"Back in the U.S.A." | ||||
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Single by Chuck Berry | ||||
B-side | "Memphis, Tennessee" | |||
Released | June 1959 | |||
Recorded | February 17, 1959 | |||
Studio | Chess (Chicago) [1] | |||
Genre | Rock and roll | |||
Label | Chess 1729 | |||
Songwriter(s) | Chuck Berry | |||
Producer(s) | Leonard Chess, Phil Chess | |||
Chuck Berry singles chronology | ||||
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"Back in the U.S.A." is a song written by Chuck Berry that was released in 1959 and was a top 40 hit. A cover version in 1978 by Linda Ronstadt was also a hit.
Chuck Berry first issued the song on Chess Records in 1959 as a single which reached number 37 in the Billboard Hot 100. It also reached number 16 on the R&B chart. The song was later included on Berry's 1962 album More Chuck Berry . The song's lyrics were supposedly written based upon Berry returning to the United States following a trip to Australia and witnessing the living standards of Australian Aborigines. Berry's biography on the Rock and Roll Hall of Fame website states Berry "saluted such everyday pleasures as the drive-ins and corner cafes 'where hamburgers sizzle on an open grill night and day/Yeah, and a jukebox jumping with records like in the U.S.A.'" [2]
The song was recorded in Chicago, Illinois, on February 17, 1959.
The background vocals on Berry's recording are by Etta James and The Marquees, aka Harvey & the New Moonglows, featuring the young Marvin Gaye.
The session was produced by Leonard and Phil Chess, and the song was released as Chess single 1729. [3]
Alan Dale issued the song in Australia on Colombia in 1959 as a single along with a version of Bo Didley's "Crackin' Up"(45-DO-4086).
"Back in the USA" | ||||
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Single by Linda Ronstadt | ||||
from the album Living in the USA | ||||
B-side | "White Rhythm & Blues" | |||
Released | August 1, 1978 | |||
Genre | Rock [4] | |||
Length | 3:02 | |||
Label | Asylum | |||
Songwriter(s) | Chuck Berry | |||
Producer(s) | Peter Asher | |||
Linda Ronstadt singles chronology | ||||
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Ronstadt had heard the Berry original while being driven around Los Angeles by Eagles member Glenn Frey who had once been in her band, the track being on a home-made cassette Frey had playing in his tape deck. Ronstadt recalls that she had been reminding Frey "how we used to sit around the Troubadour bar and go: 'Oh it's so horrible and I can't get a record deal.' We were so broke and so miserable and we'd feel so sorry for ourselves and we were so precious about it. Then all of a sudden I looked at him and I went: 'Boy, life's really tough. We're going off to ski [at Aspen] with all this money in our pockets, we're going to have a good time, and we've got great music on the tape player.' Just then "Back in the U.S.A." came on and I went: 'Boy that would be a great song to sing. I think I'll do that one.'" [5]
The single of Ronstadt's version rose as high as number 11 in Cash Box and reached number 16 on the Billboard Hot 100 chart. (It was Top Five in the Detroit marketplace.) On October 16, 1987, Ronstadt joined Chuck Berry onstage at the Fox Theater in St. Louis as part of a concert celebrating Berry's sixtieth birthday. According to production assistant Mark Slocombe, despite Ronstadt having rehearsed with the band playing in the key of C, Berry's guitar playing on the actual concert performance of "Back in the U.S.A." necessitated the band performing in the key of G: Slocombe – "Linda Ronstadt's such a pro, you really don't hear her strain or muff it. But ... she was so pissed off when she walked off that stage she went right through the Green Room, right out the stage door, climbed into her limo and never came back for the second show. [Berry's birthday fête consisted of two concerts planned to feature identical set lists and guest performers.]" The Ronstadt/Berry performance of "Back in the U.S.A." was featured in the filmation of Berry's sixtieth birthday concert: the 1987 movie release Hail! Hail! Rock 'n' Roll , with the track being included on the soundtrack album: according to Slocombe, "they had a hard time getting [Ronstadt] to sign the release for the [performance] because she was so pissed off." [6]
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Charles Edward Anderson Berry was an American singer, guitarist and songwriter who pioneered rock and roll. Nicknamed the "Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957), and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.
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The Great Twenty-Eight is a compilation album by American musician Chuck Berry, released in 1982 on Chess Records. In 2003, the album was ranked number 21 on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list, the second-highest ranking compilation on the list after The Sun Sessions by Elvis Presley. It was ranked number 51 in the 2020 reboot of the list.
"Roll Over Beethoven" is a 1956 song written by Chuck Berry, originally released on Chess Records, with "Drifting Heart" as the B-side. The lyrics of the song mention rock and roll and the desire for rhythm and blues to be as respected as classical music. The song has been covered by many other artists, including the Beatles and the Electric Light Orchestra. Rolling Stone magazine ranked it number 97 on its 2004 list of the "500 Greatest Songs of All Time".
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Hail! Hail! Rock 'n' Roll is an album by Chuck Berry and soundtrack to the eponymous film, which was released in 1987 under record label, MCA. The album was recorded live at the Fox Theatre, St Louis, Missouri, and Berry Park, Wentzville, Missouri, in October 1986. The event was held to celebrate Berry's 60th birthday and it included several special guests. The album does not include the Berry song "School Days", which includes the line the album's title is derived from.
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas, who issued it as a single on July 10, 1963, on the Motown subsidiary Gordy label. The single reached number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
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Living in the USA is the ninth studio album by American singer Linda Ronstadt, released in 1978. The album was Ronstadt's third and final No. 1 on the Billboard 200 album chart.
"Memphis, Tennessee", sometimes shortened to "Memphis", is a song by Chuck Berry, first released in 1959. In the UK, the song charted at number 6 in 1963; at the same time Decca Records issued a cover version in the UK by Dave Berry and the Cruisers, which also became a UK Top 20 hit single. Johnny Rivers's version of the song was a number two US hit in 1964.
Chuck Berry's Golden Decade is a compilation of music by Chuck Berry, released in three volumes in 1967, 1973, and 1974. Covering the decade from 1955 to 1964, each volume consists of a two-LP set of 24 songs recorded by Berry. The first volume reached number 72 on Billboard's Pop Albums chart. The second volume peaked at number 110. The third volume, which included only two hit singles among its tracks, did not chart.
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"When Will I Be Loved" is a popular song written by Phil Everly of the Everly Brothers, who had a US top-ten hit with it in 1960. Linda Ronstadt covered the song in 1975, and her version was an even bigger hit in the US, peaking at No. 2. Vince Gill also covered it in 1994 on the soundtrack of the film 8 Seconds.
The Chess Box is a compact disc box set compilation by Chuck Berry. It is one in a series of box sets issued by MCA/Chess in the late 1980s. The Chuck Berry set is the most prominent of these, having won a Grammy Award for Best Historical Album in 1989. Berry's Chess Box was reissued on vinyl in 1990.
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"Surfin' U.S.A." is a song by the American rock band the Beach Boys, credited to Chuck Berry and Brian Wilson. It is a rewritten version of Berry's "Sweet Little Sixteen" set to new lyrics written by Wilson and an uncredited Mike Love. The song was released as a single on March 4, 1963, backed with "Shut Down". It was then placed as the opening track on their album of the same name.