The little magazine movement originated in the 1950s and 1960s in many Indian languages like Bengali, Tamil, Marathi, Hindi, Malayalam and Gujarati, in the early part of the 20th century. [1]
It is difficult to determine exact number but it can be estimated that during 1950s and 1980s there emereged nearly 100 little magazines in Gujarati from highly influential ones like Kshitij by Suresh Joshi and Re (Zreaygh) by Labhshankar Thaker and others to lesser know Dalit little magazines like Aakrosh by Neerav Patel and Evolution of Dalit literature and women's literature can be credited to the Little Magazine Movements.
The avant-garde modernist poetry burst upon the Marathi literary world with the poetry of B. S. Mardhekar in the mid-forties. The period 1955–1975 in Marathi literature is dominated by the little magazine movement. It ushered in modernism and the Dalit Literature movement. In the mid-1950s, Dilip Chitre, Arun Kolatkar and their friends started a cyclostyled Shabda. The little magazine movement began to spread like wildfire in 2017 with hundreds of ephemeral to relatively longer lasting magazines including Aso, Vacha, Lru, Bharud and Rucha. The movement brought forth a new generation of writers who were dissatisfied with the Marathi literary establishment which they saw as bourgeois, upper caste and orthodox. Ashok Shahane was the pioneer of the little magazine movement in Marathi in the 1960s. The writers such as Dilip Chitre, Arun Kolatkar, Namdeo Dhasal, Tulsi Parab, Bhalchandra Nemade, Manohar Oak, Bhau Padhye, Vilas Sarang and Vasant Abaji Dahake came to prominence with the movement. Their writing is non-conformist and non-populist. The little magazine movement of the 1960s ran out of steam in the mid-1970s. A representative translation of many poets of this period has been done by Dilip Chitre. [2]
The economic reforms of the nineties in India ushered in an era of liberalization, privatization and globalization in Indian society. The boom in the telecommunications sector, cable and satellite television and digital revolution came in tandem with these economic reforms and deeply affected Indian society and culture. Mumbai, being the economic capital of India, felt the overwhelming force of these dramatic changes. Little magazines resurfaced in this period. Abhidhanantar , Shabdavedk, Saushthav and later on Aivaji, Khel, Anaghrat, and Navakshar Darshan burst upon the scene. The poets such as Manya Joshi, Mangesh Narayanrao Kale, Hemant Divate, Sanjeev Khandekar, Saleel Wagh and Sachin Ketkar who emerged from these little magazines of the 1990s bear witness to the social and cultural transformation, writing with a sensibility that is different from the generation that emerged from the movement of the 1960. [3]
In Bengali literature, it started with Kallol , a modernist movement magazine, established in 1923. The most popular among the group were Kazi Nazrul Islam (1899–1976), Mohitlal Majumder (1888–1952), Achintyakumar Sengupta (1903–1976), Satyendranath Dutta (1882–1922), and Premendra Mitra (1904–1988). Then Bengali poetry got into the brightest light of modernism in the 1930s, through the movement of a few other little magazines, such as Buddhadeb Basu's Kabita and Sudhindranath Datta's Parichay.
This magazine is based on the widely circulated literature, education, culture and social news of India and the state of West Bengal Asansol. It has been published since 1978.[ citation needed ]
Krittibas first appeared in Kolkata in 1953. It played a highly influential role in the Kolkata literary scene in the decades after Indian independence, and provided a platform for young, experimental poets, many of whom went on to become luminaries of modern Bengali poetry. The editors of the inaugural issue in July 1953 were Sunil Gangopadhyay, Ananda Bagchi and Dipak Mazumdar. Gangopadhyay later became sole editor, and indeed it is his name that is most closely associated with the magazine. Others who also edited the magazine at one point or another included Shakti Chattopadhyay, Sarat Kumar Mukhopadhyay and Samarendra Sengupta. The Phanishwarnath Renu issue of the magazine was edited by Samir Roychoudhury. During 1961-65 several poets left the magazine and joined the Hungryalist Movement.
The little magazine explosion in West Bengal took place after 1961 when the Hungry Generation Movement took the cultural establishment by storm. In fact it changed not only the types of publication but also the naming of magazines. The Hungry Generation Movement aimed at waging a war against the literary establishment and the decadent society in general. Prominent figures included Binoy Mazumdar, Saileswar Ghosh, Malay Roy Choudhury, Subimal Basak, Tridib Mitra, Samir Roychoudhury, Falguni Roy, Subo Acharjo, Pradip Choudhuri, Subhas Ghosh, Basudeb Dasgupta, Sandipan Chattopadhyay, Shakti Chattopadhyay. Utpalkumar Basu, Rabindra Guha, Arunesh Ghosh, Raja Sarkar, Aloke Goswami, Selim Mustafa, Arup Datta, Rasaraj Nath, Rabiul and many others..
There are other Bengali Writers who raised their voice against the establishment but did not join the Hungry generation Movement. Most notable among them is the Subimal Mishra. Other experimental writers who mostly wrote in little magazines include Kamal Kumar Majumdar, Amiyabhushan Majumdar and Udayan Ghosh.
Some major changes occurred in the 1970s in the Bengali little magazine movement, chiefly around Kaurab , a literary and cultural magazine nearly four decades old. Prime cult-figures of Kaurab are: Swadesh Sen, Kamal Chakraborty (original editor), Barin Ghosal, Debajyoti Dutta, Pranabkumar Chattopadhyay, Shankar Lahiri, Sidhartha Basu, Shankar Chakraborty and Aryanil Mukhopadhyay (present editor). In international scenario Bengali poetry has been represented by Kaurab poets like Subhro Bandopadhyay, (present assistant editor). [4]
Since the mid-1980s Bengali literature experienced a new genre of Bengali poetry called New Poetry. From the early 1990s with impetus from a Kolkata-based poetry journal Kabita Campus, New Poetry has begun to gain immense acclaim from the young contemporary poets of Bengal. In 2003 some poets of this genre have started a journal named Natun Kabita containing their ideas and poems, through both online and print media. Poets who joined this movement in the mid-1990s are: Barin Ghosal, Ranjan Moitro, Swapan Roy, Dhiman Chakraborty, Alok Biswas, Pronob Pal, Saumitra Sengupta, Rajarshi Chattopadhyay, Atanu Bandopadhyay, Rajatendra Mukhopadhay, Pradip Chakraborty.
There is a Little Magazine Library and Research Centre at 9, Tamer Lane (run by Sandip Dutta since 1978), Kolkata-700009, India, which collects Bengali little magazines published anywhere in the world.
Midnapore Little Magazine Library – A digital library for little magazines of East and West Medinipur district. Information about more than 600 little magazines published from Medinipur District, from the year 1870 to now. [5]
The Sahitya Akademi (Indian Academy of Letters) also publishes two literary journals, namely Indian Literature in English and Samkalin Bhartiya Sahitya in Hindi. However they cannot be considered as "little magazines" as they have state support and appear regularly. [6] A prime example of this continuing tradition is The Little Magazine, published from New Delhi since May 2000., [7] Civil Lines and Yatra [8]
In January 2014, little magazine movement got a new way to spread their voice. Arunava Chatterjee, a Kolkata-based IT Entrepreneur and writer, formed Grasshoppers! - the first ever e-Commerce website for selling little magazines online along with one of the most eminent magazine Ekak Matra. It is already actively spreading in different areas across the world with a strong delivery backbone.
Bengali poetry is a rich tradition of poetry in the Bengali language and has many different forms. Originating in Bengal, the history of Bengali poetry underwent three successive stages of development: poetry of the early age, the Medieval period and the age of modern poetry. All ages have seen different forms of poetry and poetical tradition. It reached the pinnacle during the Bengali Renaissance period although it has a rich tradition and has grown independent of the movement. Major Bengali Poets throughout the ages are Chandidas, Alaol, Ramprasad Sen, Michael Madhusudan Dutt, Nabinchandra Sen, Rabindranath Tagore, Dwijendralal Ray, Satyendranath Dutta, Kazi Nazrul Islam, Jibanananda Das, Jasimuddin, Sukanta Battacharya, Al Mahmud.
Marathi literature is the body of literature of Marathi, an Indo-Aryan language spoken mainly in the Indian state of Maharashtra and written in the Devanagari and Modi script.
Arun Balkrishna Kolatkar was an Indian poet who wrote in both Marathi and English. His poems are known for expressing the humour in everyday life. Kolatkar is the only Indian poet other than Kabir to be featured on the World Classics titles of New York Review of Books.
The Hungry Generation was a literary movement in the Bengali language launched by what is known today as the Hungryalist quartet, i.e. Shakti Chattopadhyay, Malay Roy Choudhury, Samir Roychoudhury and Debi Roy, during the 1960s in Kolkata, India. Due to their involvement in this avant garde cultural movement, the leaders lost their jobs and were jailed by the incumbent government. They challenged contemporary ideas about literature and contributed significantly to the evolution of the language and idiom used by contemporaneous artists to express their feelings in literature and painting.
Sankha Ghosh was an Indian poet and literary critic. He was born in Chandpur District of the then Bengal Presidency, present day Bangladesh. His ancestral home was at Banaripara Upazila in Barisal District. He spent his childhood and adolescence in Ishwardi Upazila of Pabna District, which was his father's workplace.
Malay Roy Choudhury was an Indian Bengali poet, playwright, short story writer, essayist and novelist who founded the Hungryalist movement in the 1960s.
Binoy Majumdar was a Bengali poet who received the Sahitya Akademi Award in 2005.
Moheener Ghoraguli was an Indian rock group from Kolkata, established in 1975. Their music drew from a wide variety of influences, including Bengali folk, Baul, urban American folk, and jazz. They sometimes described their style as "Baul jazz."
Kallol refers to one of the most influential literary movements in Bengali literature, which can be placed approximately between 1923 and 1935. The name Kallol of the Kallol group derives from a magazine of the same name. Kallol was the main mouthpiece for a group of young writers starting their careers around that time including Premendra Mitra, Kazi Nazrul Islam, and Buddhadeb Basu. A number of other magazines that followed Kallol can also be placed as part of the general movement. These include Uttara (1925), Pragati (1926), Kalikolom (1926), and Purbasha (1932).
The Pashchimbanga Bangla Akademi is the official regulatory body of the Bengali language in India. It was founded on 20 May 1986 in Kolkata to act as the official authority of the language and is entrusted with the responsibility of reforming Bengali spelling and grammar, compiling dictionaries, encyclopedias and terminologies and promoting Bengali language and culture in West Bengal. They are widely accepted by the Governments of West Bengal and Tripura as well as a considerable number of private publishing houses and institutions such as the Oxford University Press and the Ramakrishna Mission.
Bengali literature denotes the body of writings in the Bengali language and which covers Old Bengali, Middle Bengali and Modern Bengali with the changes through the passage of time and dynastic patronization or non-patronization. Bengali has developed over the course of roughly 1,400 years. If the emergence of the Bengali literature supposes to date back to roughly 650 AD, the development of Bengali literature claims to be 1600 years old. The earliest extant work in Bengali literature is the Charyapada, a collection of Buddhist mystic songs in Old Bengali dating back to the 10th and 11th centuries. The timeline of Bengali literature is divided into three periods: ancient (650–1200), medieval (1200–1800) and modern. Medieval Bengali literature consists of various poetic genres, including Hindu religious scriptures, Islamic epics, Vaishnava texts, translations of Arabic, Persian and Sanskrit texts, and secular texts by Muslim poets. Novels were introduced in the mid-19th century. Nobel laureate Rabindranath Tagore is the best known figure of Bengali literature to the world. Kazi Nazrul Islam, notable for his activism and anti-British literature, was described as the Rebel Poet and is now recognised as the National poet of Bangladesh.
Marathi poetry is a poetry written in the Marathi language, including its various dialects.
Subimal Basak is an Indian fiction writer. He is a member of the Hungry generation, with Samir Roychoudhury, Falguni Roy, Shakti Chattopadhyay and the movement's creator Malay Roy Choudhury.
Abhidhanantar was a literary magazine in the Marathi language primarily devoted to poetry. It was edited by Hemant Divate, a noted Marathi poet and publisher. It started as a little magazine called Abhidha in 1992 and in 1998 it was named Abhidhanantar because of registration issues. It was discontinued in 2009. Abhidhanantar, along with periodicals like Shabdavedh, Saushthav, Khel and Navakshar Darshan was in the tradition of the famous `little magazine movement’ in Marathi poetry pioneered by renowned poets like Dilip Chitre and Arun Kolatkar in the 1950s. The focus of this periodical was on the relationship between literature and globalization and it showcased the poetry which emerged from the social, cultural and linguistic crises brought about by globalization. Abhidhanantar was also honoured with the Maharashtra Foundation Award for its contributions to Marathi literature.
Tridib Mitra was an anti-establishment writer and part of the Hungry generation movement in Bengali literature of the 1960s.
City College is a composite state government–aided public college, affiliated to the University of Calcutta. It offers undergraduate-level courses in various arts, commerce and science subjects. The college is very popular for undergraduate study in the neighbourhood of Kolkata.
The group theatre of Kolkata refers to a tradition in theatres in the Indian city Kolkata, which developed in the 1940s as an alternative to entertainment-oriented theatres. As opposed to commercial theatres, group theatre is "a theatre that is not professional or commercial", characterized by its tendency for experimentation in theme, content and production, and its aim of using the proscenium stage to highlight social messages, rather than having primarily making-money objectives.
Manohar Mouli Biswas is the pseudonymous appellation adopted by Manohar Biswas, a distinguished and arguably the preeminent bilingual poet, essayist, and luminary figure in Dalit Literature emanating from the Bengal region.
Prabal Kumar Basu is an Indian poet, essayist and editor. He writes in his mother tongue Bengali.