"Louie, Go Home" | ||||
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Single by Paul Revere and the Raiders | ||||
B-side | "Have Love, Will Travel" | |||
Released | March 17, 1964 | |||
Recorded | 1963 | |||
Genre | ||||
Label | Columbia | |||
Songwriter(s) | Paul Revere, Mark Lindsay | |||
Producer(s) | Terry Melcher, Roger Hart | |||
Paul Revere and the Raiders singles chronology | ||||
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"Louie, Go Home" is a song written by Paul Revere and Mark Lindsay as a sequel after Richard Berry declined their request for a follow-up to "Louie Louie". [2] It was recorded by Paul Revere and the Raiders in 1963 and released in March 1964.
The group recorded two versions of the song. The original (with sax opening) was only released as a single. [3] A re-recorded "groovy, quasi-psychedelic rearrangement" [2] (with guitar opening) was featured on the Midnight Ride album in 1966 as well as the group's first Greatest Hits compilation the following year.
"Louie, Louie Go Home" | ||||
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Single by Davie Jones with the King Bees | ||||
A-side | "Liza Jane" | |||
Released | 5 June 1964 | |||
Recorded | 1964 | |||
Genre | Rock, beat | |||
Length | 2:09 | |||
Label | Vocalion Pop | |||
Songwriter(s) | Paul Revere, Mark Lindsay | |||
Producer(s) | Leslie Conn | |||
David Bowie singles chronology | ||||
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When manager Leslie Conn obtained an acetate of the Raiders version in 1964, the young David Bowie, then still called David Jones, recorded the song with his band Davie Jones and the King Bees. It was titled "Louie, Louie Go Home" and released as the B-side of his first single "Liza Jane". [4]
Bowie's version of the song also appeared on the compilations Another Face (1981) and Early On (1964-1966) (1991). Bowie borrowed the call-and-response refrain of 'Just a little bit louder now' for the track "She'll Drive the Big Car" in 2003.
The Who also recorded the song as "Lubie (Come Back Home)" in 1965. It was first released on the 1985 compilation Who's Missing .
A French version was released in 1964 as "Louie Reviens Chez Toi" by the Belgian group Ariane et Les 10/20. [5]
Spanish versions were released as "Lupe Vuelve A Casa" by Los Shain's (Peru, 1967) [5] and Los Piedras Rosas (Bolivia, 1971).
Other cover versions include the A-Bones (1993), Ceeds (1966, recorded as "Louie, Come Home), Chambermen (1966), Chesterfield Kings with Mark Lindsay (1998), Coachmen (196?), Jack Ely and the Courtmen (1966), Fireballs (1966), Fugitives (1966), Fuzztones (2015), Grip Weeds (2021), Hypstrz (1981), Images (Italy, 1970), Missing Lynx (1967), Mussies (1966), Shades of Grey (1966), Time Beings (1996), Transatlantics (UK, 1966), Vandells (1967), and Danny Zella and the Zell Rocks (1996).
A 1966 single released with the same title by the Campus Kingsmen is a different song. [5]
Answer song versions include "Louie Come Home" by the Epics in 1965 and "Louie Louie's Comin' Back" by the Pantels in 1966.
"Louie Louie" is a rhythm and blues song written and composed by American musician Richard Berry in 1955, recorded in 1956, and released in 1957. It is best known for the 1963 hit version by the Kingsmen and has become a standard in pop and rock. The song is based on the tune "El Loco Cha Cha" popularized by bandleader René Touzet and is an example of Afro-Cuban influence on American popular music.
The Kingsmen are a 1960s American rock band from Portland, Oregon. They are best known for their 1963 recording of R&B singer Richard Berry's "Louie Louie", which held the No. 2 spot on the Billboard charts for six weeks and has become an enduring classic.
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Paul Revere & the Raiders were an American rock band formed in Boise, Idaho, in 1958. They saw considerable U.S. mainstream success in the second half of the 1960s and early 1970s. The band was known for including Revolutionary War-style clothes in their attire.
Where the Action Is is a music-based television variety show that aired in the United States from 1965 to 1967. It was carried by the ABC network and aired each weekday afternoon. Created by Dick Clark as a spin-off of American Bandstand, Where the Action Is premiered on June 28, 1965. The show was another step in the then-current trend of entertainment programs that targeted the teenage audience by focusing on pop music, following in the footsteps of Shindig! and Hullabaloo. Dick Clark's voice could be heard doing the artist introductions, and he sometimes did filmed interviews.
Mark Lindsay is an American musician, best known as the lead singer of the rock band Paul Revere & the Raiders.
"Liza Jane" was the first recording released as a single by David Bowie, and credited to Davie Jones with the King-Bees. It was released in 1964 when Bowie was 17 years old. The B-side of the single was the Paul Revere and the Raiders song "Louie, Louie Go Home". Both songs on the single were recorded in a seven-hour session at Decca Studios in Broadhurst Gardens, West Hampstead.
"I Pity the Fool" is a soul blues song originally recorded by Bobby Bland in 1961 for his first Duke Records album, Two Steps from the Blues. Many music writers believe it was written by Joe Medwick, although Duke owner Don Robey appears on the songwriting credits.
Early On (1964–1966) is a compilation album by David Bowie, released in 1991. It is notable as the first and only attempt to compile a comprehensive collection of all of Bowie's pre-Deram material and encompasses multiple labels including Vocalion, Parlophone, and Pye. Tracks three and four are alternate versions to the official singles, while "Do Anything You Say" is also a different mix from the normal single. There are also five unreleased songs included that came from Shel Talmy's collection. Talmy produced Bowie's second and third single. A cassette version was released; however this omitted "Liza Jane", "Louie, Louie Go Home", and "Good Morning Girl".
Then & Now... the Best of The Monkees is a compilation album of songs by the 1960s American pop group the Monkees, released by Arista Records in 1986.
Highs in the Mid-Sixties, Volume 7 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. Highs in the Mid-Sixties, Volume 14 and Highs in the Mid-Sixties, Volume 16 are later volumes in the series that feature bands from these states.
"Kicks" is a song composed by Barry Mann and Cynthia Weil, best known as a 1966 hit for American rock band Paul Revere & the Raiders.
Midnight Ride is the fifth studio album by American rock band Paul Revere & the Raiders. The album featured the U.S. top five single "Kicks" and also includes "(I'm Not Your) Steppin' Stone," which became a U.S. Top 20 hit for The Monkees in 1967.
Phillip Edward Volk is an American musician. As the bassist of Paul Revere & the Raiders from 1965 to 1967, Volk appeared in over 750 television shows, 520 of which were episodes of the Dick Clark production, Where the Action Is, which aired daily from 1965 to 1967. The band themselves had 23 charted hits and 14 gold albums and Volk was a member of the band during the period of its greatest success. Volk's bass lines, as heard in songs such as "Hungry", "Just Like Me" and "Kicks", helped to revolutionize how the bass guitar was used in rock music. Volk was seen frequently in such fan magazines as 16 Magazine, popular during the 1960s.
Teenage Shutdown! Get a Move On!!! is a compilation album featuring garage and folk rock musical artists that recorded in the 1960s. It is the seventh installment of the Teenage Shutdown! series and was released on Crypt Records on December 29, 1998.
Don and the Goodtimes were an American garage rock band, formed in Portland, Oregon, United States, in 1964. Fronted by Don Gallucci, former keyboardist of the Kingsmen, the group made a name for itself in the Northwest rock scene performing in a similar style as their contemporaries the Wailers and the Sonics. Over time, Don and the Goodtimes honed their vocal harmonies and earned two hits on the Billboard Hot 100 in 1967, including their biggest hit "I Could Be So Good to You". The band released their album, So Good, and later experimented with psychedelia under the moniker Touch before disbanding in 1969.
"New Orleans" is a song written by Frank Guida and Joseph Royster and performed by Gary U.S. Bonds. It was featured on his 1961 album Dance 'Til Quarter to Three with U.S. Bonds. Frank Guida also produced the track. Backing was provided by Gene Barge's group The Church Street Five.
"Him or Me – What's It Gonna Be?" is a song written by Mark Lindsay and Terry Melcher, recorded by American rock band Paul Revere & the Raiders for their seventh studio album Revolution! It can be distinguished from other previous Raiders garage rock hits like "Kicks" and "Hungry" because of its more pop-flavored sound.
"Silly Boy Blue" is a song written and recorded by the English singer-songwriter David Bowie. Originally demoed in 1965 as a mod-influenced track about a teenage runaway, it was revised in 1966 with new lyrics and released on Bowie's self-titled debut album in June 1967. This version reflects Bowie's fascination with Tibetan Buddhism, featuring various spiritual and geographic references in the lyrics and varied instrumentation such as a trumpet, cello and Chinese gong. Bowie remade the song twice during his stint with the Riot Squad in April 1967: as an instrumental for live performances and acoustically, which has appeared on compilations.
Here They Come! is the third studio album by American rock band Paul Revere & the Raiders and the group's first release on Columbia Records. It was released on May 3, 1965. The first side of the album, produced by Bruce Johnston, features cover songs that were recorded live. The second side was recorded in the studio and produced by Terry Melcher, who would arrange and produce the band's albums through 1967. Following its release, the band began appearing regularly on the 1960s television variety show Where the Action Is, gaining national exposure.