This article needs additional citations for verification .(January 2012) |
Lisztomania | ||||
---|---|---|---|---|
Soundtrack album by | ||||
Released | November 1975 | |||
Recorded | 1975 | |||
Studio | Island Mobile and RAK Mobile [1] | |||
Genre | Progressive rock | |||
Length | 32:12 | |||
Label | A&M | |||
Producer | Rick Wakeman | |||
Rick Wakeman chronology | ||||
| ||||
Singles from Lisztomania | ||||
|
Lisztomania is the first soundtrack album by English keyboardist Rick Wakeman. It was released in November 1975 by A&M Records as the soundtrack for the Ken Russell's musical biographical film Lisztomania about the Hungarian composer Franz Liszt. Some tracks feature The Who's Roger Daltrey singing lead vocals.
The album was later upgraded as The Real Lisztomania by Wakeman because he was dissatisfied with the original release.
By 1975, Wakeman had established himself as the former Yes keyboardist and a successful solo artist with three rock concept albums: The Six Wives of Henry VIII (1973), Journey to the Centre of the Earth (1974), and The Myths and Legends of King Arthur and the Knights of the Round Table (1975). After Wakeman finished touring Journey to the Centre of the Earth in March 1975, he was asked to compose the score for Lisztomania , a contemporary biographical film of the Hungarian composer Franz Liszt directed by Ken Russell. [3]
Wakeman recorded the album through 1975 during gaps between recording and live performances, and worked closely with Russell on the score. Once Russell knew exactly what music was going to be used, he gave Wakeman artistic freedom to record what he wanted. [4] Initially Wakeman considered the record "a bonus soundtrack", but after writing and recording the music for it, he was "very happy" with the results and regarded it as his "next official album". [4] An initial cut and master was produced by Wakeman which his label, A&M Records, declared unsatisfactory. This complicated matters further between Wakeman and A&M, as the two parties had disagreed over aspects of his earlier solo albums. [5] In August 1975, after the album had been recorded, Wakeman said he was pleased with the music, but had no control over what tracks were to be included on the album. [4] The situation culminated in A&M producing a cut featuring less of the music Wakeman had written and recorded without his approval which, upon hearing what the label had selected for release, annoyed him greatly. [5]
Review scores | |
---|---|
Source | Rating |
Allmusic | [6] |
When Allmusic rated the album they said "The soundtrack to Ken Russell's movie provided Wakeman with a canvas upon which to work his magic (or do his damage—it depends upon one's attitude) upon the music of Franz Liszt and, to a lesser degree, Richard Wagner. Actually, much of what is here is more substantial than the material on Journey or Myths and Legends, which can be attributed largely to the composers' contributions." [7] Wakeman himself has written on his website that "this album stinks". [8]
Excerpts from the album were performed live on Wakeman's tour of North America and Brazil in late 1975.
No. | Title | Writer(s) | Lyrics | Length |
---|---|---|---|---|
1. | "Rienzi / Chopsticks Fantasia" | Richard Wagner, Franz Liszt | 4:20 | |
2. | "Love's Dream" | Liszt | Roger Daltrey | 4:25 |
3. | "Dante Period" | Liszt | 2:05 | |
4. | "Orpheus Song" | Liszt | Jonathan Benson, Daltrey | 3:10 |
5. | "Hell" | Liszt | John Forsythe (translation) | 1:59 |
No. | Title | Writer(s) | Lyrics | Length |
---|---|---|---|---|
1. | "Hibernation" | Rick Wakeman | 1:11 | |
2. | "Excelsior Song" | Liszt | Wakeman, Ken Russell | 2:32 |
3. | "Master Race" | Wagner | 0:45 | |
4. | "Rape, Pillage and Clap" | Wagner | 3:09 | |
5. | "Funerailles" | Liszt | Benson | 3:48 |
6. | "Free Song (Hungarian Rhapsody)" | Liszt | 1:57 | |
7. | "Peace at Last" | Liszt | Benson, Daltrey | 2:59 |
Musicians
Production
Chart (1975) | Peak position |
---|---|
Australian Albums (Kent Music Report) [9] | 85 |
US Billboard 200 [10] | 145 |
Yes are an English progressive rock band formed in London in 1968 by lead singer Jon Anderson, bassist Chris Squire, guitarist Peter Banks, keyboardist Tony Kaye, and drummer Bill Bruford. The band has undergone numerous lineup changes throughout their history, during which 20 musicians have been full-time members. Since February 2023, the band has consisted of guitarist Steve Howe, keyboardist Geoff Downes, bassist Billy Sherwood, singer Jon Davison, and drummer Jay Schellen. Yes have explored several musical styles over the years and are most notably regarded as progressive rock pioneers.
Richard Christopher Wakeman is an English keyboardist and composer best known as a member of the progressive rock band Yes across five tenures between 1971 and 2004, and for his prolific solo career. AllMusic describes Wakeman as a "classically trained keyboardist extraordinaire who plied his trade with Yes and developed his own brand of live spectacular in a solo act."
Roger Harry Daltrey is an English singer, musician and actor. He is the co-founder and lead singer of the rock band the Who.
Henry Kenneth Alfred Russell was a British film director, known for his pioneering work in television and film and for his flamboyant and controversial style. His films were mainly liberal adaptations of existing texts, or biographies, notably of composers of the Romantic era. Russell began directing for the BBC, where he made creative adaptations of composers' lives which were unusual for the time. He also directed many feature films independently and for studios.
Relayer is the seventh studio album by the English progressive rock band Yes, released in November 1974 by Atlantic Records. After keyboardist Rick Wakeman left the group in May 1974 over disagreements with the band's direction following their double concept album Tales from Topographic Oceans (1973), Yes entered rehearsals as a four-piece in Buckinghamshire. They auditioned several musicians, including Greek keyboardist and composer Vangelis, before settling with Swiss musician Patrick Moraz of Refugee who incorporated elements of funk and jazz fusion to the album. Relayer is formed of three tracks, with "The Gates of Delirium" on side one and "Sound Chaser" and "To Be Over" on side two.
Trevor Charles Rabin is a South African musician, songwriter, and film composer. Born into a musical family and raised in Johannesburg, Rabin took up the piano and guitar at an early age and became a session musician, playing and producing with a variety of artists. In 1972, he joined the rock band Rabbitt, which enjoyed considerable success in South Africa, and released his first solo album, Beginnings. In 1978, Rabin moved to London to further his career, working as a solo artist and a producer for various artists including Manfred Mann's Earth Band.
Tommy is a 1975 British musical fantasy drama film written and directed by Ken Russell and based on the Who's 1969 rock opera album of the same name about a "psychosomatically deaf, mute, and blind" boy who becomes a pinball champion and religious leader. The film featured a star-studded ensemble cast, including the band members themselves, Ann-Margret, Oliver Reed, Eric Clapton, Tina Turner, Elton John, Robert Powell and Jack Nicholson.
The Myths and Legends of King Arthur and the Knights of the Round Table is a studio album by English keyboardist Rick Wakeman, released on 27 March 1975 by A&M Records. It is a concept album based on the stories and people of the King Arthur legend. Wakeman started to write the music in 1974 while recovering from a heart attack and recorded it with his five-piece band the English Rock Ensemble, the New World Orchestra, and the English Chamber Choir.
The Six Wives of Henry VIII is the second studio album by English keyboardist Rick Wakeman, released in January 1973 on A&M Records. It is an instrumental progressive rock album with its concept based on his interpretations of the musical characteristics of the wives of Henry VIII. After signing with A&M as a solo artist, Wakeman decided on the album's concept during a tour of the United States with the progressive rock band Yes. As he read a book about the subject on his travels, melodies he had written the previous year came to him and were noted down. The album was recorded throughout 1972 with musicians from Yes and The Strawbs, the group Wakeman was in prior to his work in Yes.
Journey to the Centre of the Earth is the second album by English keyboardist Rick Wakeman, released on 3 May 1974 by A&M Records. It is a live recording of the second of his two concerts at the Royal Festival Hall on 18 January 1974, the premiere of his 40-minute orchestral rock piece based on Jules Verne's 1864 science fiction novel of the same name. It tells the story of Professor Lidinbrook, his nephew Axel, and their guide Hans, who follow a passage to the Earth's centre originally discovered by Arne Saknussemm, an Icelandic alchemist. Wakeman performs with the London Symphony Orchestra, the English Chamber Choir, and a group of hand-picked musicians for his rock band, which later became the English Rock Ensemble. Actor David Hemmings narrates the story.
1984 is a studio album by the English keyboardist Rick Wakeman, released in June 1981 on Charisma Records. After reforming his band The English Rock Ensemble in 1980 and completing a European tour, Wakeman entered a recording deal with Charisma and began preparing material for a studio album. He decided on a concept album based on the dystopian novel Nineteen Eighty-Four by George Orwell. The lyrics are by Tim Rice.
Lisztomania is a 1975 British surreal biographical musical comedy film written and directed by Ken Russell about the 19th-century composer Franz Liszt. The screenplay is derived, in part, from the book Nélida by Marie d'Agoult (1848), about her affair with Liszt.
Ride a Rock Horse is the second solo studio album by English singer Roger Daltrey, released on 4 July 1975 by Track in the UK and MCA in the US. Ride a Rock Horse was recorded during Daltrey's filming commitments for Ken Russell's film Lisztomania. The album's cover, which is photographed and designed by Daltrey's cousin Graham Hughes, depicts the singer as a rampant centaur.
No Earthly Connection is a studio album by English keyboardist Rick Wakeman, released in April 1976 on A&M Records. After touring worldwide in late 1975 in support of his previous studio album The Myths and Legends of King Arthur and the Knights of the Round Table (1975), Wakeman retreated to Herouville, France to record a new studio album with his rock band, the English Rock Ensemble. He based its material on a part fictional and non-fictional autobiographical account of music that incorporates historical, futuristic, and science-fiction themes.
Rick Wakeman's Criminal Record is a studio album by English keyboardist Rick Wakeman, released in November 1977 on A&M Records. After touring his previous album No Earthly Connection in August 1976, Wakeman rejoined the progressive rock band Yes as they recorded Going for the One (1977) in Switzerland. When recording finished, he started work on a new solo record which took form as a keyboard-oriented instrumental album similar to that of his earlier album, The Six Wives of Henry VIII (1973), and loosely based on criminality. Several guest musicians play on the record, including Chris Squire and Alan White of Yes, percussionist Frank Ricotti, and comedian Bill Oddie on vocals.
Lisztomania was the intense fan frenzy directed toward Franz Liszt during his performances.
White Rock is the second soundtrack album by English keyboardist Rick Wakeman, released in January 1977 by A&M Records. It was produced as the soundtrack to White Rock, a 1977 documentary film about the 1976 Winter Olympics held in Innsbruck, Austria.
Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman, also known as Anderson, Rabin and Wakeman (ARW), were a progressive rock band founded by former Yes members Jon Anderson, Trevor Rabin, and Rick Wakeman (keyboards) in an offshoot of the band. The three had previously worked together in Yes for the 1991–1992 Union Tour. The trio were first announced as working together in 2010.
Piano Portraits is a studio album by English keyboardist Rick Wakeman, released on 13 January 2017 on Universal Music Group. The album was made following the positive reception to Wakeman's live radio performance of his piano arrangement of "Life on Mars?" by David Bowie following the singer's death in January 2016, and a subsequent single of the track released in aid of Macmillan Cancer Support released in 2016. After Wakeman received offers from several music labels to produce an album of piano arrangements, he chose Universal and chose songs that were his favourites: songs he had played on as a session musician, as a member of Yes, classical music pieces, and one original composition.