Related Research Articles
The Boomtown Rats are an Irish rock band originally formed in Dublin in 1975. Between 1977 and 1985, they had a series of Irish and UK hits including "Like Clockwork", "Rat Trap", "I Don't Like Mondays" and "Banana Republic". The original line-up comprised six musicians; five from Dún Laoghaire in County Dublin; Gerry Cott, Simon Crowe (drums), Johnnie Fingers (keyboards), Bob Geldof (vocals) and Garry Roberts, plus Fingers' cousin Pete Briquette (bass). The Boomtown Rats broke up in 1986, but reformed in 2013, without Fingers or Cott. Garry Roberts died in 2022. The band's fame and notability have been overshadowed by the charity work of frontman Bob Geldof, a former journalist with the New Musical Express.
"Hole in My Shoe" is a song by English rock band Traffic featuring a spoken-word midsection by Chris Blackwell's stepdaughter, Francine Heimann, in which she tells a little story about a giant albatross. It was released as a single in 1967 and reached number 2 in the UK Singles Chart, number 22 in the German charts, and number 4 in Canada. Composed by guitarist Dave Mason, it was disliked by the other three members of the group who felt that it did not represent the band's musical or lyrical style.
The Boomtown Rats is the debut album by Irish rock band The Boomtown Rats, released in September 1977. It included the Rats' first hit single, "Lookin' After No. 1", as well as the subsequent single, "Mary of the 4th Form". The album peaked at No. 18 in the UK Albums Chart in 1977.
A Tonic for the Troops is the second album by Irish rock band The Boomtown Rats, released in June 1978.
Mondo Bongo was The Boomtown Rats' fourth album. It peaked at No. 6 in the UK Albums Chart in February 1981, and No. 116 in the US Billboard 200. This is the band's last album to be recorded as six-piece band, as the guitarist Gerry Cott left the band shortly after the album's release.
"Walking on the Moon" is a reggae song by British rock band the Police, released as the second single from their second studio album, Reggatta de Blanc (1979). The song was written by the band's lead vocalist and bassist Sting. It went on to become the band's second No. 1 hit in the UK.
"Devoted to You" is a song written by Felice and Boudleaux Bryant.
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas. Released as a 45 rpm single on July 9, 1963, on the Motown subsidiary Gordy label, it hit number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Roll Away the Stone" is a song written by Ian Hunter, recorded by English rock band Mott the Hoople, and released as a single on the CBS label. On the first version, recorded before Mick Ralphs left the band, Ralphs plays lead guitar and one of the Thunderthighs handles the bridge voice. It was re-recorded by the band for their 1974 album The Hoople, with Ariel Bender on lead guitar and English vocalist Lynsey de Paul singing the vocal bridge.
"Rat Trap" is a single by The Boomtown Rats which reached No. 1 in the UK Singles Chart for two weeks in November 1978, the first single by a punk or new wave act to do so. It was written by Bob Geldof, and produced by Robert John "Mutt" Lange. It replaced "Summer Nights", a hit single for John Travolta and Olivia Newton-John from the soundtrack of Grease, at number one in the UK chart after the latter's seven-week reign.
"I Don't Like Mondays" is a song by Irish new wave group the Boomtown Rats about the 1979 Cleveland Elementary School shooting in San Diego. It was released in 1979 as the lead single from their third album, The Fine Art of Surfacing. The song was a number-one single in the UK Singles Chart for four weeks during the summer of 1979, and ranks as the sixth-biggest hit of the UK in 1979. Written by Bob Geldof and Johnnie Fingers, the piano ballad was the band's second single to reach number one on the UK chart.
"Picture This" is a 1978 song by the American rock band Blondie, released on their third album, Parallel Lines. Written by Chris Stein, Debbie Harry and Jimmy Destri, the song features evocative lyrics that producer Mike Chapman surmised were written by Harry about Stein.
"I Can Hear the Grass Grow " is the second single by the Move, written by Roy Wood. The song was first released on 31 March 1967, and reached number 5 in the UK Singles Chart on 10 May 1967, staying for ten weeks in the charts. "I Can Hear the Grass Grow" was the second of a string of four consecutive top-5 singles in the UK.
Loudmouth – The Best of Bob Geldof and the Boomtown Rats is a 1994 greatest hits compilation album from Bob Geldof and the Boomtown Rats, consisting mostly of Boomtown Rats material but also some of Geldof's solo work. It peaked at No. 10 in the UK Albums Chart in July 1994.
"Like Clockwork" is a single by The Boomtown Rats. It was the band's first to reach the Top Ten in the UK Singles Chart, peaking at No. 6.
"Lock Up Your Daughters" is a song by the British rock band Slade, released in 1981 as the second single from the band's tenth studio album Till Deaf Do Us Part. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Slade. It reached No. 29 in the UK, remaining in the charts for eight weeks.
"She's So Modern" is a song by The Boomtown Rats. It was the first single taken from the band's second album A Tonic for the Troops, whose title comes from a line in this song: "Charlie ain't no Nazi, she just likes to wear her leather boots, 'cos it's exciting for the veterans and it's a tonic for the troops". The single continued the Rats' high-energy post-punk/new wave sound that had typified earlier releases, but its fame would later be eclipsed by that of the band's more ballad-like global hit "I Don't Like Mondays". It has been described as "harmlessly smirking bubblegum a la The Knack".
"Mary of the 4th Form" is the second single by The Boomtown Rats. It was the first song taken from the band's first album The Boomtown Rats but the single is a different, re-recorded version from that on the album and 19 seconds longer. On French and Dutch releases of the single, "Do the Rat" was the A-side. The song's theme, of a teacher's sexual attraction to a pubescent girl, who behaves in an overtly sexual manner, was resonated in the Police song "Don't Stand So Close to Me".
"Little Willy" is a song written by songwriters Nicky Chinn and Mike Chapman and performed by the British glam rock band The Sweet, released in 1972 as a non-album single in the UK, peaking at #4 in the best seller charts. It was released in the US in September 1972 and also appeared on their US debut album The Sweet and became their biggest hit in the US, reaching #3 on the Billboard Hot 100. Billboard ranked it as the #18 song for 1973.
"Wig-Wam Bam" is a song by British glam rock band The Sweet, written by songwriters Nicky Chinn and Mike Chapman, released as a single in September 1972. It was the first Sweet single on which the band members actually played their instruments, as previous singles featured producer Phil Wainman on drums, and session musicians John Roberts and Pip Williams on bass and guitars respectively.
References
- 1 2 3 4 "Boomtown Rats, The - Lookin' After No. 1 (Vinyl) at Discogs". Discogs.com. 1977. Retrieved 9 April 2014.
- ↑ Stanley, Bob (13 September 2013). "Pleasently Antagonistic: New Wave". Yeah Yeah Yeah: The Story of Modern Pop. Faber & Faber. p. 454. ISBN 978-0-571-28198-5.
- 1 2 "The Boomtown Rats Discography". Boomtownrats.co.uk. Retrieved 9 April 2014.
- 1 2 Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 71. ISBN 1-904994-10-5.
- ↑ "Album review". The Boomtown Rats. Retrieved 9 April 2014.
- ↑ William Ruhlmann. "The Boomtown Rats | Biography". AllMusic. Retrieved 9 April 2014.