Louise D. Clement-Hoff (June 4, 1926 –Jan 31, 2020) was an American painter and educator who specialized in oil painting, pastel and drawing of human figures and still lifes. [1]
Louise Darling Clement-Hoff [2] was born to John George and Eva Adele Ulett in Philadelphia and attended William Penn High School. She received her Bachelor of Fine Arts degree from the Philadelphia College of Art (now known as the University of the Arts) and continued her art studies at the Tyler School of Art of Temple University, the Pennsylvania Academy of Fine Arts, and the Barnes Foundation. [3] [4]
Clement-Hoff’s teaching career included 18 years of figure drawing classes at Woodmere Art Museum, figure drawing, still life composition and painting at Hussian School of Art; and more than 64 years of painting, sculpture and drawing at the Fleisher Art Memorial, all in Philadelphia. She also taught oil painting to the parents of students enrolled in Fleisher’s Saturday Young Artists Program [5] and at West Chester University [6] in Chester County, Pennsylvania.
Clement-Hoff was a painter and draftsperson. [3] Several museums and galleries exhibited her paintings throughout the Delaware Valley during her lifetime, and her work is in art collections in New York City, Philadelphia, Washington, D.C., and San Francisco. In 1998, West Chester University's McKinney Gallery presented her retrospective exhibition. [4] [6] The Atlantic City Art Center hosted an exhibit of her works in oil painting, pastel, and drawing in 2000. [3]
In 1988, her work was represented in an exhibit of prints at the Philadelphia Free Library titled The Pride, the Prejudice,” which examined the portrayal of Blacks in various media over the last 300 years. The show included works by Howard N. Watson, Dox Thrash, Samuel J. Brown Jr., Varnette Honeywood, Cal Massey and Barbara Bullock. [7]
Clement-Hoff work also featured in Daphne Landis's 2003 book Speaking for Themselves: The Artists of Southeastern Pennsylvania which described it as reflecting an interest in what is "rampantly alive". [8]
At a ceremony led by Philadelphia mayor Michael Nutter, the Fleisher Art Memorial selected Clement-Hoff to receive the 2015 Founder’s Award in recognition of her lasting impact on the school. [9] [10]
Clement-Hoff's work was included in the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s-1970s at the Woodmere Art Museum. [11]
Laura Wheeler Waring was an American artist and educator, most renowned for her realistic portraits, landscapes, still-life, and well-known African American portraitures she made during the Harlem Renaissance. She was one of the few African American artists in France, a turning point of her career and profession where she attained widespread attention, exhibited in Paris, won awards, and spent the next 30 years teaching art at Cheyney University in Pennsylvania.
Violet Oakley was an American artist. She was the first American woman to receive a public mural commission. During the first quarter of the twentieth century, she was renowned as a pathbreaker in mural decoration, a field that had been exclusively practiced by men. Oakley excelled at murals and stained glass designs that addressed themes from history and literature in Renaissance-revival styles.
William Newport Goodell (1908–1999) was an American artist, craftsman, and educator. He was born August 16, 1908, in Germantown, Philadelphia and briefly attended the Pennsylvania Academy of the Fine Arts (PAFA), including its country school in Chester Springs, studying under Pennsylvania impressionist Daniel Garber and noted academician Joseph Thurman Pearson, Jr., before opening his own studio on Germantown Avenue in 1929.
Ellen Powell Tiberino (1937-1992) was an African American artist who was figurative and expressionist in her pastels, oils, pencil drawings and sculptures. Her works were infused with the experiences and history of Black people, women in particular, whom she most often painted in dark and haunting hues. She was a prolific artist, working against time as she battled cancer for the last 14 years of her life.
Raymond Steth, born Raymond Ryles, was a Philadelphia-based graphic artist recognized for his paintings and lithographs on the African-American condition in the mid-20th century, often through scenes of rural life and poverty. Working under the Works Progress Administration's graphics division in the 1930s and 1940s, Steth's art covered a range of topics and emotions from pleasurable farm life to protest and despair.
Ethel V. Ashton was an American artist who primarily worked in Philadelphia, Pennsylvania. She was both a subject of noted artist Alice Neel and a portraitist of Neel. Her early works reflect the influence of Ashcan realism focused primarily on portrait painting. She was commissioned to work on the Works Progress Administration's post office mural project and has works hanging in the permanent collections of several prominent museums. By the mid-1950s she worked with abstract concepts and through the end of the civil rights era, her works synthesize both abstract and realism. She also served as the librarian of the Pennsylvania Academy of the Fine Arts from 1957 into the early 1970s.
Bill Scott is a contemporary abstract painter and printmaker who works and lives in Philadelphia. Beginning in 2004 Scott has been represented by Hollis Taggart where he has had nine solo exhibitions.
Elizabeth Kitchenman Coyne was a Pennsylvania impressionist painter, best known for her landscapes and paintings of horses. Her works are included in the permanent collections of the Pennsylvania Academy of the Fine Arts, the Woodmere Art Museum and the Philadelphia Art Alliance.
Charles Robert Searles was an African American artist born in Philadelphia in 1937. He studied at the Pennsylvania Academy of Fine Arts and was active from the 1960s until he died in 2004 from complications from a stroke.
Ida Ella Ruth Jones was an African American folk painter. Jones completed over three hundred paintings in under fourteen years. Born in 1874, in the small town of Chatham Pennsylvania, Jones devoted most of her life to helping her family on the farm or creating a family of her own when she wasn’t painting or writing. Which happened to occupy most of her life as she began painting at the age of 72.
Roswell Weidner was an American artist known for his paintings, charcoal and pastel drawings, and prints. His subject matter included still life, landscapes, and portraits. He was a student at the Pennsylvania Academy of the Fine Arts (PAFA) city school and country school in Chester Springs, and the Barnes Foundation. He worked in the Works Progress Administration Arts Project during the Great Depression and in a shipyard as an expediter during World War II. Weidner began teaching at the Pennsylvania Academy of the Fine Arts in 1938. He was associated with the academy for 66 years, first as a student and later as a teacher, until his retirement in 1996.
Samuel Joseph Brown Jr. (1907–1994) was a watercolorist, printmaker, and educator. He was the first African American artist hired to produce work for the Public Works of Art Project, a precursor to the Work Progress Administration's Federal Art Project. Brown often depicted the lives of African Americans in his paintings. He worked primarily in watercolor and oils, and he produced portraits, landscapes and prints.
Roland Ayers (1932–2014) was an African American watercolorist and printmaker. He is better known for his intricate drawings – black-ink figures of humans and nature intertwined in a dream-like state against a neutral backdrop. A poet and lover of jazz and books, he expressed his poetry through images rather than words, he often noted, and considered his artwork to be poetry.
Louis B. Sloan was an African American landscape artist, teacher and conservator. He was the first Black full professor at the Pennsylvania Academy of the Fine Arts (PAFA), and a conservator for the academy and the Philadelphia Museum of Art. Although he painted urban neighborhoods and other cityscapes, he was mostly known for his plein-air paintings.
Barbara J. Bullock is an African American painter, collagist, printmaker, soft sculptor and arts instructor. Her works capture African motifs, African and African American culture, spirits, dancing and jazz in abstract and figural forms. She creates three-dimensional collages, portraits, altars and masks in vibrant colors, patterns and shapes. Bullock produces artworks in series with a common theme and style.
Reba Dickerson-Hill was a self-taught Philadelphia artist who painted in the ancient Japanese ink-and- brush technique called sumi-e. She was also a watercolorist and oil painter who primarily produced landscapes and portraits.
Walter Edmonds (1938-2011) was an American artist best known for the 14 murals he painted with Richard J. Watson for the Church of the Advocate in Philadelphia.
We Speak: Black Artists in Philadelphia, 1920s–1970s was an art exhibition held at the Woodmere Art Museum from September 26, 2015 through January 24, 2016. It included artists from Philadelphia who were active from the 1920s through the 1970s. Many of those artist were invlolved with the Pyramid Club and other local organizations. The exhibit included paintings, photographs, prints, drawings and sculpture from the New Negro movement of the 1920s, the Works Progress Administration print works of the 1930s and the Civil rights era.
James Atkins is an American artist known for his paintings of Philadelphia. Mainly self-taught, Atkins attended art classes at Samuel S. Fleisher Art Memorial art school in South Philadelphia.
Morris Atkinson Blackburn (1902-1979) was a printmaker, muralist, and teacher. He is considered to be a pioneer of silkscreen printing.
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