Back in the USA (album)

Last updated
Back in the USA
Back in the USA.jpg
Studio album by
MC5
ReleasedJanuary 15, 1970
Recorded
  • March–October 1969
  • (except December 1968 for "Looking At You")
StudioGM, Detroit
Genre Hard rock, proto-punk, rock and roll
Length28:08
Label Atlantic
Producer Jon Landau
MC5 chronology
Kick Out the Jams
(1969)
Back in the USA
(1970)
High Time
(1971)
Singles from Back In The USA
  1. "Tonight"
    Released: 1969
  2. "Back In The USA"
    Released: 1970
  3. "Shakin' Street"
    Released: 1970

Back in the USA is the first studio album by the American rock band MC5, released on January 15, 1970. It is their second album overall, following 1969's live album Kick Out the Jams .

Contents

Background

The central focus of the album is the band's movement away from the raw, thrashy sound pioneered and captured on their first release, the live album Kick Out the Jams (1969). This was due in part to producer Jon Landau's distaste for the rough psychedelic rock movement, and his adoration for the straightforward rock and roll of the 1950s.[ citation needed ]

Landau, who originally wrote for Rolling Stone magazine, was looking to get more involved in actual music production. Becoming close with Atlantic Records executive Jerry Wexler was his chance and led Landau to the politically radical MC5, who had just been picked up by Atlantic after being dropped from Elektra Records in 1969 – the Kinney National Company (later known as Time Warner), parent of Atlantic, acquired Elektra in the same year of this album's release; both labels are now part of the Warner Music Group (now a separate company from TW), through the Atlantic Records Group.

Content

The opening track is a cover of the classic hit "Tutti Frutti" by Little Richard. "Let Me Try" is a ballad. "The American Ruse" attacks what the Detroit quintet saw as the hypocritical idea of freedom espoused by the US government, and "The Human Being Lawnmower" expresses opposition to the US involvement in the Vietnam War. The last song on the album, which is the title track, is a cover of Chuck Berry's 1959 single "Back in the U.S.A."

Release and reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [1]
Chicago Tribune Star full.svgStar full.svgStar full.svgStar empty.svg [2]
Christgau's Record Guide A− [3]
Entertainment Weekly A [4]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [5]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [6]

Reviewing Back in the USA for Rolling Stone in 1970, Greil Marcus admired the album's "attempt to define themes and problems and an offering of political, social, and emotional solutions", but found that "the music, the sound, and in the end the care with which these themes have been shaped drags it down, save for two or three fine numbers that deserve to be played on every jukebox in the land". [7] Though the album was viewed as a flop early on by most fans, and lacked the commercial success of their previous release, it would later be considered highly important due to the album's absolute projection of MC5's core sound and earliest influences.

In his retrospective review, Jason Ankeny of AllMusic wrote, "While lacking the monumental impact of Kick Out the Jams, the MC5's second album is in many regards their best and most influential". [1]

Legacy

"In a time of terrible manufactured music, Back in the USA was rock 'n' roll, untreated… I used to sit and listen to that album for hours: listen to it through, then put it straight back on again. It was the kind of album you could do that with, particularly the odd songs like 'Human Being Lawnmower'. It was impossible to see the structure of that song for a while. You'd think, 'Fuck it, what's going on there?' Then you'd sit and work it out… My favourite track off that MC5 album would have to be Chuck Berry's 'Back in the U.S.A.'." – Lemmy, Motörhead [8]

In 2012, Back in the USA was ranked number 446 on Rolling Stone's list of the 500 greatest albums of all time. [9] The following year, NME placed the album at number 490 on its own similar list. [10]

Jason Ankeny of AllMusic commented that "[the album's] lean, edgy sound anticipat[ed] the emergence of both the punk and power pop movements to follow later in the decade." [1]

Track listing

All tracks are written by MC5, except as noted

Side A
No.TitleWriter(s)Length
1."Tutti Frutti" Dorothy LaBostrie, Joe Lubin, Richard Penniman 1:30
2."Tonight" 2:29
3."Teenage Lust" 2:36
4."Let Me Try" 4:16
5."Looking at You" 3:03
Side B
No.TitleWriter(s)Length
1."High School" 2:42
2."Call Me Animal" 2:06
3."The American Ruse" 2:31
4."Shakin' Street" 2:21
5."The Human Being Lawnmower" 2:24
6."Back in the U.S.A." Chuck Berry 2:26

Personnel

MC5
Additional personnel
Technical

Related Research Articles

<span class="mw-page-title-main">Lester Bangs</span> American music critic and journalist (1948–1982)

Leslie Conway "Lester" Bangs was an American music journalist and critic. He wrote for Creem and Rolling Stone magazines and was also a performing musician. The music critic Jim DeRogatis called him "America's greatest rock critic".

<span class="mw-page-title-main">MC5</span> American rock band

MC5 was an American rock band formed in Lincoln Park, Michigan, in 1963. The classic line-up consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson. MC5 were listed by Parade as one of the best rock bands of all time and by VH1 as one of the greatest hard rock artists of all time. The band's first three albums are regarded by many as staples of rock music, and their 1969 song "Kick Out the Jams" is widely covered.

<i>The Pretender</i> (album) 1976 studio album by Jackson Browne

The Pretender is the fourth album by the American singer-songwriter Jackson Browne, released in 1976. It peaked at No. 5 on Billboard's album chart. The singles from the album were "Here Come Those Tears Again", which reached No. 23, and "The Pretender", which peaked at No. 58.

<i>I Never Loved a Man the Way I Love You</i> 1967 studio album by Aretha Franklin

I Never Loved a Man the Way I Love You is the tenth studio album by American singer Aretha Franklin, released on March 10, 1967 by Atlantic Records. It was Franklin's first release under her contract with the label, following her departure from Columbia Records after nine unsuccessful jazz standard albums, and marked a commercial breakthrough for her, becoming her first top 10 album in the United States, reaching number 2 on the Billboard 200. Two singles were released to promote the album: "Respect" and "I Never Loved a Man ". The former topped the Billboard Hot 100, while latter reached the top 10.

<i>Marquee Moon</i> 1977 studio album by Television

Marquee Moon is the debut album by American rock band Television. It was released on February 8, 1977, by Elektra Records. In the years leading up to the album, Television had become a prominent act on the New York music scene and generated interest from a number of record labels, eventually signing a record deal with Elektra. The group rehearsed extensively in preparation for Marquee Moon before recording it at A & R Recording in September 1976. It was produced by the band's frontman Tom Verlaine and sound engineer Andy Johns.

<i>Kick Out the Jams</i> 1969 live album by MC5

Kick Out the Jams is the debut album by American rock band MC5. It was released in February 1969, through Elektra Records. It was recorded live at Detroit's Grande Ballroom over two nights, Devil's Night and Halloween, 1968.

<i>Fun House</i> (The Stooges album) 1970 studio album by the Stooges

Fun House is the second studio album by American rock band the Stooges. It was released on July 7, 1970, by Elektra Records. Though initially commercially unsuccessful, Fun House has since developed a strong cult following. Like its predecessor and successor, it is considered an integral work in the development of punk rock.

<i>Heres Little Richard</i> 1957 studio album by Little Richard

Here's Little Richard is the debut album by American musician Little Richard, released on March 4, 1957. Promoted as "six of Little Richard's hits and six brand new songs of hit calibre", the album compiles many of the A-sides and B-sides from Richard's hit singles including the Billboard top 40 entries "Tutti Frutti", "Long Tall Sally", "Slippin' and Slidin'", "Rip It Up" and "Jenny, Jenny" and the top 10 Rhythm and Blues Best-Sellers hits "Ready Teddy", "She's Got It" and "Miss Ann".

<i>High Time</i> (MC5 album) 1971 studio album by MC5

High Time is the second studio album by the American rock band MC5, released in 1971 by Atlantic Records.

<i>Live at the Apollo</i> (1963 album) 1963 live album by James Brown and the Famous Flames

Live at the Apollo is the first live album by James Brown and the Famous Flames, recorded at the Apollo Theater in Harlem in October 1962 and released in May 1963 by King Records. Capturing Brown's popular stage show for the first time on record, the album was a major commercial and critical success and cemented his status as a leading R&B star.

<i>His Band and the Street Choir</i> 1970 studio album by Van Morrison

His Band and the Street Choir is the fourth studio album by Northern Irish singer-songwriter Van Morrison. It was released in November 1970 by Warner Bros. Records. Originally titled Virgo's Fool, Street Choir was renamed by Warner Bros. without Morrison's consent. Recording began in early 1970 with a demo session in a small church in Woodstock, New York. Morrison booked the A&R Studios on 46th Street in New York City in the second quarter of 1970 to produce two sessions of songs that were released on His Band and the Street Choir.

<span class="mw-page-title-main">Dave Marsh</span> American music critic

Dave Marsh is an American music critic and radio talk show host. He was an early editor of Creem magazine, has written for various publications such as Newsday, The Village Voice, and Rolling Stone, and has published numerous books about music and musicians, mostly focused on rock music. He is also a committee member of the Rock and Roll Hall of Fame.

<span class="mw-page-title-main">Tutti Frutti (song)</span> 1955 single by Little Richard

"Tutti Frutti" is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!", and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also for rock and roll itself. The song introduced several of rock music's most characteristic musical features, including its loud volume, powerful vocal style, and distinctive beat and rhythm.

<span class="mw-page-title-main">Wayne Kramer</span> American musician (1948–2024)

Wayne Stanley Kramer was an American guitarist, singer, songwriter, producer, and film and television composer. Kramer came to prominence in the 1960s as the lead guitarist of the Detroit rock band MC5.

<span class="mw-page-title-main">Rob Tyner</span> American musician (1944–1991)

Robert W. Derminer, known as Rob Tyner, was an American musician best known as the lead singer for the Detroit proto-punk band MC5. His adopted surname was in tribute to the jazz pianist McCoy Tyner. It was Tyner who issued the rallying cry of "kick out the jams, motherfuckers" at the MC5's live concerts. Tyner had originally auditioned as the bass player, but the band felt his talents would be best used as the lead vocalist.

<i>The Big Bang!: Best of the MC5</i> 2000 greatest hits album by MC5

The Big Bang!: Best of the MC5 is a greatest hits album by MC5, released in 2000. Rhino remastered and released the anthology, which draws from three of their four albums. It also adds several of their early singles, which pre-date Kick Out the Jams, and concludes with a live 1972 number, "Thunder Express."

<span class="mw-page-title-main">Kick Out the Jams (song)</span> 1969 single by MC5

"Kick Out the Jams" is a song by MC5, released as a single in March 1969 by Elektra Records. The album of the same name caused some controversy due to inflammatory liner notes by the band's manager, John Sinclair, and the track's rallying cry of "Kick out the jams, motherfuckers!". According to guitarist Wayne Kramer, the band recorded this as "Kick out the jams, brothers and sisters!" for the single released for radio play; lead vocalist Rob Tyner claimed this was done without group consensus. The edited version also appeared in some LP copies, which also withdrew Sinclair's excitable comments. The album was released in January 1969; reviews were mixed, but the album was relatively successful, quickly selling over 100,000 copies and peaking at #30 on the Billboard album chart in May 1969 during a 23-week stay.

"Powderfinger" is a song written by Neil Young, first released on his 1979 album Rust Never Sleeps. It subsequently appeared on several of Young's live recordings. A 2014 Rolling Stone special issue on Young ranked it as Young's best song ever.

<i>You and Your Sister</i> (album) 1989 studio album by The Vulgar Boatmen

You and Your Sister is the debut album by the American band the Vulgar Boatmen, released in 1989. The Vulgar Boatmen, at the time of the album, constituted two bands: one based in Florida and one based in Indiana. The band supported the album with a North American tour. "Drive Somewhere" was released as a single.

<i>El Moodio</i> 1993 studio album by Eleventh Dream Day

El Moodio is an album by the American band Eleventh Dream Day, released in 1993. The band supported the album with a North American tour. It was Eleventh Dream Day's final album for Atlantic Records.

References

  1. 1 2 3 Ankeny, Jason. "Back in the USA – MC5". AllMusic . Retrieved February 20, 2015.
  2. Kot, Greg (February 12, 1995). "Still Risky, Still Real". Chicago Tribune . Retrieved September 28, 2020.
  3. Christgau, Robert (1981). "M". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor and Fields. ISBN   0-89919-026-X . Retrieved March 7, 2019 via robertchristgau.com.
  4. Robbins, Ira (September 11, 1992). "MC5: Back in the USA". Entertainment Weekly . p. 90.
  5. "MC5: Back in the USA". Q . No. 82. July 1993. p. 110.
  6. Evans, Paul; Scoppa, Bud (2004). "MC5". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp.  528. ISBN   0-7432-0169-8.
  7. Marcus, Greil (May 14, 1970). "Back In The U.S.A.". Rolling Stone . Retrieved August 3, 2019.
  8. Simmons, Sylvie (August 2004). "Last night a record changed my life". Mojo . No. 129. p. 30.
  9. "500 Greatest Albums of All Time". Rolling Stone . May 31, 2012. Retrieved September 2, 2019.
  10. "The 500 Greatest Albums Of All Time: 500–401". NME . October 21, 2013. Retrieved September 28, 2020.