The Pirates of Penzance | |
---|---|
Directed by | Wilford Leach |
Screenplay by | Wilford Leach |
Based on | The Pirates of Penzance by Sir William Schwenck Gilbert |
Produced by |
|
Starring | |
Cinematography | Douglas Slocombe |
Edited by | Anne V. Coates |
Music by | Sir Arthur Seymour Sullivan (from The Pirates of Penzance) |
Production companies |
|
Distributed by | Universal Pictures |
Release dates |
|
Running time | 112 minutes [1] |
Countries |
|
Box office | $694,497 [2] |
The Pirates of Penzance is a 1983 romantic musical comedy film written and directed by Wilford Leach based on Gilbert and Sullivan's 1879 comic opera of the same name. The story takes place in the 1870s and centers around the pirate apprentice, Frederic, who leaves a Penzance-based pirate band of tenderhearted orphans and soon falls in love with Mabel, the daughter of an incompetent Major-General. But it turns out that Frederic was born on Leap day and is still apprenticed to the pirate band until he reaches his 21st birthday in 1940. His alliances shift back and forth between the pirates and "respectable society" until the pirates' maid-of-all-work, Ruth, reveals a fact that saves the day.
The film, starring Kevin Kline, Angela Lansbury, Linda Ronstadt, George Rose, and Rex Smith, is an adaptation of the 1980 Joseph Papp production of Pirates. The original Broadway cast reprised their roles in the film, except that Lansbury replaced Estelle Parsons as Ruth. The minor roles used British actors miming to their Broadway counterparts. Choreography was by Graciela Daniele. It was produced by Papp and filmed at Shepperton Studios in London. Universal Pictures made the unprecedented decision to release the film simultaneously with a release on pay TV, and the film was a box-office bomb, despite generally warm reviews.
In the 1850s, young Frederic was sent in the care of his nursemaid, Ruth, to be apprenticed to a pilot. But she misunderstood her instructions, being hard of hearing, and apprenticed him instead to the Pirate King. Now turning 21 years old, his service is finished, so he decides to leave the Pirates of Penzance. He has a strong "sense of duty" and vows to lead a blameless life and to exterminate the pirates. Ruth wants him to take her with him, but just then he meets some young maidens, the daughters of Major-General Stanley, and realizes that Ruth is "plain and old".
One of the maidens, Mabel, agrees to rescue him from his life of piracy by offering her love, and Frederic accepts. Soon, however, the pirates return and seize the young ladies, planning to marry them. Their father then arrives and lies to the pirates, telling them that he is an orphan. He knows that the pirates are orphans themselves and never attack another orphan; the pirates let him and his daughters go free.
Later, General Stanley wrestles with his conscience, having told a lie. Mabel and Frederic try to cheer him up, and Frederic has engaged the constabulary to help him defeat the pirates. The police arrive, but they turn out to be timid. Then the Pirate King and Ruth find Frederic alone. They have reviewed the fine print on his apprenticeship indenture and have discovered that he is still a pirate because he was born in a leap year on February 29, and he will not be out of his indentures to the pirates until his 21st birthday in 1940. Mabel agrees to wait for Frederic until then.
The Police return and, hearing the pirates approach, they hide. The pirates arrive and seize the still guilt-ridden Major-General. Mabel coaxes the police to battle the pirates, but they are quickly defeated. However, the Sergeant of Police calls on the pirates to "yield in Queen Victoria's name". The pirates tearfully do so, as they love their queen, and release the Major-General, surrendering to the police. However, Ruth reveals that the pirates are all "noblemen who have gone wrong"; the Major-General pardons them and invites them to resume their parliamentary ranks and to marry his beautiful daughters. All ends happily.
|
|
During its promotional campaign for the film, Universal announced that it would release it in the US on February 18, 1983, simultaneously in theaters and on subscription television, an unprecedented strategy for Hollywood that was not repeated until 2020, when the same studio gave the animated film Trolls World Tour a similar treatment due to the COVID-19 pandemic. The decision was met with immediate resistance from major theater chains, all of which refused to play the film. One theater chain head, remarked, "I would not have played it had they given it to me for nothing. I didn't invest millions of dollars in brick and mortar to play films simultaneously with television. [3] Others agreed: "As far as we're concerned, the picture doesn't exist. We will not play it [simultaneously] with TV. We feel we have earned the right to play it first." [3] and "our policy is never to play after cable". [4] Henry Plitt commented, "I don't see any reason to finance our own debacle." [4]
Universal stated that it made the decision because Pirates was a relatively small release compared to the Superman and Rocky films of the same period: [3] "We don't see the pay-per-view showing as competitive with theaters. Cable viewers are older, infrequent moviegoers. If they like the film, the pay-per-view showing will have served as a sneak preview. [4] Papp also defended the decision, saying that he was "interested in reaching a mass audience. I decided it was exciting, a little dangerous and a marvelous risk." [4]
On its opening weekend in the US, the film grossed $255,496 from 91 venues, all of which were small locations that traditionally played discount fare; the reduction in theater booking was a result of major chains refusing to play it due to its simultaneous telecast on pay television. [5] The film ranked fourteenth at the box office during that weekend. [6] At the end of its run, its worldwide theatrical gross totaled $694,497. [2] The film was a box office bomb, as some audience members found it disappointing in comparison with the Broadway production. [7] Despite the film's poor theatrical performance in the US, 9% of the 550,000 subscriber base reported by the pay television network ON TV purchased the film. [5]
The film received generally positive reviews from critics. Rotten Tomatoes reports an 81% score based on 16 reviews, with an average rating of 7.1/10. [8] Gene Siskel of the Chicago Tribune remarked that "having sat through four incarnations of this Joseph Papp production, the original Broadway cast, the Chicago road company, the premiere telecast here on the pay channel ON TV, and Saturday's matinee at the 400 Theater, The Pirates of Penzance earns my respect as a durable and satisfying entertainment. This Gilbert and Sullivan chestnut, which lampoons British manners, is great fun in any form. And reading the intricate libretto brings a laugh, too." [5] Janet Maslin had a more mixed review to offer the film in The New York Times :
The Pirates of Penzance has been made into a cheerful movie, but it isn't nearly as deft or distinctive here as it was on stage. The principal cast is still on hand, and still a delight, with the felicitous addition of Angela Lansbury. Mr. Leach's stage production was buoyant and charming. But in adapting it for film, he has too infrequently seen fit to leave well enough alone. ... [T]he irreverence seemed wittier and less broad on the stage than it does here, undermined as it is by awkward camera angles, fussy scenery and a general loss of spontaneity. Spontaneity, or at least the illusion of it, was one of the stage production's greatest assets. ... [The individual performers] work better here as part of the group than they do individually, and Mr. Leach hasn't given them enough opportunity to intermingle. ... The movie is best at its most full-bodied. Especially rousing are the group rendition of With Catlike Tread, Mr. Rose's show-stopping entrance, A Policeman's Lot Is Not a Happy One, the pretty duets pairing Miss Ronstadt and Mr. Smith, and any exchange featuring Miss Lansbury. Some of the less melodic, more precious scenes are notably weaker. ... [T]here are stretches during which those not fully conversant with the operetta will have difficulty making out its text. [9]
The film was released on VHS in 1984 and on DVD in 2010. [7]
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances.
Linda Maria Ronstadt is an American singer who has performed and recorded in diverse genres including rock, country, light opera, the Great American Songbook, and Latin music.
Kevin Delaney Kline is an American actor. In a career spanning over five decades, he has become a prominent leading man across both stage and screen. His accolades include an Academy Award and three Tony Awards, along with nominations for two British Academy Film Awards, two Primetime Emmy Awards, and five Golden Globe Awards. In 2003, he was inducted into the American Theatre Hall of Fame.
Joseph Papp was an American theatrical producer and director. He established The Public Theater in what had been the Astor Library Building in Lower Manhattan. There Papp created a year-round producing home to focus on new plays and musicals. Among numerous examples of these were the works of David Rabe, Ntozake Shange's For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, Charles Gordone's No Place to Be Somebody, and Papp's production of Michael Bennett's Pulitzer Prize–winning musical A Chorus Line. Papp also founded Shakespeare in the Park, helped to develop other off-Broadway theatres and worked to preserve the historic Broadway Theatre District.
Leonard Joseph Cariou is a Canadian stage actor, singer and stage director. He gained prominence for his portrayal of Sweeney Todd in the original cast of Stephen Sondheim's musical Sweeney Todd: The Demon Barber of Fleet Street (1979) alongside Angela Lansbury for which he won the Tony Award for Best Actor in a Musical. He also received Tony nominations for his roles in the Betty Comden and Adolph Green musical Applause (1970), and the Sondheim musical A Little Night Music (1973).
Corbin Dean Bernsen is an American actor and film director. He appeared as divorce attorney Arnold Becker on the NBC drama series L.A. Law, as Dr. Alan Feinstone in The Dentist, as retired police detective Henry Spencer on the USA Network comedy-drama series Psych, and as Roger Dorn in the films Major League, Major League II, and Major League: Back to the Minors. He also appeared regularly on The Resident, The Curse, General Hospital, and Cuts, and has had intermittent appearances on The Young and the Restless.
Pamela Dawber is an American actress best known for her lead television sitcom roles as Mindy McConnell on Mork & Mindy (1978–1982) and Samantha Russell on My Sister Sam (1986–1988).
Tony Azito was an American eccentric dancer and character actor. He was best known for comedic and grotesque parts, which were accentuated by his hyperextended body.
The Pirate Movie is a 1982 Australian musical romantic comedy film directed by Ken Annakin, and starring Christopher Atkins and Kristy McNichol. Loosely based on Gilbert and Sullivan's 1879 comic opera The Pirates of Penzance, the original music score is composed by Mike Brady and Peter Sullivan.
Rex Smith is an American actor and singer. Smith made his acting debut in the Broadway musical Grease in 1978. He is noted for his role as Jesse Mach in the 1985 television series Street Hawk; being the first actor to play the Marvel Comics superhero Daredevil in live action; and being a singer and stage actor. During the late 1970s, Smith was popular as a teen idol. He was featured regularly in 16 Magazine and Tiger Beat. He also had a gold top 10 single, "You Take My Breath Away", in 1979.
FM is a 1978 American comedy drama film about internal conflicts at an FM radio station directed by John A. Alonzo and starring Michael Brandon, Eileen Brennan, Alex Karras, Cleavon Little, Martin Mull and Cassie Yates with special appearances by Linda Ronstadt and Jimmy Buffett in his feature film debut. The screenplay was written by Ezra Sacks.
Brent Carver was a Canadian actor best known internationally for performances in both London's West End and on Broadway in Kiss of the Spider Woman as Molina, for which he won the Tony Award for Best Leading Actor in a Musical in 1993 and was nominated for an Olivier Award. A subsequent Broadway appearance in 1999 in Parade as Leo Frank, led to a second nomination for the Tony Award for Best Leading Actor in a Musical.
Film distribution, also called film exhibition or film distribution and exhibition, is the process of making a movie available for viewing to an audience. This is normally the task of a professional film distributor, who would determine the marketing and release strategy for the film, the media by which a film is to be exhibited or made available for viewing and other matters. The film may be exhibited directly to the public either through a movie theater or television, or personal home viewing. For commercial projects, film distribution is usually accompanied by film promotion.
George Walter Rose was an English actor and singer in theatre and film. He won the Tony Award for Best Actor in a Musical for roles in My Fair Lady and The Mystery of Edwin Drood.
New York Gilbert and Sullivan Players is a professional repertory theatre company, based in New York City that has specialized in the comic operas of Gilbert and Sullivan for over 40 years. It performs an annual season in New York City and tours extensively in North America.
Carson Wilford Leach was an American theatre director, set designer, film director, screenwriter, and professor.
For nearly 150 years, Gilbert and Sullivan have pervasively influenced popular culture in the English-speaking world. Lines and quotations from the Gilbert and Sullivan operas have become part of the English language, such as "short, sharp shock", "What never? Well, hardly ever!", "let the punishment fit the crime", and "A policeman's lot is not a happy one".
Orphans is a 1987 American drama film directed by Alan J. Pakula. Written by Lyle Kessler, based on his 1983 play of the same name, the film follows two orphaned brothers as they navigate life on their own.
Buttons: A Christmas Tale is a 2018 American fantasy drama film directed by Tim Janis, and starring Ioan Gruffudd, Jane Seymour, Roma Downey, Abigail Spencer, Dick Van Dyke and Angela Lansbury, with narration by Robert Redford and Kate Winslet.
The Paisley Pirates of Penzance is a satirical theatre production originally performed at La Boite Theatre's late night cabaret La Bamba on 8–10 February 1985. The satire coincided with Gilbert and Sullivan's The Pirates of Penzance, the opening production of the Queensland Performing Arts Centre's Lyric Theatre on 7 February 1985. The Paisley Pirates of Penzance was directed by David Pyle and Sean Mee.