"Get Back" is a song recorded by the British rock band the Beatles and Billy Preston, and written by Paul McCartney though credited to the Lennon–McCartney partnership. It was originally released as a single on 11 April 1969 and credited to "The Beatles with Billy Preston". The song is one of the few examples of John Lennon featuring prominently as lead guitarist. The album version of this song contains a different mix that features a studio chat between Paul McCartney and John Lennon at the beginning which lasts for 20 seconds before the song begins, also omitting the coda featured in the single version, and with a final dialog taken from the Beatles' rooftop concert. This version became the closing track of Let It Be (1970), which was released just after the group split up. The single version was later issued on the compilation albums 1967–1970, 20 Greatest Hits, Past Masters, and 1.
"Let It Be" is a song by the English rock band the Beatles, released on 6 March 1970 as a single, and as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership. The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared with the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.
"I'll Follow the Sun" is a song by the English rock band the Beatles. It is a ballad written and sung by Paul McCartney and credited to Lennon–McCartney. It was released in 1964 on the Beatles for Sale album in the United Kingdom and on Beatles '65 in the United States. The band played the song on the BBC program Top Gear, and the track was released on On Air – Live at the BBC Volume 2 in 2013.
"All My Loving" is a song by the English rock band the Beatles, from their second UK album With the Beatles (1963). It was written by Paul McCartney, and produced by George Martin. Though not officially released as a single in the United Kingdom or the United States, the song drew considerable radio airplay, prompting EMI to issue it as the title track of an EP. The song was released as a single in Canada, where it became a number one hit. The Canadian single was imported into the US in enough quantities to peak at number 45 on the US Billboard Hot 100 in April 1964.
"Long Tall Sally", also known as "Long Tall Sally (The Thing)", is a rock and roll song written by Robert "Bumps" Blackwell, Enotris Johnson, and Little Richard. Richard recorded it for Specialty Records, which released it as a single in March 1956, backed with "Slippin' and Slidin'".
"All Together Now" is a song by the English rock band the Beatles written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. The song was recorded during the band's Magical Mystery Tour period, but remained unreleased until it was included on the Yellow Submarine soundtrack. It was released as a single in 1972 in European countries such as France and Germany, backed by "Hey Bulldog".
"Bad Boy" is a song written and recorded by American R&B musician Larry Williams. Specialty Records released it as a single in 1958, but it failed to reach the U.S. Billboard charts. However, music journalist Stephen Thomas Erlewine calls it one of Williams's "genuine rock & roll classics" and notes its popularity among 1960s British Invasion groups, such as the Beatles.
"Surfin' Safari" is a song by American rock band the Beach Boys, written by Brian Wilson and Mike Love. Released as a single with "409" in June 1962, it peaked at number 14 on the Billboard Hot 100. The song also appeared on the 1962 album of the same name.
"Around and Around" is a 1958 rock song written and first recorded by Chuck Berry. It originally appeared under the name "Around & Around" as the B-side to the single "Johnny B. Goode".
"Go Now" is a song composed by Larry Banks and Milton Bennett and first recorded by Bessie Banks, released as a single in January 1964. The best-known version was recorded by the Moody Blues and released the same year.
"Ain't She Sweet" is a song composed by Milton Ager, with lyrics by Jack Yellen. It was published in 1927 by Ager, Yellen & Bornstein, Inc. It became popular in the first half of the 20th century and typified the Roaring Twenties. Like "Happy Days Are Here Again" (1929), it became a Tin Pan Alley standard. Both Ager and Yellen were elected to the Songwriters Hall of Fame.
"I'm Moving On" is a 1950 country standard written by Hank Snow. It was a success in the record charts and has been recorded by numerous musicians in a variety of styles.
"Too Much Monkey Business" is a song written and recorded by Chuck Berry, released by Chess Records in September 1956 as his fifth single. It was also released as the third track on his first solo LP, After School Session, in May 1957; and as an EP. The single reached number four on Billboard magazine's Most Played R&B In Juke Boxes chart, number 11 on the Most Played R&B by Jockeys chart and number seven on the R&B Top Sellers in Stores chart in the fall of 1956.
"(You're the) Devil in Disguise" is a 1963 single by Elvis Presley. It was written by Bill Giant, Bernie Baum and Florence Kaye and was published by Elvis Presley Music in June 1963. The song peaked at No. 3 in the US on the Billboard singles chart on August 10, 1963, and No. 9 on the Billboard Rhythm and Blues singles chart, becoming his last top ten single on those charts. The single was certified "Gold" by the RIAA for sales in excess of 500,000 units in the US. The song also topped Japan's Utamatic record chart in the fall of 1963. In June 1963, when the song was debuted to a British audience on the BBC television show Juke Box Jury, celebrity guest John Lennon, leader of The Beatles, voted the song "a miss" stating on the new song that Elvis Presley was "like Bing Crosby now". The song went on to reach No. 1 in the UK for a single week.
"Keep A-Knockin' " is a popular song that has been recorded by a variety of musicians over the years. The lyrics concern a lover at the door who will not be admitted; some versions because someone else is already there, but in most others because the knocking lover has behaved badly.
Åke Gerhard was a Swedish songwriter. His songs won the title for the first three years of Sweden's Melodifestival: In 1958 "Lilla stjärna" Little star sung by Alice Babs, in 1959 "Augustin" sung by Siw Malmkvist with lyrics by Harry Sandin and in 1960 "Alla andra får varann" Everyone else gets each other with lyrics by Ulf Kjellqvist.
Hep Stars on Stage is the first live album and second overall release by Swedish rock band Hep Stars. Released in November 1965 on Olga Records, the album is composed of recordings made on 7 and 8 August 1965 at two separate Folkparks in Trollhättan and Västerås, Sweden. Hep Stars on Stage, although not the first live album by a Swedish artist, was the first live recording of a Swedish rock group released.
"So Mystifying" is a song written by English musician Ray Davies, first recorded by his band the Kinks for their 1964 debut album Kinks. It appears as the second track on side one, following "Beautiful Delilah", and is the first track on the album on which Ray Davies performs the lead vocals. The best known version of the song was recorded by Swedish rock group Hep Stars, whose version of the song reached the top-five on both Kvällstoppen and Tio I Topp in 1965.
"Sleep Little Girl" is the debut single by the Swedish rock band Tages. It was written by Tommy Blom and released on 16 October 1964. The initial recording was made at a Youth center at Nylöse, a neighborhood of Gothenburg, Sweden's second biggest city, and the song has professionally been re-recorded in a studio twice.
"The One for You" is a song written by Swedish guitarist Danne Larsson and recorded by his group Tages in 1965. Following an intensive tour of the Sweden, while also previously having composed songs for the band, Larsson wrote the song inspired by their trip to London, allegedly about a girl he had met there. It was the first recording by Tages produced by Anders Henriksson, who would come to produce the majority of their coming output, along with being their first single recorded at Europafilm Studios in Bromma, Stockholm.
