All That Heaven Allows is a 1955 American drama romance film directed by Douglas Sirk, produced by Ross Hunter, and adapted by Peg Fenwick from a novel by Edna L. Lee and Harry Lee. It stars Jane Wyman and Rock Hudson in a tale about the social complications that arise following the development of a romance between a well-to-do widow and a younger man, who owns a tree nursery. In 1995, the film was selected for preservation in the United States National Film Registry.
A Woman Under the Influence is a 1974 American drama film written and directed by John Cassavetes. The story follows a woman whose unusual behavior leads to conflict with her blue-collar husband and family. It received two Academy Award nominations, for Best Actress and Best Director.
Leave Her to Heaven is a 1945 American psychological thriller film noir melodrama directed by John M. Stahl and starring Gene Tierney, Cornel Wilde, Jeanne Crain, and Vincent Price. It follows a socialite who marries a prominent novelist, which spurs a violent, obsessive, and dangerous jealousy in her. It is based on the 1944 novel of the same name by Ben Ames Williams, adapted by screenwriter Jo Swerling.
Buena Vista Social Club is a 1999 documentary film directed by Wim Wenders about the music of Cuba. It is named for a danzón that became the title piece of the album Buena Vista Social Club. The film is an international co-production of Germany, the United States, the United Kingdom, France, and Cuba.
Faces is a 1968 American drama film written, produced, and directed by John Cassavetes. It is his fourth directorial work. The film, shot in cinéma vérité-style, depicts the final stages of the disintegrating marriage of a middle-aged couple, played by John Marley and newcomer Lynn Carlin. Cassavetes regulars Gena Rowlands, Seymour Cassel, Fred Draper and Val Avery also star.
Grease is a 1978 American musical romantic comedy film directed by Randal Kleiser from a screenplay by Bronté Woodard and an adaptation by co-producer Allan Carr, based on the stage musical of the same name by Jim Jacobs and Warren Casey. The film depicts the lives of greaser Danny Zuko and Australian transfer student Sandy Olsson, who develop an attraction for each other during a summer romance.
Written on the Wind is a 1956 American Southern Gothic melodrama film directed by Douglas Sirk and starring Rock Hudson, Lauren Bacall, Robert Stack, and Dorothy Malone. It follows the dysfunctional family members of a Texas oil dynasty, including the complicated relationships among its alcoholic heir: his wife, a former secretary for the family company, his childhood best friend, and his ruthless, self-destructive sister.
The Touch is a 1971 romantic drama film directed by Ingmar Bergman and starring Max von Sydow, Bibi Andersson, Elliott Gould, and Sheila Reid. The film tells the story of an affair between a married woman and an impetuous foreigner. It contains references to the Virgin Mary and the Holocaust.
Kathleen Freeman was an American actress. In a career that spanned more than 50 years, she portrayed acerbic maids, secretaries, teachers, busybodies, nurses, and battle-axe neighbors and relatives, almost invariably to comic effect. In film, she is perhaps best remembered for appearing in 12 Jerry Lewis comedies in the 1950s and 1960s and The Blues Brothers (1980).
Smooth Talk is a 1985 film directed by Joyce Chopra, loosely based on Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" (1966), which was in turn inspired by the Tucson murders committed by Charles Schmid. The protagonist and main character, Connie Wyatt, is played by Laura Dern. The antagonist, Arnold Friend, is played by Treat Williams.
Barbara Ann Loden was an American actress and director of film and theater. Richard Brody of The New Yorker described Loden as the "female counterpart to John Cassavetes".
Dance, Girl, Dance is a 1940 American comedy-drama film directed by Dorothy Arzner and starring Maureen O'Hara, Louis Hayward, Lucille Ball, and Ralph Bellamy. The film follows two dancers who strive to preserve their own integrity while fighting for their place in the spotlight and for the affections of a wealthy young suitor.
Blast of Silence is a 1961 American neo-noir film written, directed by, and starring Allen Baron, with Molly McCarthy, Larry Tucker, and Peter H. Clune in supporting roles. Set during Christmastime, it follows a hitman who returns to his native New York City to commit a murder for hire. It was produced by Merrill Brody, who was also the cinematographer.
Shrek is a 2001 American animated fantasy comedy film loosely based on the 1990 children's picture book of the same name by William Steig. Directed by Andrew Adamson and Vicky Jenson and written by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S. H. Schulman, it is the first installment in the Shrek film series. The film stars Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow. In the film, an embittered ogre named Shrek (Myers) finds his home in the swamp overrun by fairy tale creatures banished by the obsessive ruler Lord Farquaad (Lithgow). With the help of Donkey (Murphy), Shrek makes a pact with Farquaad to rescue Princess Fiona (Diaz) in exchange for regaining control of his swamp.
William Harrison Gunn was an American playwright, novelist, actor and film director. His 1973 cult classic horror film Ganja and Hess was chosen as one of ten best American films of the decade at the Cannes Film Festival, 1973. In The New Yorker, film critic Richard Brody described him as being "a visionary filmmaker left on the sidelines of the most ostensibly liberated period of American filmmaking." Filmmaker Spike Lee had said that Gunn is "one of the most under-appreciated filmmakers of his time." Gunn's drama Johnnas won an Emmy Award in 1972.
Kathleen Collins was an American poet, playwright, writer, filmmaker, director, civil rights activist, and educator from Jersey City, New Jersey. Her two feature narratives – The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982) – furthered the range of Black women's films. Although Losing Ground was denied large-scale exhibition, it was among the first films created by a Black woman deliberately designed to tell a story intended for popular consumption, with a feature-length narrative structure. Collins thus paved the way for Julie Dash's Daughters of the Dust (1991) to become the first feature-length narrative film created by a Black woman to be placed in commercial distribution. Influenced by Lorraine Hansberry, she wrote about "African Americans as human subjects and not as mere race subjects" [emphasis in the original].
Minding the Gap is a 2018 documentary film directed by Bing Liu. It was produced by Liu and Diane Moy Quon through Kartemquin Films. It chronicles the lives and friendships of three young men growing up in Rockford, Illinois, united by their love of skateboarding. The film received critical acclaim, winning the U.S. Documentary Special Jury Award for Breakthrough Filmmaking at the Sundance Film Festival, and was nominated for Best Documentary Feature at the 91st Academy Awards.
Seret Scott is an American actress, director, and playwright, best known for her roles in the films Losing Ground and Pretty Baby, as well as guest appearances on the televisions shows The Equalizer, Miami Vice, and Cosby. She is also known for her theatrical roles on Broadway and the many plays she has directed on national and regional stages.
Robinson Devor is an American film director, screenwriter and editor. He is also a film professor at Cornish College of the Arts.
The Grease franchise consists of American films and television productions, based on the 1971 musical. The stage production was first adapted for film with Grease (1978), followed by Grease 2 (1982). A prequel titled Summer Lovin' entered development beginning in 2019.
