| Back in the USA | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | January 15, 1970 | |||
| Recorded |
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| Studio | GM, Detroit | |||
| Genre | Hard rock, proto-punk, rock and roll | |||
| Length | 28:08 | |||
| Label | Atlantic | |||
| Producer | Jon Landau | |||
| MC5 chronology | ||||
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| Singles from Back In The USA | ||||
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Back in the USA is the first studio album by the American rock band MC5, released on January 15, 1970. It is their second album overall, following 1969's live album Kick Out the Jams .
The central focus of the album is the band's movement away from the raw, thrashy sound pioneered and captured on their first release, the live album Kick Out the Jams (1969). This was due in part to producer Jon Landau's distaste for the rough psychedelic rock movement, and his adoration for the straightforward rock and roll of the 1950s.[ citation needed ]
Landau, who originally wrote for Rolling Stone magazine, was looking to get more involved in actual music production. Becoming close with Atlantic Records executive Jerry Wexler was his chance and led Landau to the politically radical MC5, who had just been picked up by Atlantic after being dropped from Elektra Records in 1969 – the Kinney National Company (later known as Time Warner), parent of Atlantic, acquired Elektra in the same year of this album's release; both labels are now part of the Warner Music Group (now a separate company from TW), through the Atlantic Records Group.
The opening track is a cover of the classic hit "Tutti Frutti" by Little Richard. "Let Me Try" is a ballad. "The American Ruse" attacks what the Detroit quintet saw as the hypocritical idea of freedom espoused by the US government, and "The Human Being Lawnmower" expresses opposition to the US involvement in the Vietnam War. The last song on the album, which is the title track, is a cover of Chuck Berry's 1959 single "Back in the U.S.A."
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Chicago Tribune |  [2] |
| Christgau's Record Guide | A− [3] |
| Entertainment Weekly | A [4] |
| Q | [5] |
| The Rolling Stone Album Guide | [6] |
Reviewing Back in the USA for Rolling Stone in 1970, Greil Marcus admired the album's "attempt to define themes and problems and an offering of political, social, and emotional solutions", but found that "the music, the sound, and in the end the care with which these themes have been shaped drags it down, save for two or three fine numbers that deserve to be played on every jukebox in the land". [7] Though the album was viewed as a flop early on by most fans, and lacked the commercial success of their previous release, it would later be considered highly important due to the album's absolute projection of MC5's core sound and earliest influences.
In his retrospective review, Jason Ankeny of AllMusic wrote, "While lacking the monumental impact of Kick Out the Jams, the MC5's second album is in many regards their best and most influential". [1]
"In a time of terrible manufactured music, Back in the USA was rock 'n' roll, untreated… I used to sit and listen to that album for hours: listen to it through, then put it straight back on again. It was the kind of album you could do that with, particularly the odd songs like 'Human Being Lawnmower'. It was impossible to see the structure of that song for a while. You'd think, 'Fuck it, what's going on there?' Then you'd sit and work it out… My favourite track off that MC5 album would have to be Chuck Berry's 'Back in the U.S.A.'." – Lemmy, Motörhead [8]
In 2012, Back in the USA was ranked number 446 on Rolling Stone's list of the 500 greatest albums of all time. [9] The following year, NME placed the album at number 490 on its own similar list. [10]
Jason Ankeny of AllMusic commented that "[the album's] lean, edgy sound anticipat[ed] the emergence of both the punk and power pop movements to follow later in the decade." [1]
All tracks are written by MC5, except as noted
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Tutti Frutti" | Dorothy LaBostrie, Joe Lubin, Richard Penniman | 1:30 |
| 2. | "Tonight" | 2:29 | |
| 3. | "Teenage Lust" | 2:36 | |
| 4. | "Let Me Try" | 4:16 | |
| 5. | "Looking at You" | 3:03 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "High School" | 2:42 | |
| 2. | "Call Me Animal" | 2:06 | |
| 3. | "The American Ruse" | 2:31 | |
| 4. | "Shakin' Street" | 2:21 | |
| 5. | "The Human Being Lawnmower" | 2:24 | |
| 6. | "Back in the U.S.A." | Chuck Berry | 2:26 |
Leslie Conway "Lester" Bangs was an American music journalist and critic. He wrote for Creem and Rolling Stone magazines and was also a performing musician. The music critic Jim DeRogatis called him "America's greatest rock critic".
MC5 was an American rock band formed in Lincoln Park, Michigan, in 1963. The classic line-up consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson. MC5 were listed by Parade as one of the best rock bands of all time and by VH1 as one of the greatest hard rock artists of all time. The band's first three albums are regarded by many as staples of rock music, and their 1969 song "Kick Out the Jams" is widely covered.
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Greatest Hits is a compilation album by the American group Sly and the Family Stone. It was first released on November 21, 1970, by Epic Records. The album includes all of the singles from the albums Dance to the Music (1968), Life (1968), and Stand! (1969).
Here's Little Richard is the debut album by American musician Little Richard, released on March 4, 1957. Promoted as "six of Little Richard's hits and six brand new songs of hit calibre", the album compiles many of the A-sides and B-sides from Richard's hit singles including the Billboard top 40 entries "Tutti Frutti", "Long Tall Sally", "Slippin' and Slidin'", "Rip It Up" and "Jenny, Jenny" and the top 10 Rhythm and Blues Best-Sellers hits "Ready Teddy", "She's Got It" and "Miss Ann".
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High Time is the second studio album by the American rock band MC5, released in 1971 by Atlantic Records.
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His Band and the Street Choir is the fourth studio album by Northern Irish singer-songwriter Van Morrison. It was released in November 1970 by Warner Bros. Records. Originally titled Virgo's Fool, Street Choir was renamed by Warner Bros. without Morrison's consent. Recording began in early 1970 with a demo session in a small church in Woodstock, New York. Morrison booked the A&R Studios on 46th Street in New York City in the second quarter of 1970 to produce two sessions of songs that were released on His Band and the Street Choir.
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