"Little Queenie" | ||||
---|---|---|---|---|
Single by Chuck Berry | ||||
from the album Go, Johnny, Go! | ||||
A-side | "Almost Grown" (double A-side) | |||
Released | March 1959 | |||
Recorded | 19 November 1958 | |||
Studio | Chess (Chicago) [1] | |||
Genre | Rock and roll | |||
Length | 2:36 | |||
Label | Chess | |||
Songwriter(s) | Chuck Berry | |||
Producer(s) | Leonard Chess, Phil Chess | |||
Chuck Berry singles chronology | ||||
|
"Little Queenie" is a song written and recorded by Chuck Berry. Released in March 1959 as a double A-side single with "Almost Grown", it was included on Chuck Berry Is on Top (1959), Berry's first compilation album. He performed the song in the movies Go, Johnny Go! (1959) and Hail! Hail! Rock 'n' Roll (1987). One year earlier, Berry had released "Run Rudolph Run", a Christmas song with the same melody.
The song was recorded on November 19, 1958, in Chicago, Illinois. Backing Berry on vocals and guitar were either Johnnie Johnson or Lafayette Leake on piano, Willie Dixon on bass, and Fred Below on drums. In a song review for AllMusic, Matthew Greenwald calls it an "incredible rock & roll anthem" and "one of the greatest dance/sex ritualistic classics." [2] It is included on several of Berry's compilation albums, including The Great Twenty-Eight and Chuck Berry's Golden Decade .
The song peaked at number 80 on the Billboard Hot 100 chart. [3]
It has been covered by many artists, including:
"Get Back" is a song recorded by the English rock band the Beatles and Billy Preston, written by Paul McCartney, and credited to the Lennon–McCartney partnership. It was originally released as a single on 11 April 1969 and credited to "The Beatles with Billy Preston". The song is one of the few examples of John Lennon featuring prominently as lead guitarist. The album version of this song contains a different mix that features a studio chat between Paul McCartney and John Lennon at the beginning, which lasts for 20 seconds before the song begins, also omitting the coda featured in the single version, and with a final dialogue taken from the Beatles' rooftop concert. This version became the closing track of Let It Be (1970), which was released just after the group split up. The single version was later issued on the compilation albums 1967–1970, 20 Greatest Hits, Past Masters, and 1.
"Let It Be" is a song by the English rock band the Beatles, released on 6 March 1970 as a single, and as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership. The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared with the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.
"I'll Follow the Sun" is a song by the English rock band the Beatles. It is a ballad written and sung by Paul McCartney and credited to Lennon–McCartney. It was released in 1964 on the Beatles for Sale album in the United Kingdom and on Beatles '65 in the United States. The band played the song on the BBC radio programme Top Gear, and the track was released on On Air – Live at the BBC Volume 2 in 2013.
"Roll Over Beethoven" is a 1956 song written by Chuck Berry, originally released on Chess Records, with "Drifting Heart" as the B-side. The lyrics of the song mention rock and roll and the desire for rhythm and blues to be as respected as classical music. The song has been covered by many other artists, including the Beatles and the Electric Light Orchestra. Rolling Stone magazine ranked it number 97 on its list of the "500 Greatest Songs of All Time".
"Long Tall Sally", also known as "Long Tall Sally (The Thing)", is a rock and roll song written by Robert "Bumps" Blackwell, Enotris Johnson, and Little Richard. Richard recorded it for Specialty Records, which released it as a single in March 1956, backed with "Slippin' and Slidin'".
"All Together Now" is a song by the English rock band the Beatles written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. The song was recorded during the band's Magical Mystery Tour period, but remained unreleased until it was included on the Yellow Submarine soundtrack. It was released as a single in 1972 in European countries such as France and Germany, backed by "Hey Bulldog".
"Bad Boy" is a song written and recorded by American R&B musician Larry Williams. Specialty Records released it as a single in 1958, but it failed to reach the U.S. Billboard charts. However, music journalist Stephen Thomas Erlewine calls it one of Williams's "genuine rock & roll classics" and notes its popularity among 1960s British Invasion groups, such as the Beatles.
"Please, Please, Please" is a rhythm and blues song performed by James Brown and the Famous Flames. Written by Brown and Johnny Terry and released as a single on Federal Records in 1956, it reached No. 6 on the R&B charts. The group's debut recording and first chart hit, it has come to be recognized as their signature song.
"Star Star" is a song recorded by the English rock band the Rolling Stones. It was written by Mick Jagger and Keith Richards. In a few select countries, the song was released as a single from the band's album Goats Head Soup (1973), with "Doo Doo Doo Doo Doo (Heartbreaker)" as its B-side. The song's title was changed to "Star Star" from "Starfucker" after Ahmet Ertegün of Atlantic Records insisted on the change.
"Around and Around" is a 1958 rock song written and first recorded by Chuck Berry. It originally appeared under the name "Around & Around" as the B-side to the single "Johnny B. Goode".
"Go Now" is a song composed by Larry Banks and Milton Bennett and first recorded by Bessie Banks, released as a single in January 1964. The best-known version was recorded by the Moody Blues and released the same year.
"Ain't She Sweet" is a song composed by Milton Ager, with lyrics by Jack Yellen. It was published in 1927 by Ager, Yellen & Bornstein, Inc. It became popular in the first half of the 20th century and typified the Roaring Twenties. Like "Happy Days Are Here Again" (1929), it became a Tin Pan Alley standard. Both Ager and Yellen were elected to the Songwriters Hall of Fame.
"It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack. It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964.
"Donna" is a song written by Ritchie Valens, featuring the '50s progression. The song was released in 1958 on Del-Fi Records. Written as a tribute to his high school sweetheart Donna Ludwig, it was Valens' highest-charting single, reaching No. 2 on the Billboard Hot 100 chart the following year.
"I'm Moving On" is a 1950 country standard written by Hank Snow. It was a success in the record charts and has been recorded by numerous musicians in a variety of styles.
"Tell Me (You're Coming Back)" is a song by the English rock band the Rolling Stones, featured on their 1964 self-titled album (subtitled and often called England's Newest Hit Makers in the US). It became the first A-side single written by Jagger/Richards to be released, although not in the United Kingdom. The single reached number 24 in the United States (becoming their first top 40 hit there) and the top 40 in several other countries.
"Too Much Monkey Business" is a song written and recorded by Chuck Berry, released by Chess Records in September 1956 as his fifth single. It was also released as the third track on his first solo LP, After School Session, in May 1957; and as an EP. The single reached number four on Billboard magazine's Most Played R&B In Juke Boxes chart, number 11 on the Most Played R&B by Jockeys chart and number seven on the R&B Top Sellers in Stores chart in the fall of 1956.
"Keep A-Knockin' " is a popular song that has been recorded by a variety of musicians over the years. The lyrics concern a lover at the door who will not be admitted; some versions because someone else is already there, but in most others because the knocking lover has behaved badly.
"So Mystifying" is a song written by English musician Ray Davies, first recorded by his band the Kinks for their 1964 debut album Kinks. It appears as the second track on side one, following "Beautiful Delilah", and is the first track on the album on which Ray Davies performs the lead vocals. The best known version of the song was recorded by Swedish rock group Hep Stars, whose version of the song reached the top-five on both Kvällstoppen and Tio I Topp in 1965.
"The One for You" is a song written by Swedish guitarist Danne Larsson and recorded by his group Tages in 1965. Following an intensive tour of the Sweden, while also previously having composed songs for the band, Larsson wrote the song inspired by their trip to London, allegedly about a girl he had met there. It was the first recording by Tages produced by Anders Henriksson, who would come to produce the majority of their coming output, along with being their first single recorded at Europafilm Studios in Bromma, Stockholm.