"Looking For the Perfect Beat" | ||||
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Single by Afrika Bambaataa & The Soulsonic Force | ||||
Released | December 1982 | |||
Genre | Electro [1] | |||
Length | 6:56 [2] | |||
Label | Tommy Boy | |||
Composer(s) | Arthur Baker, John Robie, Afrika Bambaataa Aasim, [3] SoulSonic Force [2] | |||
Lyricist(s) | Arthur Baker, MC G.L.O.B.E. | |||
Producer(s) | Arthur Baker, John Robie | |||
Afrika Bambaataa & The Soulsonic Force singles chronology | ||||
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Audio sample | ||||
"Looking for the Perfect Beat" is a song by Afrika Bambaataa & the Soulsonic Force. The song was produced by Arthur Baker and John Robie and was the follow-up track for the group following "Planet Rock". The track took much longer to develop than "Planet Rock" with Baker using cocaine and the pressure involved with creating a follow-up single. The group was developed for months in Robie's apartment while Afrika Bambaataa and the Soul Sonic Force were touring.
The track was released in December 1982 and was later ranked at number 13 among the "Tracks of the Year" for 1983 by the NME .
Producer Arthur Baker recalled that Tommy Boy Records head Tom Silverman decided that "Planet Rock" was successful enough that the group should have a follow-up. [4] Following this period, Baker released leftover music from the "Planet Rock" sessions titled "Play At Your Own Risk" after adding vocals and some more music to it. [5] While the Soulsonic Force was touring, Baker worked on a new track at Robie's apartment home and were trying to develop a new track. [4] [5] Baker felt that the group needed a different approach than "Planet Rock" as "everyone was sort of biting off what we had done. I thought there’s no way we can do the same thing, we have to do something different." and "we couldn't go even close to anything with that kind of tempo or beat." [4] The pressure of creating a follow-up led to Baker "rediscover[ing] drugs" and was "doing lots of cocaine – it didn’t really help." [4]
Baker recalled that the song's title arrived to him when developing the track, thinking "Man, we're looking for the perfect beat and we've already found it.' It quickly dawned on me that this was a good song title". [5] Soulsonic Force member MC G.L.O.B.E. was tasked with writing the lyrics. [5] Baker performed some vocals on the track that the rappers did not want to perform, including the lines “Beat This” and the “Looking for the per- looking for the per- looking for the perfect.” and some barking on the track which the rappers did not want to perform. [4] [5] In 1999, Baker declared that the "Beat This" was "almost a taunt at Sylvia [Robinson], because there was definitely competition between us and Sugar Hill. It was like a challenge. It was really adventurous. I didn’t wanna do a typical rap record. [6]
"Looking for the Perfect Beat" was released in December 1982. [7] Attempts to get a full-length album for Bambaataa were not possible with Tommy Boy as Silverman's contract with him was strictly for singles; re-negotiating the contract proved to be difficult. [8] A full-length album titled Planet Rock: The Album was released in 1986, which contained the three other singles "Planet Rock", "Renegades of Funk", "Frantic Situation", and three previously unreleased tracks. [8] [9]
From contemporary reviews, J.D. Considine gave the song a four out of five rating, writing in The Baltimore Sun that "Looking for the Perfect Beat" "doesn't manage the same sense of discovery" as "Planet Rock" but it "manages to be almost as catchy" stating that it "refines the relationship between the vocals and the electronic pulse" noting that " the rapping on the song was "fairly trite, but it makes up for that by always being "on the one.". [10]
Critic Robert Palmer placed "Looking for the Perfect Beat" as his top single of 1983 declaring it "The year's finest single" noting it was "an ingenious small symphony in rap rhythms, and a dance-floor favorite" noting that it was "the year's most widely imitated new sound." [11] "Looking For the Perfect Beat" was ranked at number 13 among the "Tracks of the Year" for 1983 by NME . [12]
12" single (TB 831) [2]
Credits adapted from the liner notes and expanded with information in the article. [2]
Planet Rock: The Album is an old school hip hop album by Afrika Bambaataa & Soulsonic Force, released in 1986 as a collection of previous singles. The song "Planet Rock" was one of the earliest hits of the hip hop music genre and remains one of its pioneering recordings. The single's liner notes include members of Kraftwerk with the songwriting credits. In creating the track, portions of Kraftwerk's "Numbers" and "Trans-Europe Express" were interpolated, along with portions of songs by Captain Sky and Ennio Morricone.
The 2 Live Crew Is What We Are is the debut studio album by hip-hop group the 2 Live Crew. It was released in 1986 on Luke Records to a great deal of controversy and promptly was certified gold by the RIAA. It includes the hits "We Want Some Pussy", "Throw the 'D'", and "Cuttin' It Up". Bob Rosenberg, a south Florida DJ who would later form the dance-pop group Will to Power, remixed and edited the song "Beat Box". In Florida, it was deemed obscene, and one store clerk was charged with felony "corruption of a minor" for selling it to a 14-year-old girl. The clerk was later acquitted.
Electro is a genre of electronic music and early hip hop directly influenced by the use of the Roland TR-808 drum machines and funk. Records in the genre typically feature heavy electronic sounds, usually without vocals, although if vocals are present they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
Planet Patrol is an American electro group originating in the 1980s. The members were Arthur Baker, John Robie, and a quintet of vocalists led by Herbert J. Jackson, Joseph Lites, Rodney Butler, Michael Anthony Jones, and Melvin B. Franklin. The group only produced a single album, the self-titled Planet Patrol in 1983, which peaked at #64 on the Billboard R&B Albums chart.
Arthur Baker is an American record producer and DJ best known for his work with hip hop artists like Afrika Bambaataa and Planet Patrol, as well as British group New Order. He is also known for remixing the Jill Jones song "Mia Bocca" on the 12" single, taken from her self-titled debut album Jill Jones (1987), released on Prince's Paisley Park Records, as well as remixing the Pet Shop Boys song, "In the Night". His remix of the song was used as the main theme for the BBC TV programme The Clothes Show between 1986 and 1994. He also remixed the "Massive Jungle Mix" for Tina Turner's UK top 40 single "Whatever You Want". Arthur Baker's songs are represented by Downtown Music Publishing.
"Control Myself" is a song by American rapper LL Cool J from his 12th album, Todd Smith (2006). The song was written by Jermaine Dupri, James Phillips, Ryan Toby, John Miller, Afrika Bambaataa, Arthur Baker and John Robie. The song was produced by Dupri, with co-production by LRoc, and features guest vocals from American entertainer Jennifer Lopez. "Control Myself" contains a sample of Bambaataa and Soulsonic Force's 1983 song "Looking for the Perfect Beat", while the vocals interpolate Grandmaster Flash and Melle Mel's 1983 song "White Lines " and Bambaataa and Soulsonic Force's 1982 song "Planet Rock".
"Renegades of Funk" is a song written by Afrika Bambaataa, Arthur Baker, John Miller & John Robie and recorded by Afrika Bambaataa & Soulsonic Force. Released in 1983 as a single on the Tommy Boy label, it was also included on the 1986 album Planet Rock: The Album. The song is an eclectic fusion of electronic music and heavy percussion, with politically fused hip hop lyrics that draw a connection between past revolutionaries and bohemians to present-day street artists. It was produced and mixed by Arthur Baker and John Robie. Mastering was by Herb Powers Jr..
Listennn... the Album is the debut studio album by American hip hop artist DJ Khaled. It was released on June 6, 2006. by Terror Squad Entertainment and Koch Records. The album features guest appearances from Young Jeezy, Bun B, Birdman, Juelz Santana, Slim Thug, Krayzie Bone, Chamillionaire, Trina, Twista, Freeway, Jadakiss, Beanie Sigel, Styles P and Lil Scrappy, among others. Reviews for the record were generally positive but divided over the production, lyrical content and Khaled as an artist. Listennn... the Album debuted at number 12 on the Billboard 200, selling 44,000 copies in its first week in the United States. The album was supported by three singles: "Holla at Me" featuring Lil Wayne, Paul Wall, Fat Joe, Rick Ross and Pitbull, "Grammy Family" featuring Kanye West, John Legend and Consequence, and "Born-N-Raised" featuring Pitbull, Trick Daddy and Rick Ross.
"Planet Rock" is a song by the American hip hop artists Afrika Bambaataa and the Soul Sonic Force. The song was produced by Arthur Baker and released by Tommy Boy Records in 1982. The recording came together after DJ and producer Baker met with Bambaataa and the two bonded over the idea of creating a song about their mutual appreciation for the band Kraftwerk. Baker and Bambaataa had worked together previously on the song "Jazzy Sensation" and decided to compose a more electronic based version of the hip hop song, as opposed to the more disco-oriented work popular at the time. Along with musician John Robie, the group recorded the single at Intergalactic Studios in New York. Robie duplicated the sound on the record and had Bambaataa's rappers in the Soul Sonic Force rap over it. To create the raps, the lyricist of the group, Emcee G.L.O.B.E., had to develop a style he called "mc popping", which involved rapping off time, an unusual style at the time.
Soulsonic Force is an American electro-funk and hip hop ensemble led by Afrika Bambaataa who helped establish hip-hop in the early 1980s with songs such as "Planet Rock." They were also influential in the birth of the electro movement in America and helped pave the way for modern dance music styles such as electro-funk as well as the entire Miami bass scene.
"Holla at Me" is the debut single by American musician DJ Khaled featuring American rappers Lil Wayne, Paul Wall, Fat Joe, Rick Ross, and Pitbull, released in 2006 from the former's debut studio album Listennn... the Album. Produced by Cool & Dre, it samples Afrika Bambaataa & the Soulsonic Force's 1983 song "Looking for the Perfect Beat".
Lance Taylor, also known as Afrika Bambaataa, is an American DJ, rapper, and producer from the South Bronx, New York. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing.
John Robie is a musician, producer and songwriter who has produced and/or written for a wildly diverse array of artists such as Chaka Khan, New Order, UB40, Cabaret Voltaire, Soulsonic Force, Boy George, C Bank, Planet Patrol, Quadrant 6, Laura Branigan, and Freeez, among many others.
Looking for the Perfect Beat: 1980–1985 is a compilation album by hip hop musician Afrika Bambaataa.
Machine Soul: An Odyssey Into Electronic Dance Music is a compilation album released by Rhino Records on March 14, 2000. The album explores electronic dance music through various genres and received positive reviews from critics including AllMusic, Entertainment Weekly, and Uncut.
Notorious is the debut studio album by American rapper and producer Donald D. It was released in 1989 via Ice-T's Rhyme $yndicate Records label with distribution through Epic Records and CBS Records Inc. Recording sessions took place at Syndicate Studio West and Wide Tracks Recording Studio in Los Angeles, California. Record production on the album was handled by Afrika Islam and Donald D, with executive production provided by Ice-T. Reaching a peak position of number 78 on the Top R&B/Hip-Hop Albums, the album remained on the chart for a total of 18 weeks. It spawned two singles: "F.B.I.", which peaked at number 8 on the Hot Rap Songs, and "Notorious".
Modernistic is the fourth album led by American pianist and composer Jason Moran and his first solo recording which was released on the Blue Note label in 2002.
The Bandwagon is a live album by pianist/composer Jason Moran recorded at the Village Vanguard in 2002 and released on the Blue Note label.
Monica Lynch is a music business executive, record producer, and former President of hip-hop/dance music label Tommy Boy Records. She has hosted radio programs on free-form WFMU since 1997, and worked as an A&R consultant for Queen Latifah and Martina McBride.
Hip hop music can incorporate elements of classical music, either using live instruments or with recorded samples. Early examples of classical music instrumentation in hip hop date to the 1990s. In the 2000s, artists such as Nas, Kendrick Lamar, The Black Violin, and DJ Premier began to prominently use classical music elements.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Look out for the new 12" single from the Jonzun Crew, "Space Is The Place" TB 8282 and in the coming week, the long-awaited follow up to "Planet Rock", "Looking For the Perfect Beat" by Afrika Bambaataa & Soulsonic Force.
The album did not appear until 1986, bringing together the title track with another early electro classic, 'Looking for the Perfect beat'