Mabel's Strange Predicament | |
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![]() Mabel Normand in a scene from the film | |
Directed by | Mabel Normand |
Written by | Henry Lehrman |
Produced by | Mack Sennett |
Starring |
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Cinematography | H.F. Koenekamp [1] |
Distributed by | Keystone Studios |
Release date |
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Running time | 17 minutes |
Country | United States |
Languages | Silent film English (original titles) |
Mabel's Strange Predicament is a 1914 American film starring Mabel Normand and Charles Chaplin, notable for being the first film for which Chaplin donned the costume of The Tramp, [1] although his appearance in the costume in Kid Auto Races at Venice was released first. The film was directed by Normand and produced by Mack Sennett.
An inebriated Charlie annoys several hotel guests while sitting in the lobby. In her hotel room, Mabel is playfully tossing a ball to her dog. The noise disturbs Alice who occupies the room across the hall from Mabel. She informs Chester that she is going to the lobby to make a complaint to the manager. Not long after Alice leaves her room, Mabel accidentally locks herself out of her room while wearing only pajamas. Charlie happens by and tries to woo her. Mabel flees in embarrassment and eventually enters Alice and Chester's room to hide. Mabel crawls under the bed. Mabel's beau, Harry, brings a bouquet of flowers to Mabel and has a bellhop unlock her room. Finding Mabel absent, Harry decides to wait for her in the room occupied by his friends—Chester and Alice! When Harry finds Mabel hiding under Chester's bed, he assumes the worst and starts a fight with Chester. Alice returns and, upon seeing Mabel, also assumes the worst and starts a fight with her husband. By the movie's end, Harry and Mabel have reconciled, but Alice and Chester have escalated their fight.
A reviewer for Exhibitors' Mail saw the genius of Charles Chaplin in what was only his third film, and predicted great things for the former English stage comedian, writing: "The Keystone Company never made a better contract than when they signed on Chas. Chaplin, the Karno performer. It is not every variety artiste who possesses the ability to act before the camera. Chaplin not only shows that talent, he shows it in a degree which raises him at once to the status of star performer. We do not often indulge in prophecy, but we do not think we are taking a great risk in prophesying that in six months Chaplin will rank as one of the most popular screen performers in the world. Certainly there has never been before quite so successful a first appearance".
The Tramp was first presented to the public in Chaplin's second film Kid Auto Races at Venice (released February 7, 1914), though Mabel's Strange Predicament, his third film in order of release (released February 9, 1914), was produced a few days earlier. It was for this film that Chaplin first conceived of and played The Tramp. As he recalled in his autobiography:
I had no idea what makeup to put on. I did not like my get-up as the press reporter [in Making a Living ]. However on the way to the wardrobe I thought I would dress in baggy pants, big shoes, a cane and a derby hat. I wanted everything to be a contradiction: the pants baggy, the coat tight, the hat small and the shoes large. I was undecided whether to look old or young, but remembering Sennett had expected me to be a much older man, I added a small mustache, which I reasoned, would add age without hiding my expression. I had no idea of the character. But the moment I was dressed, the clothes and the makeup made me feel the person he was. I began to know him, and by the time I walked on stage he was fully born.
— Chaplin, My Autobiography , p. 154
Mabel's Strange Predicament is one of more than a dozen early films that writer/director/comedian Mabel Normand made with Chaplin. Normand, who had written and directed films before Chaplin, mentored the young comedian. Chaplin's Tramp is shown swigging from a flask toward the beginning of the film and subsequently becoming so drunk that he staggers when he walks and falls down repeatedly near the end. His portrayal of drunkenness remains convincingly realistic. The Tramp also keeps his derby cocked throughout the action, a touch that Chaplin abandoned later in his career.
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The Tramp, also known as the Little Tramp, was English actor Charlie Chaplin's most memorable on-screen character and an icon in world cinema during the era of silent film. The Tramp is also the title of a silent film starring Chaplin, which Chaplin wrote and directed in 1915.
Amabel Ethelreid Normand, better known as Mabel Normand, was an American silent film actress, director and screenwriter. She was a popular star and collaborator of Mack Sennett in their Keystone Studios films, and at the height of her career in the late 1910s and early 1920s had her own film studio and production company, the Mabel Normand Feature Film Company. On screen, she appeared in twelve successful films with Charlie Chaplin and seventeen with Roscoe "Fatty" Arbuckle, sometimes writing and directing films featuring Chaplin as her leading man.
Keystone Studios was an early film studio founded in Edendale, California on July 4, 1912 as the Keystone Pictures Studio by Mack Sennett with backing from actor-writer Adam Kessel (1866–1946) and Charles O. Baumann (1874–1931), owners of the New York Motion Picture Company. The company, referred to at its office as The Keystone Film Company, filmed in and around Glendale and Silver Lake, Los Angeles for several years, and its films were distributed by the Mutual Film Corporation between 1912 and 1915. The Keystone film brand declined rapidly after Sennett went independent in 1917.
Twenty Minutes of Love is a 1914 American silent comedy film made by Keystone Studios. The film is widely reported as Charlie Chaplin's directorial debut; some sources name Joseph Maddern as the director, but generally credit Chaplin as the creative force.
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