"Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965.
"Rock and Roll Music" is a song by American musician and songwriter Chuck Berry, written and recorded by Berry in May 1957. It has been widely covered and is one of Berry's most popular and enduring compositions.
"Roll Over Beethoven" is a 1956 song written by Chuck Berry, originally released on Chess Records, with "Drifting Heart" as the B-side. The lyrics of the song mention rock and roll and the desire for rhythm and blues to be as respected as classical music. The song has been covered by many other artists, including the Beatles and the Electric Light Orchestra. Rolling Stone magazine ranked it number 97 on its list of the "500 Greatest Songs of All Time".
"Run Rudolph Run" is a Christmas song written by Chuck Berry but credited to Johnny Marks and M. Brodie due to Marks's trademark on the character of Rudolph the Red-Nosed Reindeer. It was published by St. Nicholas Music (ASCAP) and was first recorded by Berry in 1958, released as a single on Chess Records.
After School Session is the debut studio album by rock and roll artist Chuck Berry, released in May 1957 by Chess Records. With the exception of two tracks, "Roly Poly" and "Berry Pickin'", all selections had been previously released on 45 rpm singles. It is the second long-playing album released by the Chess label.
Chuck Berry Is on Top is the third studio album by rock and roll artist Chuck Berry, released in July 1959 on Chess Records, catalogue LP 1435. With the exception of one track, "Blues for Hawaiians", all selections had been previously released on 45 rpm singles, several of which were double-sided and charted twice. In his review of the album for AllMusic, Cub Koda described it as "almost a mini-greatest-hits package in and of itself" and the most perfectly realized collection of Berry's career. In 2008, Mobile Fidelity Sound Lab reissued the album with St. Louis to Liverpool on an Ultradisc II Gold compact disc. In 2012, Hoodoo reissued the album with One Dozen Berrys on the same CD.
The London Chuck Berry Sessions is the sixteenth studio album by Chuck Berry, and consists of studio recordings and live recordings released by Chess Records in October 1972 as LP record, 8 track cartridge and audio cassette. Side one of the album consists of studio recordings, engineered by Geoff Calver; side two features three live performances recorded by the Pye Mobile Unit, engineered by Alan Perkins, on February 3, 1972, at the Lanchester Arts Festival in Coventry, England. At the end of the live section, the recording includes the sounds of festival management trying in vain to get the audience to leave so that the next performers, Pink Floyd, can take the stage; the crowd begins chanting "We want Chuck!". His backing band for that concert included Onnie McIntyre (guitar), Robbie McIntosh (drums), Nic Potter (bass), and Dave Kaffinetti (piano). Both McIntosh and McIntyre would later form The Average White Band. The studio recordings included pianist Ian McLagan and drummer Kenney Jones from the bands the Small Faces and Faces.
St. Louis to Liverpool is the seventh and tenth overall studio album by the American musician Chuck Berry. Released in 1964 by Chess Records. It peaked at number 124 on the US Billboard album chart, the first of Berry's studio albums to appear on the chart. Music critic Dave Marsh called St. Louis to Liverpool "one of the greatest rock & roll records ever made".
"Sweet Little Sixteen" is a rock and roll song written and first recorded by Chuck Berry, who released it as a single in January 1958. His performance of it at that year's Newport Jazz Festival was included in the documentary film Jazz on a Summer's Day. It reached number two on the Billboard Hot 100, one of two of Berry's second-highest positions—along with Johnny Rivers cover of "Memphis, Tennessee"—on that chart. "Sweet Little Sixteen" also reached number one on the R&B Best Sellers chart. In the UK, it reached number 16 on the UK Singles Chart. Rolling Stone magazine ranked the song number 272 on its list of the "500 Greatest Songs of All Time" in 2004. He used the same melody on an earlier song, "The Little Girl From Central" recorded on Checkmate in 1955.
"School Days" is a rock-and-roll song written and recorded by Chuck Berry and released by Chess Records as a single in March 1957 and on the LP After School Session two months later. It is one of his best-known songs and is often considered a rock-and-roll anthem.
"You Never Can Tell", also known as "C'est La Vie" or "Teenage Wedding", is a song written by Chuck Berry. It was composed in the early 1960s while Berry was in federal prison for violating the Mann Act. Released in 1964 on the album St. Louis to Liverpool and the follow-up single to Berry's final Top Ten hit of the 1960s: "No Particular Place to Go", "You Never Can Tell" reached number 14, becoming Berry's final Top 40 hit until "My Ding-a-Ling", a number 1 in October 1972. The song performed slightly better in Canada, and also reached the Top 40 in the United Kingdom.
"Memphis, Tennessee", sometimes shortened to "Memphis", is a song by Chuck Berry, first released in 1959. In the UK, the song charted at number 6 in 1963; at the same time Decca Records issued a cover version in the UK by Dave Berry and the Cruisers, which also became a UK Top 20 hit single. Johnny Rivers's version of the song was a number two US hit in 1964.
"Too Much Monkey Business" is a song written and recorded by Chuck Berry, released by Chess Records in September 1956 as his fifth single. It was also released as the third track on his first solo LP, After School Session, in May 1957; and as an EP. The single reached number four on Billboard magazine's Most Played R&B In Juke Boxes chart, number 11 on the Most Played R&B by Jockeys chart and number seven on the R&B Top Sellers in Stores chart in the fall of 1956.
"Brown Eyed Handsome Man" is a rock and roll song written and recorded by Chuck Berry, originally released by Chess Records in September 1956 as the B-side of "Too Much Monkey Business." It was also included on Berry's 1957 debut album, After School Session. The song title was also used as the title of a biography of Berry.
American rock and roll musician Chuck Berry's discography includes 20 studio albums, 12 live albums, 31 compilation albums, 50 singles, 8 EPs, and 2 soundtrack albums.
"Almost Grown" is a song written and recorded by Chuck Berry. It was released as a double A-side with "Little Queenie".
"Carol" is a song written and recorded by Chuck Berry, first released by Chess Records in 1958, with "Hey Pedro" as the B-side. The single reached number 18 on Billboard's Hot 100 and number 9 on the magazine's R&B chart. In 1959, it was included on his first compilation album, Chuck Berry Is on Top.
"Wee Wee Hours" is a song written and recorded by Chuck Berry in 1955. Originally released as the B-side of his first single, "Maybellene", it went on to become a hit, reaching number 10 in the Billboard R&B chart.
"Reelin' and Rockin'" is a song written and recorded by Chuck Berry. It was originally recorded in 1957 and released as the B-side of "Sweet Little Sixteen".
"No Money Down" is a song written and recorded by Chuck Berry in December 1955. The recording session at Universal Recording Corporation was organized by Chess Records following the success of "Maybellene" and "Wee Wee Hours" singles the same year. "No Money Down" was first released as a single in January 1956, with "Down Bound Train" on the B-side, reaching number 8 in the Billboard R&B chart. The song was later included into Chuck Berry's 1957 album After School Session.
