Luddite | ||||
---|---|---|---|---|
EP by | ||||
Released | 1992 | |||
Recorded | August 1992 | |||
Studio | Dancing Dog Studios (Emeryville, CA) | |||
Genre | Industrial rock | |||
Length | 15:39 | |||
Label | Spirit Music | |||
Producer | Grotus, Damien Rasmussen | |||
Grotus chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Luddite is an EP by Grotus, released in 1992 by Spirit Music Industries. [2]
In writing for AllMusic, critic Ned Raggett said, "finding its own way around industrial/rock fusions without simply recreating Ministry or Nine Inch Nails, the foursome explores grinding rhythms without an eye to either thrash metal or dancefloors, Lars Fox's roared vocals calling the tune (or lack thereof)." He awarded it three stars, concluding that "Luddite makes for a good slice of Grotus at its pre-major-label peak." [1] Trouser Press noted that the music benefited by possessing a greater variance in composition structure and tighter focus in musicianship, helping to reinforce the band's message. [2]
All lyrics are written by Lars Fox; all music is composed by Grotus
No. | Title | Length |
---|---|---|
1. | "Luddite" | 4:33 |
2. | "Marginal" | 3:16 |
3. | "Shelf Life" | 3:53 |
4. | "What in the World" | 3:57 |
No. | Title | Length |
---|---|---|
5. | "Brown" | 6:03 |
Adapted from the Luddite liner notes. [3]
|
|
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
United States | 1992 | Spirit Music | CD | SMI014 |
1993 | Alternative Tentacles | CD, LP | VIRUS 128 |
Happy Hour is the fifth studio album by experimental music band King Missile, and released on December 15, 1992, by Atlantic Records. The album is exactly one hour long, hence its title.
Slavestate is the second EP by English industrial metal band Godflesh. It was released in July 1991 through Earache Records. The EP saw the band experimenting with more samples and electronic sounds than their predominantly industrial metal prior releases.
Just for a Day is the debut studio album by English rock band Slowdive. It was released on 2 September 1991 by Creation Records.
Grotus, stylized as G̈r̈oẗus̈, was an industrial rock band from San Francisco, active from 1989 to 1996. Their unique sound incorporated sampled ethnic instruments, two drummers, two bassists, and featured angry but humorous lyrics.
Holy Money is the fourth studio album by American experimental rock band Swans. It was released in March 1986, through record label K.422. The album was recorded in the same sessions as "Time Is Money (Bastard)", "A Screw", and Greed.
Milk Cult was an American San Francisco-based electronic band. Founded as a studio-only project in 1990, the band's nucleus comprises musicians Dale Flattum, Eric Holland and Mike Morasky. Morasky and Flattum are also known for being founding members of the noise/industrial rock group Steel Pole Bath Tub, which the duo continued their involvement with concurrent to Milk Cult. Milk Cult is known for their found-sound experiments and dense sample-based compositions, as well as their collaborations with numerous musical acts, including Faith No More, Jawbreaker, Grotus, Neurosis, Thinking Fellers Union Local 282 and The Geraldine Fibbers.
Slow Motion Apocalypse is the second studio album by Grotus, released on April 20, 1993, by Alternative Tentacles. Boasting eastern music influences and a more mature sound, the album is considered by some to be the highlight of their career, despite Allmusic considering Brown their best album pick. The album also leans towards a more metal sound, unlike the first and last releases.
Brown is the debut studio album of the industrial rock band Grotus. It was released in 1991 by Spirit Music Industries.
White Noise is the second album by the American noise rock group Cop Shoot Cop, released in 1991 by Big Cat. The band supported the album with a North American tour.
Tropic of Scorpio is the debut studio album of American post-hardcore/indie rock band Girls Against Boys, released on December 2, 1992 by record label Adult Swim.
A Stable Reference is the second studio album by American post-rock band Labradford, released on May 23, 1995 by Kranky.
The Return of Red Emma is the third studio album by the singer/songwriter Lida Husik, released in 1993 by Shimmy Disc.
Flan is the third studio album by the avant-garde artist Dogbowl. It was released in 1992 on Shimmy Disc.
Harsh 70s Reality is the fourth studio album by The Dead C, released in 1992 by Siltbreeze.
Headsparks is the debut studio album by the American indie rock band Seam, released on March 11, 1992 by Homestead Records.
Somnific Flux is a collaborative album by Mick Harris and Bill Laswell, released on March 7, 1995, by Subharmonic.
Love God is the debut studio album by the electronic band Milk Cult, released in 1992 by Boner Records.
Burn or Bury is the second studio album by Milk Cult, released on October 23, 1994, by Priority Records. It features contributions from numerous guests, including: Mike Patton and Billy Gould of Faith No More; Blake Schwarzenbach of Jawbreaker; Lars Fox and Bruce Boyd of Grotus; Dave Edwardson, Scott Kelly and Steve Von Till of Neurosis; Mark Davies of Thinking Fellers Union Local 282; and Carla Bozulich of The Geraldine Fibbers.
Force is the fifth studio album by the English post-punk band A Certain Ratio, released in November 1986 by Factory Records; their final release on the label. Stuart James co-produced the album with the band. It was recorded and mixed between July and August 1986 at Yello 2 Studios in Stockport.
"Mothra" is a song by English industrial metal band Godflesh. It was taken from their 1992 album Pure and saw release as a radio promo and music video in the same year. The track's title is derived from 1961 Japanese film of the same name by Ishirō Honda. Musically, "Mothra" is a grinding, mechanical song with shouted vocals and heavily distorted instruments.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)