"Kicks" | ||||
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Single by Paul Revere & the Raiders | ||||
from the album Midnight Ride | ||||
B-side | "Shake It Up" | |||
Released | February 1966 [1] | |||
Genre | ||||
Length | 2:26 | |||
Label | Columbia | |||
Songwriter(s) | Barry Mann, Cynthia Weil | |||
Producer(s) | Terry Melcher | |||
Paul Revere & the Raiders singles chronology | ||||
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"Kicks" is a song composed by Barry Mann and Cynthia Weil, best known as a 1966 hit for American rock band Paul Revere & the Raiders.
Mann and Weill wrote the song for the Animals, but the band's lead singer Eric Burdon turned it down. [3] Instead, Paul Revere & the Raiders recorded and released it as a single in 1966. The single was a number one hit in Canada, and reached number four in the United States. "Kicks" was included on the band's fifth album, Midnight Ride , released in May 1966. A live version of the song was recorded on the band's 1996 Greatest Hits Live compilation album.
Considered one of the earliest anti-drug songs, "Kicks" was composed and released during an era in which pro-hippie, pro-experimentation, and other counterculture themes were gaining popularity on U.S. FM radio stations. [4] The song's message was consequently perceived as outdated by the emerging youth counterculture, as popular artists ranging from the Beatles to Jefferson Airplane had written songs whose themes sharply contrasted that of "Kicks." [4] However, the song has received generally positive reviews by music critics in the decades since its release. [5] [6] [7] In 2004, "Kicks" was ranked number 400 on Rolling Stone 's list of The 500 Greatest Songs of All Time.
After the Animals had chart success with the 1965 single "We Gotta Get Out of This Place," producer Terry Melcher asked the song's writers, Mann and Weil, to compose a similar song for Paul Revere & the Raiders. [8] [9] The result was "Kicks", a song originally offered to the Animals, but turned down by lead singer Eric Burdon. [3] Mann and Weil wrote the song as a warning to a friend about the dangers of drug use. [9] [10] In the song, a narrator pleads with a girl that drug use causes addiction and that soft drugs can lead to the use of hard drugs, [4] though the lyrics never explicitly mention any of those things; ultimately the lyrics conclude that her real problem is psychological ("you'll never run away from you") and that there is "another way" to face the trials of life.
Musically, the song's lead guitar lines recall the Beatles, while its bass figures are similar to those popularized by the Byrds. [10] The song contains closer harmonies and a more euphonious melodic arrangement than the band's previous single, "Just Like Me". [11] Lead singer Mark Lindsay's R&B vocal style, combined with the song's guitar and organ instrumentation, is reminiscent of British bands such as the Kinks and the Yardbirds. [12]
In March 1966, "Kicks" entered the U.S. Billboard Hot 100 chart at number 62. [13] The song peaked at number four in May, [14] and spent 14 weeks on the chart. [15] Within two months of its release, the single had sold 500,000 copies. [16] It was the highest-charting U.S. hit to that date for Paul Revere & the Raiders, later eclipsed only by 1971's "Indian Reservation (The Lament of the Cherokee Reservation Indian)," which reached number one. "Kicks" became the band's first Canadian number one single when it topped the Canadian Singles Chart in May 1966. [17] In Sweden, it reached number 14 on Tio i Topp . [18]
The song is considered the first with an anti-drug message to become a U.S. hit single. [4] [19] With the passage of the Communications Act of 1934, the Federal Communications Commission was chartered to monitor the radio and TV industries, meaning broadcasts were subject to censorship. [20] Some censors, based on the song title alone, mistakenly believed "Kicks" to glorify drug use. [20] Despite the song's commercial success, its lyrics were soon perceived as outdated [11] by young people, as they increasingly experimented with marijuana and LSD. [4] Meanwhile, songs emerged from popular artists who praised, sometimes cryptically and sometimes overtly, the use of psychedelic drugs. [4] These acts included the Beatles, the Rolling Stones, the Grateful Dead, Jefferson Airplane and the Byrds. [4] The messages contained within hit songs such as "White Rabbit," "Along Comes Mary" and "Eight Miles High" were antithetical to that of "Kicks," which contributed to a perception by members of the burgeoning youth counterculture that Paul Revere & the Raiders were part of the Establishment. [4] Singer–songwriter David Crosby, then a member of the Byrds, was upset with the success of the song, particularly as it came just after his group's "Eight Miles High" had been boycotted by many U.S. radio stations. [21] Crosby described "Kicks" as "a dumb anti-drug song" that took "a falsely adopted stance. With 'Eight Miles High', we were talking about something very near and dear to our hearts." [21]
On the other hand, Beach Boys founder Brian Wilson singled out "Kicks" as one of his favorites of Terry Melcher's works. [22] Music critic Chris Brown of Crawdaddy! praised the song's vocal, saying "the use of harmony is well-timed and wonderfully executed; and the power in the vocal as the last word of each verse stretches into the chorus is undoubtedly what sells the song." [5] Bruce Eder of AllMusic called it "a great song that managed to be cool and anti-drug." [6] In his 2009 book, Everybody Must Get Stoned, author R. U. Sirius named "Kicks" the number one rock song against drugs. [7] Sirius said, "With clear and concise lyrics by the famous Mann-Weil songwriting team, there's no cheese on rock's first anti-drug platter." [7] The song was ranked number 400 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. [8] The song placed 36th on Paste Magazine 's 2014 list of the "50 Best Garage Rock Songs of All Time". [23]
Paul Revere & the Raiders performed a live version of "Kicks" on the band's 1996 Greatest Hits Live compilation. [24] Lindsay, with the Mark Lewis Trio, re-recorded the song on the 1990 album Looking for Shelter. [25] A live version appears on his 1999 album Legends Live: Mark Lindsay & Friends. [26] Former bass guitarist Phil Volk, with his band Fang & the Gang, performed the song on the 2005 tribute album Fang Reveres the Raiders. [27] Mann and Weil revisited the song in their 2004 Off Broadway revue They Wrote That? The Songs of Barry Mann & Cynthia Weil. [28]
Singer-songwriter Del Shannon recorded a version of "Kicks" for his 1966 album This Is My Bag. [29] Surf rock group the Challengers covered the song on their album California Kicks, also released in 1966. [30] The Leathercoated Minds, a studio band featuring J. J. Cale on guitar and production, performed the song on their 1968 album A Trip Down the Sunset Strip. [31] Rock band Nazz covered the song for a compilation album which ended up being cancelled, but their recording eventually saw release on Nazz III (a collection of archival Nazz recordings) in 1971. Nazz guitarist Todd Rundgren recalled, "We thought the song was ok, but Paul Revere and the Raiders were funny. So we had to break it down in the middle and do something more Mothers of Invention." [32] In 1974, John Mellencamp was signed to MCA Records after Mellencamp recorded a demo on which he performed the song. [33] Rock band Earth Quake recorded a version of the song on their 1977 album Levelled. [34] Leif Garrett covered "Kicks" on his 1979 album Same Goes for You. [35]
Naz Nomad and the Nightmares, a side project featuring members of punk band The Damned, covered the song on their 1984 album Give Daddy the Knife Cindy. [36] The Monkees included their version of the song on their 1986 greatest hits compilation Then & Now... The Best of The Monkees . [37] Rock band the Flamin' Groovies released "Kicks" as a single from their 1986 album One Night Stand. [38] In 1999, jazz guitarist Mimi Fox released the album Kicks, on which her rendition of the song appears. [39] Garage rock band the Gants added a version of the song on their 2000 greatest hits album I Wonder. [40] Everclear covered the song on their 2008 album The Vegas Years . [41]
Paul Revere & the Raiders
Session musicians and production staff
Chart (1966) | Peak position |
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Canadian RPM Top Singles [17] | 1 |
Sweden ( Tio i Topp ) [18] | 14 |
U.S. Billboard Hot 100 [14] | 4 |
U.S. Cash Box Top 100 Singles [45] | 3 |
U.S. Record World 100 Top Pops [46] | 5 |
Todd Harry Rundgren is an American musician, singer, songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the bands Nazz and Utopia. He is known for his sophisticated and often unorthodox music, his occasionally lavish stage shows, and his later experiments with interactive art. He also produced music videos and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s.
Paul Revere & the Raiders were an American rock band formed in Boise, Idaho, in 1958. They saw considerable U.S. mainstream success in the second half of the 1960s and early 1970s. The band was known for including Revolutionary War-style clothes in their attire.
Barry Mann is an American songwriter and musician, and was part of a successful songwriting partnership with his wife, Cynthia Weil.
Roger the Engineer is the only UK studio album and the third US album by the English rock band the Yardbirds. Recorded and released in 1966, it contains all original material and is the only Yardbirds album with guitarist Jeff Beck on all tracks. It was produced by bassist Paul Samwell-Smith and manager Simon Napier-Bell.
Terrence Paul Melcher was an American record producer, singer and songwriter who was instrumental in shaping the mid-to-late 1960s California Sound and folk rock movements. His best-known contributions were producing the Byrds' first two albums Mr. Tambourine Man (1965) and Turn! Turn! Turn! (1965), as well as most of the hit recordings of Paul Revere & the Raiders and Gentle Soul. He is also known for his collaborations with Bruce Johnston and for his association with the Manson Family.
Cynthia Weil was an American songwriter who wrote many songs together with her husband Barry Mann. Weil and Mann were inducted into the Rock and Roll Hall of Fame in 2010. In 1987, she was inducted with her husband into the Songwriters Hall of Fame, and in 2011, they jointly received the Johnny Mercer Award, the highest honor bestowed by that Hall of Fame.
Mark Lindsay is an American musician, best known as the lead singer of the rock band Paul Revere & the Raiders.
"Hungry" is a 1966 hit single composed by the songwriting team of Barry Mann and Cynthia Weil, and performed by Paul Revere & the Raiders.
Midnight Ride is the fifth studio album by American rock band Paul Revere & the Raiders. The album featured the U.S. top five single "Kicks" and also includes "(I'm Not Your) Steppin' Stone," which became a U.S. Top 20 hit for The Monkees in 1967.
Paul Revere & the Raiders are an American rock band from Boise, Idaho. Formed in 1958, the band released their first hit single three years later, "Like, Long Hair", which reached number 38 on the U.S. Billboard Hot 100 chart. Following a few minor charting singles, including a version of "Louie Louie", the band worked with producer Terry Melcher in updating their sound, combining fast-paced, guitar-and-vocal-dominated rock and roll with an intimidating R&B flavor. The result was a string of commercially successful singles, beginning with 1965's "Steppin' Out" and continuing with "Just Like Me", which reached number 11 on the Hot 100, as well as "Kicks", "Hungry", and "Good Thing", all of which peaked inside the top 10. In addition, the band's three 1966 studio albums—Just Like Us!, Midnight Ride, and The Spirit of '67—were each certified gold in the United States.
Just Like Us! is the fourth studio album by American rock band Paul Revere & the Raiders. Produced by Terry Melcher and released on January 3, 1966, by Columbia Records, it featured the U.S. hit single "Just Like Me". Unlike their later albums, on which Mark Lindsay was the primary lead singer, the lead vocal duties on Just Like Us! were split among him and the other band members, guitarist Drake Levin, bassist Phil Volk, and drummer Mike Smith. This was their last album of cover songs, their next album Midnight Ride was mostly self-penned material.
The Spirit of '67 is the sixth studio album by American rock band Paul Revere & the Raiders. Produced by Terry Melcher and released in November 1966 by Columbia Records, and featured the singles "Hungry", "The Great Airplane Strike", and "Good Thing". The album would be reissued on LP by Harmony in 1971, by Sundazed on CD in 1996 and in 2015 by Friday Music on 180g clear red vinyl.
Revolution! is the seventh studio album by American rock band Paul Revere & the Raiders, on Columbia Records. Produced by Terry Melcher and released in 1967, it reached number 25 on the U.S. albums chart and yielded two top 40 singles. The album cover photo was taken on the porch of a house located at the corner of East 15th Street and Mississippi Avenue in Joplin, Missouri.
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Phillip Edward Volk is an American musician. As the bassist of Paul Revere & the Raiders from 1965 to 1967, Volk appeared in over 750 television shows, 520 of which were episodes of the Dick Clark production, Where the Action Is, which aired daily from 1965 to 1967. The band themselves had 23 charted hits and 14 gold albums and Volk was a member of the band during the period of its greatest success. Volk's bass lines, as heard in songs such as "Hungry", "Just Like Me" and "Kicks", helped to revolutionize how the bass guitar was used in rock music. Volk was seen frequently in such fan magazines as 16 Magazine, popular during the 1960s.
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