) | 1964 | 1/3 | Steel, painted black | 8' × 2' × 18' | The Menil Collection | 29°44′8.36″N95°23′52.81″W / 29.7356556°N 95.3980028°W | Houston | TX | Public | ||
Wall (2/3) | 1964 | 2/3 | Steel, painted black | 8' × 2' × 18' | Private collection | Private | |||||
Wall (3/3) | 1964 | 3/3 | Steel, painted black | 8' × 2' × 18' | Tony Smith Estate | Private | |||||
Wall (AP) | 1964 | 1/3 | Steel, painted black | 8' × 2' × 18' | Private collection | Private | |||||
Amaryllis (1/3) | 1965 | 1/3 | Cor-Ten Steel, Painted black | 11'6" × 7'6" × 11'6" | Wadsworth Atheneum | Hartford | CT | Public | |||
Amaryllis (2/3) | 1965 | 2/3 | Cor-Ten Steel, Painted black | 11'6" × 7'6" × 11'6" | Walker Art Center | 44°58′10.88″N93°17′21.78″W / 44.9696889°N 93.2893833°W | Minneapolis | MN | Public | ||
Amaryllis (3/3) | 1965 | 3/3 | Cor-Ten Steel, Painted black | 11'6" × 7'6" × 11'6" | Shizuoka Prefectural Museum of Art | Shizuoka-Shi, Ikeda | Japan | Public | |||
Amaryllis (AP) | 1965 | A.P. | Cor-Ten Steel, Painted black | 11'6" × 7'6" × 11'6" | The Metropolitan Museum of Art | University of Texas, Austin | 30°17′12.96″N97°43′54.38″W / 30.2869333°N 97.7317722°W | New York | NY | Public | |
Generation (1/3) | 1965 | 1/3 | Aluminum, painted black | 33'11" × 36'11" × 36'11" | Private collection | Private | |||||
The Keys To Given! (1/3) | 1965 | 1/3 | Steel, painted black | 8' × 8' × 8' | High Museum of Art | Atlanta | GA | Public | |||
The Keys To Given! (2/3) | 1965 | 2/3 | Steel, painted black | 8' × 8' × 8' | Private collection | Private | |||||
The Keys To Given! (3/3) | 1965 | 3/3 | Steel, painted black | 8' × 8' × 8' | Private collection | Private | |||||
The Keys To Given! (AP) | 1965 | A.P. | Steel, painted black | 8' × 8' × 8' | Private collection | Private | |||||
Fixture | 1966 | Plywood mock-up, site specific | 16' x 32' x 18' | Wadsworth Atheneum, Hartford, CT | Destroyed | ||||||
New Piece (1/3) | 1966 | 1/3 | Steel, painted black | 6'11" × 12' × 14'2" | The Menil Collection | 29°44′7.6″N95°23′53.07″W / 29.735444°N 95.3980750°W | Houston | TX | Public | ||
New Piece (2/3) | 1966 | 2/3 | Steel, painted black | 6'11" × 12' × 14'2" | Institute for Advanced Study | 40°19′46.08″N74°40′4.99″W / 40.3294667°N 74.6680528°W | Princeton | NJ | Public | ||
New Piece (3/3) | 1966 | 3/3 | Steel, painted black | 6'11" × 12' × 14'2" | Private collection | Private | |||||
New Piece (AP) | 1966 | 3/3 | Steel, painted black | 6'11" × 12' × 14'2" | Ton Smith Estate | Private | |||||
Dial (6+AP) | 1967 | 6+A.P. | Cast bronze, black patina | 15" x 14" x 14" | Tony Smith Estate | Private | |||||
Maze (2/3) | 1967 | 2/3 | Steel, painted black | 4 units total: 2 units each 6'8" x 10' x 2'6" and 2 units each 6'8" x 5' x 2'6" | Private collection | Private | |||||
Smoke (1/3) | 1967 | 1/3 | Aluminum, painted black | 24'2" × 47' × 33' | Los Angeles County Museum of Art | Installed in the Ahmanson Building Room | Los Angeles | CA | Public | ||
Smoke (2/3) | 1967 | 2/3 | Aluminum, painted black | 24'2" × 47' × 33' | Private collection | Private | |||||
Source (1/3) | 1967 | 1/3 | Steel, painted black | 11' × 29'6" × 34' | Cleveland Museum of Art | Donna and Stewart Kohl Sculpture Garden | 41°30′35.05″N81°36′39.62″W / 41.5097361°N 81.6110056°W | Cleveland | OH | Public | |
Source (2/3) | 1967 | 2/3 | Steel, painted black | 11' × 29'6" × 34' | Tony Smith Estate | Storm King Art Center | New Windsor | NY | Private | ||
Wandering Rocks (1/5) | 1967 | 1/5 | Stainless steel | Five units, 23" to 45-1/2" high | Kykuit (John D. Rockefeller Estate) | Sleepy Hollow | NY | Public | |||
Wandering Rocks (2/5) | 1967 | 2/5 | Steel, painted black | Five units, 23" to 45-1/2" high | Lynden Sculpture Garden | 43°10′36.03″N87°56′12.99″W / 43.1766750°N 87.9369417°W | Milwaukee | WI | Public | ||
Wandering Rocks (3/5) | 1967 | 3/5 | Steel, painted black | Five units, 23" to 45-1/2" high | Private collection | Unknown! | Private | ||||
Wandering Rocks (4/5) | 1967 | 4/5 | Steel, painted black | Five units, 23" to 45-1/2" high | National Gallery of Art | 38°53′30.42″N77°1′22.62″W / 38.8917833°N 77.0229500°W | Washington | DC | Public | ||
Wandering Rocks (5/5) | 1967 | 5/5 | Steel, painted black | Five units, 23" to 45-1/2" high | Kröller-Müller Museum | Otterlo | Netherlands | Public | |||
Wandering Rocks (AP) | 1967 | A.P. | Steel, painted black | Five units, 23" to 45-1/2" high | Seattle Art Museum | Olympic Sculpture Park | 47°36′56.88″N122°21′18.8″W / 47.6158000°N 122.355222°W | Seattle | WA | Public | |
Stinger | 1967–68 | 1/3 | Steel, painted black | 6'6" × 33'4-1/2" × 33'4-1/2" | Seattle Art Museum | Olympic Sculpture Park | 47°36′56.08″N122°21′17.32″W / 47.6155778°N 122.3548111°W | Seattle | WA | Public | |
Arch | 1968 | Plywood mock-up, painted | 16' x 22' x 22' (platform 9'H front x 4'H back) | Sonsbeek Park | Arnhem | Netherlands | Destroyed | ||||
Arm | 1968 | Plywood mock-up, painted black | 4' x 21' x 12' | Hakone Open-Air Museum Exhibition | Hakone | Japan | Destroyed | ||||
Asteriskos | 1968 | 1/1 | Steel, painted black | 16'8" × 16'8" × 16'8" | McNay Art Museum | 29°29′7.16″N98°27′23.56″W / 29.4853222°N 98.4565444°W | San Antonio | TX | Public | ||
Equinox | 1968 | Steel, oiled finish | 76.8 x 106.7 x 108 cm | Pace Gallery | Private | ||||||
Moses (1/3) | 1968 | 1/3 | Steel, painted black | 11'6" × 15' × 7'4" | Princeton University | 40°20′51.31″N74°39′24.86″W / 40.3475861°N 74.6569056°W | Princeton | NJ | Public | ||
Moses (2/3) | 1968 | 2/3 | Steel, painted black | 11'6" × 15' × 7'4" | City of Seattle | Seattle Center | 47°37′14.79″N122°20′55.9″W / 47.6207750°N 122.348861°W | Seattle | WA | Public | |
Moses (3/3) | 1968 | 3/3 | Steel, painted black | 11'6" × 15' × 7'4" | Toledo Museum of Art | 41°39′31.94″N83°33′33.49″W / 41.6588722°N 83.5593028°W | Toledo | OH | Public | ||
Moses (AP) | 1968 | A.P. | Steel, painted black | 11'6" × 15' × 7'4" | Private collection | Private | |||||
Seed (1/3) | 1968 | 1/3 | Steel, painted black | 48" × 48" × 48" | Private collection | Private | |||||
Seed (AP) | 1968 | A.P. | Steel, painted black | 48" × 48" × 48" | Private collection | Private | |||||
Trap (3/9) | 1968 | 3/9 | Cast bronze | 10" × 55" × 55" | Private collection | Birmingham | Alabama | Private | |||
Trunk | 1968 | Plywood mock-up, painted black | 4' x 29'8" x 12' | Hakone Open-Air Museum Exhibition | Hakone | Japan | Destroyed | ||||
Batcave | 1969-71 | Full scale cardboard, 2379 tetrahedral units, 1210 octahedral units | 14'11-5/8" X 38'-1/8"X 42'6" | with Container Corporation of America as part of the Art and Technology Program at LACMA | Destroyed | ||||||
For M.S. (1/6) Mamoru Sato | 1969 | 1/6 | Welded bronze, black patina | 2'9" × 13'6" × 6'8" | Phillips Exeter Academy | Exeter | NH | Public | |||
For M.S. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'9" × 13'6" × 6'8" | Institut Valencià d'Art Modern | Valencia | Spain | Public | |||
For D.C. (2/6) Dominique Charlot | 1969 | 2/6 | Welded bronze, black patina | 2'9" x 13'4" x 6'8" | Seoul | Korea | Public | ||||
For P.C. (2/6) Peter Clarke | 1969 | 2/6 | Steel, painted black | 6'3" × 6'8" × 5'9" | Kunstsammlung Nordrhein-Westfalen | Düsseldorf | Germany | Public | |||
For P.C. (3/6) | 1969 | 2/6 | Steel, painted black | 6'3" × 6'8" × 5'9" | Cleveland Museum of Art | Not on view | Cleveland | OH | Public | ||
For V.T. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'4" × 4'8" × 7' | Museum of Fine Arts, Boston | Boston | MA | Public | |||
For W.A. (1/6) Webster Anderson | 1969 | 1/6 | Welded bronze, black patina | 2 units, each 5' × 5'6" × 2'9" overall: 5' × 11' × 2'9" | Solomon R. Guggenheim Museum | New York | NY | Public | |||
For J.C. (2/6) Jean Charlot | 1969 | 2/6 | Welded bronze, black patina | 6'8" × 6'8" × 4'9" | The Newark Museum | Newark | NJ | Public | |||
For D.G. (1/6) David Gregory | 1969 | 1/6 | Welded bronze, black patina | 2'4" × 6'8" × 6'8" | Yale University Art Gallery | New Haven | CT | Public | |||
For D.G. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'4" × 6'8" × 6'8" | Iris & B. Gerald Cantor Center for Visual Arts | Stanford | CA | Public | |||
For P.N. (1/6) Prithwish Neogy | 1969 | 1/6 | Welded bronze, black patina | 2'4" × 6'8" × 6'8" | Ho-Am Museum | Seoul | Korea | Public | |||
For P.N. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'4" × 6'8" × 6'8" | Yale University Art Gallery | New Haven | CT | Public | |||
For J.W. (1/6) John Wisnosky | 1969 | 1/6 | Welded bronze, black patina | 2'9" × 5' × 3'10" | Frederik Meijer Gardens & Sculpture Park | 42°58′49.7″N85°35′18.61″W / 42.980472°N 85.5885028°W | Grand Rapids | MI | Public | ||
For J.W. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'9" × 5' × 3'10" | Iris & B. Gerald Cantor Center for Visual Arts | Stanford | CA | Public | |||
Hubris | 1969 | 1/9 | Cast bronze, black patina | 5" x 82-1/4" x 41" | Private Collection | Private | |||||
Smog (1/3) | 1969–70 | 1/3 | Aluminum, painted black | 6'10" × 78' × 64' | Middlebury College | Middlebury College campus | 44°0′46.42″N73°10′50.34″W / 44.0128944°N 73.1806500°W | Middlebury | VT | Public | |
Smog | 1969–70 | Aluminum, painted black | 6'10" × 78' × 64' | Private collection | 30°19′38.92″N97°47′34.93″W / 30.3274778°N 97.7930361°W | Austin | TX | Private | |||
Bees Do It | 1970 | Wood model | 13-1/2" x 15-1/4" x 11" | Private Collection | Private | ||||||
Moebius Strip | 1970 | Black Belgian marble | 5-3/4" x 12" | Museum of Modern Art | New York | NY | Public | ||||
Eighty-One More | 1970-71 | Plywood mock-up, painted red | 4'7" x 41'6" x 41'6" | Museum of Modern Art | New York | NY | Public | ||||
Light Up | 1971 | 1/1 | Steel, painted yellow | 21' × 29' × 17' or 20'9" × 28'7" × 16'6" | University of Pittsburgh | 40°26′31.15″N79°57′16.27″W / 40.4419861°N 79.9545194°W | Pittsburgh | PA | Public | ||
Yellowbird | 1971 | Cardboard model, painted yellow | 6" x 9" x 3-1/4" | Private Collection | Private | ||||||
She Who Must Be Obeyed | 1971–72 | 1/1 | Steel, painted blue | 20'9-3/8" × 33'6" × 16' | General Services Administration | Frances Perkins Building | 38°53′38.35″N77°0′56.61″W / 38.8939861°N 77.0157250°W | Washington | DC | Public | |
Fermi | 1973 | Carrara marble | 28" x 42" x 28" | Private Collection | Private | ||||||
Smug | 1973 | 1/1 | Aluminum, painted black | 11' × 78' × 64' | Glenstone Museum | 39°3′32.42″N77°14′57.11″W / 39.0590056°N 77.2491972°W | Potomac | MD | Public | ||
For Delores | 1973-74 | Carrara marble | 44-1/4" x 44-3/4" x 45-1/4" | Nasher Sculpture Center | Dallas | TX | Public | ||||
The Fourth Sign | 1974 | 1/1 | Steel, painted black | 15' × 37' × 20' | University of Hawaii | 21°17′59.29″N157°49′3.13″W / 21.2998028°N 157.8175361°W | Honolulu | HI | Public | ||
Ten Elements (1/3) | 1975–79 | 1/3 | Aluminum, painted black | 10 elements, each approx. 4' high | Private collection | Private | |||||
Ten Elements (2/3) | 1975–79 | 2/3 | Aluminum, painted black | 10 elements, each approx. 4' high | Nasher Sculpture Center | Dallas | TX | Public | |||
Ten Elements (3/3) | 1975–79 | 3/3 | Aluminum, painted black | 10 elements, each approx. 4' high | Private collection | Private | |||||
Ten Elements (AP) | 1975–79 | A.P. | Aluminum, painted black | 10 elements, each approx. 4' high | Private collection | Private | |||||
Lippizzaner | 1976 | 1/1 | Steel, painted white | 101" × 96" × 123" | New Orleans Museum of Art | 29°59′9.98″N90°5′35.92″W / 29.9861056°N 90.0933111°W | New Orleans | LA | Public | ||
One-Two-Three (1/3) | 1976 | 1/3 | Steel, painted black | Three units | Whitney Museum of American Art | New York | NY | Public | |||
One-Two-Three (2/3) | 1976 | 2/3 | Steel, painted black | Three units | Nasher Sculpture Center | Dallas | TX | Public | |||
One-Two-Three (3/3) | 1976 | 3/3 | Steel, painted black | Three units | Private collection | Private | |||||
One-Two-Three | 1976 | 1/1 | Steel, painted black | Three units | Securian Financial Group (Minnesota Mutual Life) | St. Paul | MN | Public | |||
Throwback (1/3) | 1976–77 | 1/3 | Aluminum, painted black | 6'8" × 16'2-1/4" × 8'9-1/2" | City of New York | 1166 Avenue of the Americas | 40°45′23.65″N73°58′53.84″W / 40.7565694°N 73.9816222°W | New York | NY | Public | |
Throwback (2/3) | 1976–77 | 2/3 | Aluminum, painted black | 6'8" × 16'2-1/4" × 8'9-1/2" | San Francisco Museum of Modern Art | On view in the Rooftop Garden [5] | 37°47′10.72″N122°24′1.25″W / 37.7863111°N 122.4003472°W | San Francisco | CA | Public | |
Throwback (3/3) | 1976–77 | 3/3 | Aluminum, painted black | 6'8" × 16'2-1/4" × 8'9-1/2" | Hirshhorn Museum and Sculpture Garden | Currently on view in Hirshhorn Plaza | 38°53′17.43″N77°1′20.75″W / 38.8881750°N 77.0224306°W | Washington | DC | Public | |
Last | 1979 | 1/1 | Steel, painted orange-red | 35' × 75' | State of Ohio | Frank J. Lausche State Office Building | 41°29′51.73″N81°41′48.66″W / 41.4977028°N 81.6968500°W | Cleveland | OH | Public | |
Untitled (Atlanta) (1/6) | 1980 | 1/6 | Cast bronze, black patina | 48" x 31" x 24" | Tony Smith Estate | Private |
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
Opened in 2003, the Nasher Sculpture Center is a museum in Dallas, Texas, that houses the Patsy and Raymond Nasher collection of modern and contemporary sculpture. It is located on a 2.4-acre (9,700 m2) site adjacent to the Dallas Museum of Art in the Dallas Arts District.
Robert Gober is an American sculptor. His work is often related to domestic and familiar objects such as sinks, doors, and legs.
Anthony Peter Smith was an American sculptor, visual artist, architectural designer, and a noted theorist on art. He is often cited as a pioneering figure in American Minimalist sculpture.
The National Gallery of Art Sculpture Garden is the most recent addition to the National Gallery of Art in Washington, D.C. in the United States. It is located on the National Mall between the National Gallery's West Building and the Smithsonian Institution's National Museum of Natural History.
Man Enters the Cosmos is a cast bronze sculpture by Henry Moore located on the Lake Michigan lakefront outside the Adler Planetarium in the Museum Campus area of downtown Chicago, Illinois.
Save Outdoor Sculpture! (SOS!) was a community-based effort to identify, document, and conserve outdoor sculpture in the United States. The program was initiated in 1989 and ended in 1999.
Throwback is a public artwork by American artist Tony Smith, located at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., United States. This version is the third of an edition of three in the series with one artist's proof.
George Washington is a statue by the French sculptor Jean-Antoine Houdon from the late 18th century. Based on a life mask and other measurements of George Washington taken by Houdon, it is considered one of the most accurate depictions of the subject. The original sculpture is located in the rotunda of the Virginia State Capitol in Richmond, Virginia, and it has been copied extensively, with one copy standing in the United States Capitol Rotunda.
Smog is a public artwork by American artist Tony Smith located to the south east of McCardell Bicentennial Hall on the Middlebury College campus, in Middlebury, Vermont. An example of minimalist sculpture, the piece is a lattice of 45 octahedra, standing on 22 tetrahedra, and topped with 15 prisms. It is fabricated from aluminum, painted black. This work is first in an edition of three, with one artist's proof.
Source is a public artwork by US artist Tony Smith, located in the Cleveland Museum of Art Donna and Stewart Kohl Sculpture Garden, which is in Cleveland, Ohio, United States. The sculpture is fabricated from steel and painted black. It is constructed from two separate pieces that are bolted together.
Smoke is a large-scale sculpture conceived by American artist Tony Smith in 1967 that was fabricated posthumously in 2005 for the Los Angeles County Museum of Art (LACMA) where it was installed in 2008. This two-tier sculptures standing 24 foot tall is made of aluminum and painted black.
Gracehoper is a public artwork by American artist Tony Smith, located in the Louisville Waterfront Park, which is in Louisville, Kentucky. This large-scale sculpture, measuring twenty-two feet high and forty six feet long, was fabricated by Lippincott, Inc in 1988, eight years after Smith's death, at a cost of one million dollars. The sculpture is made of welded steel that has been painted black.
Moses is a series of three different painted steel statues of geometric shapes, created by Tony Smith.
Throwback (1/3) is a public artwork by American artist Tony Smith, located in the Marsh & McLennan Companies (MMC) Plaza at 1166 Avenue of the Americas in Midtown Manhattan, New York City, New York.
Moses (3/3) is a public sculpture of the prophet Moses by United States artist Tony Smith. It is on the grounds of the Toledo Museum of Art in Toledo, Ohio. The title of the work was inspired from readings of his own work that links this sculpture to the work of Michelangelo and Rembrandt.
She Who Must Be Obeyed is a minimalist sculpture 33 feet (10 m) wide and 16 feet (4.9 m) deep made by Tony Smith in 1975. It is located at the Frances Perkins Building, in downtown Washington, D.C. The piece consists of nine geometric rhomboid units, bolted and welded together and painted blue.