Live In Hollywood | ||||
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Live album by | ||||
Released | February 1, 2019 | |||
Recorded | 1980 | |||
Venue | Television Center Studios, Hollywood, CA | |||
Genre | Rock | |||
Length | 43:39 | |||
Label | Rhino | |||
Producer | John Boylan | |||
Linda Ronstadt chronology | ||||
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Singles from Live in Hollywood | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Audiophile Audition | ![]() ![]() ![]() ![]() ![]() |
Country Universe | ![]() ![]() ![]() ![]() ![]() |
American Songwriter | ![]() ![]() ![]() ![]() ![]() |
Live In Hollywood is a live album by Linda Ronstadt. It was recorded at Television Center Studios in Hollywood, California on April 24, 1980, for broadcast as a special on HBO. All tracks from this recording except "Blue Bayou" and "Poor Poor Pitiful Me" are previously unreleased. This is the first live album released by Ronstadt. The master tapes, thought to be lost, were discovered through a chance encounter with a Warner Brothers engineer leading to their recovery. [5]
The backing band for this recording includes some of the musicians who collaborated with Ronstadt many times over the years: Kenny Edwards of the Stone Poneys, Danny Kortchmar, Dan Dugmore, Bill Payne of Little Feat, Wendy Waldman, Bob Glaub, Peter Asher and Russ Kunkel. A then fifteen-year-old Wendy Waldman describes meeting Ronstadt for the first time in 1965 and how she later toured with her and came to be on this album. [6] "Desperado" was written by former backing band members Don Henley and Glenn Frey, who went on to form the Eagles.
Some songs performed at the concert, such as "Party Girl", "I Can't Help It (If I'm Still in Love With You)", "Look Out for My Love", "Mad Love", "Cost of Love", "Lies", "Silver Threads and Golden Needles" and "Heat Wave", are not included on the album.
Stephen Thomas Erlewine of AllMusic writes in his interview, "These 12 tracks casually illustrate her facility with both soft rock and old-time rock & roll, and if the set list leans heavily on oldies, the combination of guts and polish makes her renditions memorable." [1]
Hal Horowitz of American Songwriter remarks that "she’s in terrific voice throughout with a few standout performances like the closing 'Desperado' — a knockout, dramatic vocal accompanied only by Payne’s piano — and a powerful take on Roy Orbison’s 'Blue Bayou' (has anyone done that song better?)" [4]
Randy Lewis of the Los Angeles Times writes, "What audiences today hear on Live in Hollywood is exactly what Ronstadt sang into her microphone." [7]
Matt Wardlaw of Ultimate Classic Rock begins his interview with Ronstadt about the album with, "Most artists stick with a repetitively upbeat message when promoting a new project, but the always-honest Linda Ronstadt isn't most artists. In fact, she's expressing doubts about a new concert recording called Live in Hollywood, taken from a performance orchestrated for broadcast by HBO in 1980." [8]
Stephen L. Betts of Rolling Stone writes, "Although the famously self-critical Ronstadt has never liked listening to her own records, she’s thankful the resurgence of vinyl LPs means record buyers have the chance to hear more of the details and nuance labored over by the singer, her band, producers and engineers." [9]
Michael Fremer of Analog Planet writes, "This is the soundtrack to a generation on both the originals and Ronstadt's well-known covers brought back to life for one more go round." [10]
Jim Harrington of Mercury News writes, "Her vocals are strong, clear and convincing as she moves through such winners as 'It's So Easy,' 'Just One Look' and 'Poor Poor Pitiful Me.' And the stunning version of 'Blue Bayou'? Wow. That's one for the time capsule." [11]
Audiophile Audition gives the album 4½ out of 5 stars and has this to say about it in their review. "Linda Ronstadt was a trailblazer. She was a dominant rock and roll singer in a male-dominated genre and stood tall." and "It is a treat to have a recording of this unique talent. The integrity of the audio quality is captured with finesse and verve. The primary instrument, this dazzling voice, is rendered with warmth and subtlety during quieter moments. The muscular fidelity is also on display with tonal vitality." [2]
Coachella Valley Weekly's Eleni P. Austin reviews the album and notes, "The best tracks here display Linda’s seemingly effortless vocal dexterity. The heartbreak of 'Blue Bayou' has never felt so palpable. Roy Orbison’s South of the Border charmer unfurls slowly, lush electric piano, in-the-pocket percussion lachrymose pedal steel and filigreed guitar notes, underscore her yearning tone. She sings the final verse in Spanish, and the results are positively thrilling." [12]
Kevin John Coyne of Country Universe says of the album, "It’s an officially sanctioned, painstakingly mastered keepsake from Ronstadt’s Mad Love tour in 1980, which was broadcast on HBO when it was still a brand new cable channel." [3]
Howard Cohen of the Miami Herald states, "fans will relish finally having live renditions of 'How Do I Make You,' Little Feat's 'Willin'' and the Eagles' 'Desperado.' They won't get Elvis Costello's 'Party Girl,' the Cretones' 'Mad Love' or her 1969 country-rock staple, 'Silver Threads and Golden Needles,' which had figured on that cooking concert stage." [13]
Phil Bausch concludes his On the Records review with, "It’s important that recordings like Live In Hollywood exist to remind the world Linda Ronstadt once possessed one of the greatest Rock and Pop voices of all time." [14]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Can't Let Go" (Previously unreleased) | 3:06 | |
2. | "It's So Easy" | 2:38 | |
3. | "Willin'" (Previously unreleased) | Lowell George | 3:36 |
4. | "Just One Look" (Previously unreleased) |
| 3:06 |
5. | "Blue Bayou" | 4:18 | |
6. | "Faithless Love" (Previously unreleased) | J. D. Souther | 3:54 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Hurt So Bad" (Previously unreleased) | 3:25 | |
8. | "Poor Poor Pitiful Me" | Warren Zevon | 3:53 |
9. | "You're No Good" (Previously unreleased) | Clint Ballard Jr. | 6:12 |
10. | "How Do I Make You" (Previously unreleased) | Billy Steinberg | 2:49 |
11. | "Back in the U.S.A." (Previously unreleased) | Chuck Berry | 2:58 |
12. | "Desperado" (Previously unreleased) | 3:44 | |
Total length: | 43:39 |
Track information and Personnel credits verified from the album's liner notes. [15]
Region | Date | Format | Label | Ref. |
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North America | February 1, 2019 |
| Rhino Records | [16] |
Heart Like a Wheel is the fifth solo studio album by Linda Ronstadt, released in November 1974. It was Ronstadt's last album to be released by Capitol Records. At the time of its recording, Ronstadt had already moved to Asylum Records and released her first album there; due to contractual obligations, though, Heart Like a Wheel was released by Capitol.
Canciones de mi padre is American singer Linda Ronstadt's first album of Mexican traditional Mariachi music.
Roses in the Snow is the seventh studio album by country music artist Emmylou Harris, released in 1980. While Harris' previous release, 1979's Blue Kentucky Girl, featured traditional, straight-ahead country, Roses in the Snow found Harris performing bluegrass-inspired music, with material by Flatt and Scruggs, Paul Simon, The Carter Family, and Johnny Cash. Cash, Dolly Parton, Linda Ronstadt, The Whites, Ricky Skaggs, Willie Nelson and Tony Rice made guest appearances. "Wayfaring Stranger" was released as the first single in 1980 and went to #7 on the Billboard Country charts. The second single, a remake of a Simon & Garfunkel song, "The Boxer", reached #13. Backing musicians included Albert Lee and Jerry Douglas.
The Ballad of Sally Rose is the eleventh studio album by American singer Emmylou Harris released in February 1985. It marked a significant departure for Harris for two reasons. First, all the songs were written by her and her then-husband Paul Kennerley, while her previous albums had consisted mostly of others' material. Secondly, it is a concept album, loosely based on Harris' relationship with Gram Parsons. The album tells the story of a character named Sally Rose, a singer whose lover and mentor, a hard-living, hard-drinking musician, is killed while on the road. Dolly Parton, Linda Ronstadt and Gail Davies sing harmony on several of the songs. Many of the songs flow into one another to create a continuous momentum.
Pieces of the Sky is the second studio album and major-label debut by American country music artist Emmylou Harris, released on February 7, 1975, through Reprise Records.
Prisoner In Disguise (1975) is Linda Ronstadt's sixth solo LP release and her second for the label Asylum Records. It followed Ronstadt's multi-platinum breakthrough album, Heart Like a Wheel, which became her first number one album on the US Billboard 200 album chart in early 1975.
Don't Cry Now is the fourth solo studio album by American singer Linda Ronstadt. It was released by Asylum Records on October 1, 1973 and contained ten tracks. While some tracks were new material, many of the songs were cover tunes. The album explored the genres of Country folk, country rock and pop rock. It was Ronstadt's first album recorded on the Asylum label and first to feature producer Peter Asher. Don't Cry Now was given favorable reviews from several music publications and was a commercial success. Along with reaching chart positions in multiple countries, it also certified gold in the United States for selling over 500,000 copies.
Get Closer is the eleventh studio album by singer Linda Ronstadt, released in 1982.
Bryndle was an American folk-rock band first formed in the late 1960s in Los Angeles.
Light of the Stable is the first Christmas album by Emmylou Harris. It was originally released in 1979 by Warner Bros. Records but has since gone through several intervening releases. The 1992 Warner release was a remastered version of the original with a different album cover. The latest edition was released in 2004 by Rhino Records. It contains three newly recorded tracks in addition to remastered versions of the ten original tracks. Its cover came from the record sleeve of the original 45-rpm single version of "Light of the Stable" that was released in 1975. The title song featured harmony vocals from Neil Young, Dolly Parton and Linda Ronstadt.
Hasten Down the Wind is the seventh studio album by Linda Ronstadt. Released in 1976, it became her third straight million-selling album. Ronstadt was the first female artist to accomplish this feat. The album earned her a Grammy Award for Best Pop Vocal Performance, Female in 1977, her second of 13 Grammys. It represented a slight departure from 1974's Heart Like a Wheel and 1975's Prisoner in Disguise in that she chose to showcase new songwriters over the traditional country rock sound she had been producing up to that point. A more serious and poignant album than its predecessors, it won critical acclaim.
Simple Dreams is the eighth studio album by the American singer Linda Ronstadt, released in 1977 by Asylum Records. It includes several of her best-known songs, including her cover of the Rolling Stones song "Tumbling Dice" and her version of the Roy Orbison song "Blue Bayou", which earned her a Grammy nomination for Record of the Year. The album also contains covers of the Buddy Holly song "It's So Easy!" and the Warren Zevon songs "Poor Poor Pitiful Me" and "Carmelita". The album was the best-selling studio album of her career, and at the time was the second best-selling album by a female artist. It was her first album since Don't Cry Now without long-time musical collaborator Andrew Gold, though it features several of the other Laurel Canyon-based session musicians who appeared on her prior albums, including guitarists Dan Dugmore and Waddy Wachtel, bassist Kenny Edwards, and producer and multi-instrumentalist Peter Asher.
Living in the USA is the ninth studio album by American singer Linda Ronstadt, released in 1978. The album was Ronstadt's third and final No. 1 on the Billboard 200 album chart.
Greatest Hits is Linda Ronstadt's first major compilation album, released at the end of 1976 for the holiday shopping season. It includes material from both her Capitol Records and Asylum Records output, and goes back to 1967 for The Stone Poneys' hit "Different Drum."
Mad Love is the tenth studio album by singer Linda Ronstadt, released in 1980. It debuted at #5 on the Billboard album chart, a record at the time and a first for any female artist, and quickly became her seventh consecutive album to sell over one million copies. It was certified platinum and nominated for a Grammy.
Winter Light is an album by American singer Linda Ronstadt, released in late 1993 to critical acclaim and commercial disappointment.
Feels Like Home is a studio album by American singer Linda Ronstadt released in 1995. It reached #75 and lasted 12 weeks on the Billboard album chart. It received excellent critical reviews upon release. According to Nielsen SoundScan, the disc sold 188,815 copies in the United States. This album is now out of print physically, although it is available digitally and five of its tracks were remixed and subsequently included on Trio II.
"How Do I Make You" is a song composed by Billy Steinberg and recorded by Linda Ronstadt in 1980, reaching the top 10 in the United States.
Karla Bonoff is the RIAA Gold-certified first album by singer/songwriter Karla Bonoff. It includes several of Bonoff's compositions which had previously been prominently recorded: three by Linda Ronstadt and one by Bonnie Raitt ("Home").
Wendy Waldman is an American singer, songwriter, and record producer.
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