Slide guitarists are musicians who are well-known for playing guitar with a "slide", a smooth, hard object, held in the fretting hand and placed against the strings to control the pitch. [1] Beginning with guitarists in the American South and Hawaii in early 20th century, [2] slide guitar styles have developed in a variety of musical settings, including blues, country, and rock. [3] Most slide guitarists may also perform with guitars using traditional fretting techniques; additionally, some also play various types of steel guitars. [4]
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle, giving rise to the term bottleneck guitar to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar.
Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf, Grand Funk, Free, and Deep Purple also produced hard rock.
Electric blues is blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues.
Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.
Texas blues is blues music from Texas. As a regional style, its original form was characterized by jazz and swing influences. Later examples are often closer to blues rock and Southern rock.
Clide Vernon "Sonny" Landreth is an American blues musician from southwest Louisiana who is especially known as a slide guitar player. He was born in Canton, Mississippi, and settled in Lafayette, Louisiana. He lives in Breaux Bridge, Louisiana.
"Cross Road Blues" is a song written by the American blues artist Robert Johnson. He performed it solo with his vocal and acoustic slide guitar in the Delta blues style. The song has become part of the Robert Johnson mythology as referring to the place where he sold his soul to the Devil in exchange for musical genius. This is based largely on folklore of the American South that identifies a crossroads as the site where Faustian bargains can be made, as the lyrics do not contain any references to Satan.
"Rollin' and Tumblin'" is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters. Rock musicians usually follow Waters' versions, with the 1960s group Cream's rendition being perhaps the best known.
"The Things That I Used to Do" is a blues standard written by Guitar Slim. He recorded it at Cosimo Matassa's J&M Recording Studio in New Orleans, where the young Ray Charles arranged and produced the session. Specialty Records released the song as a single in 1953 and it became a bestseller the following year. Specialty founder Art Rupe believed that the appeal would be limited to the Southern U.S. rural audience. However, urban rhythm and blues radio stations in the North began airing the song and built it into a national hit. As a result, Guitar Slim became in great demand as a performer and played at venues such as the Apollo Theater in New York City.
"One Way Out" is a blues song that was recorded in the early 1960s by both Sonny Boy Williamson II and Elmore James. A reworking of the song by G. L. Crockett, titled "It's a Man Down Here", appeared on the Billboard record charts in 1965. In 1971, the Allman Brothers Band recorded an updated live version of the song, which was included on their popular Eat a Peach album (1972).
"Worried Life Blues" is a blues standard and one of the most recorded blues songs of all time. Originally recorded by Big Maceo Merriweather in 1941, "Worried Life Blues" was an early blues hit and Maceo's most recognized song. An earlier song inspired it and several artists have had record chart successes with their interpretations of the song.
Chief Records, together with its Profile and Age subsidiaries, was an independent record label that operated from 1957 to 1964. Best known for its recordings of Chicago blues artists Elmore James, Junior Wells, Magic Sam, and Earl Hooker, the label had a diverse roster and included R&B artists Lillian Offitt and Ricky Allen.
"Shake Your Moneymaker" or "Shake Your Money Maker" is a song recorded by Elmore James in 1961 that has become one of his best-known pieces. Inspired by earlier songs, it has been interpreted and recorded by several blues and other artists.