Lysol | ||||
---|---|---|---|---|
Studio album by | ||||
Released | November 1992 | |||
Recorded | 1991 | |||
Genre | ||||
Length | 31:21 | |||
Label | Boner | |||
Melvins chronology | ||||
|
Lysol (also known as Melvins, Untitled and Lice-All) is the fourth studio album by American rock band Melvins, released in 1992 via Boner Records.
The album cover is a painting based on a 1908 sculpture by Cyrus Edwin Dallin, Appeal to the Great Spirit. The image also appears on The Beach Boys in Concert , on the logo for Brother Records, and on the cover of The Time Is Near by the Keef Hartley Band.
The album consists of six separate tracks which were mastered and assembled as one "megacomposition". It also features covers of Flipper's "Sacrifice" (from the album Gone Fishin' ) and Alice Cooper's "Second Coming" and "The Ballad of Dwight Fry", [3] both from the album Love It to Death . The album has been credited as an influence on the drone doom genre and the band Sunn O))). [1]
Boner Records was unaware that Lysol was a registered trademark until after the first batch of record jackets and CD booklets/back cards had already been printed. Lehn & Fink sent a staff member to go undercover as an interviewer for a magazine to find out information about the record, as they did not want the Lysol name on the album. Boner officially retitled the record Melvins and covered the word Lysol with black tape on the front of the jackets and booklets and with black ink on the spines. Early after the initial release, the tape and ink were easily removed, and many fans did so. Later, attempting to remove the tape would result in severe damage. Subsequent printings omitted the word Lysol entirely. [3] [4]
On January 20, 2015, Boner re-released the album in a double LP combo with Eggnog . The title was changed to "Lice-All", presumably to avoid legal conflict with Lysol owner Reckitt but maintain the phonetic recognition. [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
AllMusic critic Ned Raggett wrote: "The logical extension of the sheer monstrosity of the band's work up to that time, with longer and longer songs, its first two parts alone are jawdroppers." [3] Ira Robbins of Trouser Press described the record as "weird and wonderful". Robbins also further stated: "The first half is a big gulp of guitar distortion into which the rhythm section weighs in from time to time; at the twelve-minute mark, the arrival of a steady beat and vocals shape it into a bone-crushing mother of a song." [4]
All songs written by Buzz Osborne, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Hung Bunny" | 10:42 | |
2. | "Roman Dog Bird" | 7:38 | |
3. | "Sacrifice" | Will Shatter | 6:11 |
4. | "Second Coming" | Alice Cooper | 1:14 |
5. | "The Ballad of Dwight Fry" | Michael Owen Bruce, Cooper | 3:11 |
6. | "With Teeth" | 2:26 |
No edition of the album gives a track listing. In the CD edition, the entire six song program is presented as one continuous and unbroken track.
Bullhead is the third studio album by the American rock band Melvins, released in 1991 through Boner Records. The album has longer songs than previous Melvins albums. Before this, most of their songs were under two or three minutes.
Ozma is the second studio album by the Melvins, released in 1989 through Boner Records. It is the first Melvins album to feature Lori Black on bass guitar and was recorded when the band relocated to San Francisco.
Fear is the fourth solo studio album by the Welsh rock musician John Cale, released on 1 October 1974 by Island Records.
Gluey Porch Treatments is the debut album by American rock band Melvins, released in 1987 through Alchemy Records. The original release was vinyl only. The album was later released on cassette tape with the Six Songs EP through Boner Records and appears as bonus material on the CD version of Ozma. Tracks 18–29 can only be found on the 1999 Ipecac Recordings re-release; these songs are taken from a boombox demo.
Stag is the eighth studio album by American rock band Melvins, released in 1996 through Atlantic Records. This is the final album the band released under Atlantic before being dropped from the label. Promotional singles were released for the songs "The Bit" and "Bar-X the Rocking M" with the latter having a music video.
Happy Hour is the fifth studio album by experimental music band King Missile, and released on December 15, 1992, by Atlantic Records. The album is exactly one hour long, hence its title.
Extremities, Dirt and Various Repressed Emotions is the eighth studio album by English post-punk band Killing Joke, released in November 1990 by Noise Records. After the commercial failure of their previous album Outside the Gate in 1988, singer Jaz Coleman and guitarist Geordie Walker were the last remaining members of the group. In December 1988, they recruited new musicians to perform a one-off concert in Porchester and premiered new songs, including early versions of "Extremities" and "The Beautiful Dead". The band didn't have any support of a record company anymore: Virgin had fired them and their label E.G. sued them. Coleman stated that it was a very stressful period of time for him and Walker. The new material was more intense, the band performed it live during a US tour in 1989. Extremities, Dirt and Various Repressed Emotions was recorded in 1990 for a German independent label: bassist Paul Raven was called back before entering into the studio. Drummer Martin Atkins, formerly of Public Image Ltd and Ministry, had joined the band in 1988 and co-composed the songs with Coleman and Walker.
Slow Dazzle is the fifth solo studio album by the Welsh rock musician John Cale, released on 25 March 1975, his second album for record label Island.
Selfless is the third studio album by English industrial metal band Godflesh. It was released on 26 September 1994 in Europe and on 18 October 1994 through Earache and Columbia Records. Being the band's major-label debut, the record features a more conventional and rock-oriented sound compared to Godflesh's previous releases. It spawned two singles, "Xnoybis" and "Crush My Soul". The music video for the latter was directed by photographer Andres Serrano.
What Does Anything Mean? Basically is the second studio album by English rock band the Chameleons. It was recorded in January 1985 and released on 20 May 1985 by record label Statik.
Helen of Troy is the sixth solo studio album by the Welsh rock musician John Cale, released in November 1975. It was the last of his three studio albums for Island Records.
Love Bites is the second studio album by English punk rock band Buzzcocks. It was released on 22 September 1978, through United Artists Records.
Laugh? I Nearly Bought One! is the first major compilation album by English post-punk band Killing Joke, released in September 1992 by Caroline Records in the U.S. and in October by Virgin Records in the U.K. and Europe.
Wild and Lonely is the fourth studio album by the Scottish act the Associates. The album was released on 24 March 1990 by AVL/Virgin subsidiary Circa Records, a label MacKenzie had signed to after WEA/Warner rejected the fourth Associates album The Glamour Chase. Wild and Lonely was produced by Australian record producer Julian Mendelsohn, it peaked at No. 71 on the UK Albums Chart. Three singles were released from the album: "Fever", "Fire to Ice" and "Just Can't Say Goodbye", all of which failed to chart in the UK Top 40, peaking at numbers 81, 92 and 79 respectively.
Distortion is a 1984 five-song EP by Game Theory, a California power pop band fronted by guitarist and singer-songwriter Scott Miller. A remastered reissue of Distortion was released by Omnivore Recordings in November 2014 as a 10-inch EP on green vinyl, with four of the songs released on CD as part of Omnivore's reissued Dead Center compilation.
Sell Me a God is the 1989 debut album by the British alternative rock band Eat. Prior to the album's release, the band members had all been homeless, with a few of them squatting at London King's Cross railway station.
Force is the fifth studio album by the English post-punk band A Certain Ratio, released in November 1986 by Factory Records; their final release on the label. Stuart James co-produced the album with the band. It was recorded and mixed between July and August 1986 at Yello 2 Studios in Stockport.
Back from the Rains is the sixth album by English band Eyeless in Gaza, released in 1986 by record label Cherry Red.
The Hard Stuff is the solo debut album by American musician Wayne Kramer, best known as a guitarist with the 1960s group MC5. It was released on January 10, 1995, by Epitaph Records. Kramer is supported by a range of younger musicians including the band Claw Hammer and members of Bad Religion, the Melvins, and Suicidal Tendencies.
Blowhard is the debut studio album of DUH, released in 1991 by Boner Records.