Lucinda Rogers (born 1966) [1] is an English illustrator and artist. [2] [3] [4]
Rogers is widely known as an illustrator of newspaper columns, including Jonathan Meades' "A Sense of Place" in The Times , and the "Weasel" column written by Christopher Hirst, Alexander Chancellor and several others in The Independent from 1993 to 2008. [5] Rogers also drew restaurants and chefs for a column in The Daily Telegraph by Andrew Lloyd Webber called A Matter of Taste from 1996 to 2000. From 1997 to 2001, she drew weekly for the, now defunct, broadsheet Sunday Business .
Books illustrated by Rogers include The Dictionary of Urbanism by Robert Cowan, and Spitalfields Life co-illustrated with other artists. Rogers contributed one hundred drawings to a cookbook by Rowley Leigh called No Place Like Home. [6] Rogers also drew the cover and illustrations for a new translation of Histoires Naturelles by Jules Renard published by Alma Books in 2010 (the first edition of 1896 was illustrated by Henri de Toulouse-Lautrec). Rogers' work for The Guardian includes main features in the Review section. [7]
Rogers is also known for her drawings of cities, particularly London and New York, and as a "reportage" artist, drawing directly from life. She was given special access to draw a group of 33 ink on paper works, and one work in colour, at the World Trade Center site during the cleanup process at Ground Zero in the winter of 2001–2. [8] [9]
A series of Rogers drawings made in Tottenham in 2015 entitled Employment Land Portfolio was exhibited during that year's London Festival of Architecture. [10] On a similar theme, she drew scenes of the specialist printers Baddeley Brothers for their book. [11]
Rogers was a judge at the University of the West of England 'Reportager Awards' in 2015, celebrating achievements in documentary drawing. [12] During May 2016 Rogers exhibited drawings of workspaces in Tottenham and Frome at Rook Lane Chapel in Frome, Somerset. [13] [14] From June 7 through the summer of 2016, Rogers showed 'Restaurant Drawings Historic and Contemporary' at L'Escargot in Soho, London. [15]
Rogers' work is represented in many public collections, including that of the Victoria & Albert Museum. [16] Her drawings of New York and London have been exhibited at the Oxo Tower on London's South Bank. [17]
In 2017 Rogers was commissioned by the House of Illustration, with support from Arts Council England, to document the changing landscape of London, with a focus on Ridley Road Market in Dalston, East London. The exhibition ‘Lucinda Rogers: On Gentrification — Drawings from Ridley Road Market’ ran from 28 October 2017 to 25 March 2018. [18] [19]
An exhibition of Rogers drawings of the Snape Maltings arts centre and surrounding area of Aldeburgh, Suffolk was shown from 8 September to 23 December 2018. [20]
In 2019, Rogers published a curated collection of her reportage drawings of New York, spanning 30 years: 'New York: Drawings 1988-2018', with foreword by Lucy Sante. [21] [22]
Sir John Tenniel was an English illustrator, graphic humourist and political cartoonist prominent in the second half of the 19th century. An alumnus of the Royal Academy of Arts in London, he was knighted for artistic achievements in 1893, the first such honour ever bestowed on an illustrator or cartoonist.
The Young British Artists, or YBAs—also referred to as Brit artists and Britart—is a loose group of visual artists who first began to exhibit together in London in 1988. Many of the YBA artists graduated from the BA Fine Art course at Goldsmiths, in the late 1980s, whereas some from the group had trained at Royal College of Art.
Pamela Colman Smith, nicknamed "Pixie", was a British artist, illustrator, writer, publisher, and occultist. She is best-known for illustrating the Rider–Waite tarot deck for Arthur Edward Waite. This tarot deck became the standard among tarot card readers, and remains the most widely used today. Smith also illustrated over 20 books, wrote two collections of Jamaican folklore, edited two magazines, and ran the Green Sheaf Press, a small press focused on women writers.
Paul Gustave Louis Christophe Doré was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.
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Arthur Szyk ; June 3, 1894 – September 13, 1951) was a Polish-born Jewish artist who worked primarily as a book illustrator and political artist throughout his career. Arthur Szyk was born into a prosperous middle-class Jewish family in Łódź, in the part of Poland which was under Russian rule in the 19th century. An acculturated Polish Jew, Szyk always proudly regarded himself both as a Pole and a Jew. From 1921, he lived and created his works mainly in France and Poland, and in 1937 he moved to the United Kingdom. In 1940, he settled permanently in the United States, where he was granted American citizenship in 1948.
Alan E. Cober, born in New York City was an American illustrator. His artwork appeared in The New York Times, Life, Time and numerous other publications. Cober was inducted into the Illustration Hall of Fame in 2011, thirteen years after his death in 1998. Cober was frequently cited as one of the most innovative illustrators America has ever produced.
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Albert George Morrow was an Irish illustrator, poster designer and cartoonist.
Christopher Piers Arthur Wardle was a British artist, musician and art factotum. Born in Beckenham, he lived in Southwark, London, UK and died in Clyst Hydon, Devon, UK.
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Hugh Thomson was an British Illustrator born at Coleraine near Derry. He is best known for his pen-and-ink illustrations of works by authors such as Jane Austen, Charles Dickens, and J. M. Barrie. Thomson inaugurated the Cranford School of illustration with the publication of the 1891 Macmillan reissue of Mrs. Gaskell's Cranford.
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