Machines of Our Disgrace | ||||
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Studio album by | ||||
Released | December 9, 2016 February 10, 2017 (Instrumentals) [1] | |||
Recorded | 2015–2016 | |||
Genre | ||||
Length | 62:10 | |||
Label | FiXT Music | |||
Producer | Klayton | |||
Circle of Dust chronology | ||||
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Singles from Machines of Our Disgrace | ||||
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Review scores | |
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Source | Rating |
ReGen Magazine | [2] |
Sputnikmusic | [3] |
Noizze | (favourable) [4] |
Soundscape Magazine | [5] |
Machines of Our Disgrace is the fourth and final studio album by American industrial metal project Circle of Dust, released on December 9, 2016, through Klayton's own label, FiXT Music. [6] The album is the first new material released under Circle of Dust since Disengage .
In late 2015, Klayton reclaimed the rights to the Circle of Dust moniker, along with all original masters and demos, he announced plans to release remastered versions of all three albums, along with Metamorphosis and Misguided , and finally, a new album. [7] On February 16, 2016, Klayton released the first song from the new album, "Contagion", as a free download. [8]
From March 4, 2016, all five remasters were released, eight weeks apart, with Circle of Dust , Brainchild and Disengage all including songs from the upcoming album, due to be released in December that year. [9] On October 28, Klayton finally announced that the new album, Machines of Our Disgrace, would be released on December 9, 2016. [10]
The album serves as a critique of scientific and technological advancements, ranging from cyberpsychology ("Machines of Our Disgrace", "Contagion", "Hive Mind"), human enhancement ("alt_Human", "Neurachem") and social darwinism ("Humanarchy"). [10]
All tracks are written by Klayton
No. | Title | Length |
---|---|---|
1. | "re_Engage" | 1:20 |
2. | "Machines of Our Disgrace" | 5:25 |
3. | "Contagion" | 5:25 |
4. | "Embracing Entropy" (featuring Celldweller) | 6:53 |
5. | "Humanarchy" | 5:00 |
6. | "Signal" | 0:30 |
7. | "alt_Human" | 5:00 |
8. | "Hive Mind" | 5:57 |
9. | "Outside In" | 6:15 |
10. | "Neurachem" | 4:44 |
11. | "k_OS" | 3:30 |
12. | "Neophyte" | 6:00 |
13. | "Malacandra" | 6:03 |
Charts (2016) | Peak position |
---|---|
US Top Heatseekers ( Billboard ) [12] | 20 |
Charts (2018) | Peak position |
---|---|
US Top Heatseekers ( Billboard ) [12] | 8 |
US Independent Albums ( Billboard ) [13] | 31 |
Celldweller is an electronic rock project by American multi-musician Klayton. Celldweller's songs have been featured in many films, movie trailers, television shows and video games.
Circle of Dust is an industrial music project from New York City created by Klayton, who later became known as Celldweller. The project was active as a band from 1988 to 1998 and then re-started in 2015 after Klayton gained back ownership of his old albums. The project has released five studio albums: Circle of Dust (1992), Brainchild (1994), a re-recording of Circle of Dust (1995), Disengage (1998), and Machines of Our Disgrace (2016).
Klayton Albert is an American multi-instrumentalist from New York City who currently resides in Los Angeles, California. He has led several bands and has performed under a variety of stage names since the early 1990s. His current projects are Celldweller, Scandroid, Circle of Dust and FreqGen.
Misguided is Argyle Park's only album under that name. The album was released on March 21, 1995, by R.E.X. Records into the Christian rock market, and sits alongside other early 90s work by Circle of Dust and Mortal as being instrumental in introducing industrial music to the Christian music scene. The album was nominated for Best Metal/Hard Rock Album at the 27th Annual GMA Dove Awards in 1996.
Celldweller is the first studio album by the American electronic rock project Celldweller, released in 2003. The album spent one week on the Billboard Top Internet Albums chart, at number 17, and the song "I Believe You" reached number 11 on the R&R Alternative Specialty Show chart. Celldweller was awarded Album of the Year at the Just Plain Folks Music Awards. Guest appearances include Jarrod Montague of Taproot.
Soundtrack for the Voices in My Head: Volume 01 is an instrumental-based studio album by the American electronic rock project, Celldweller. It is the first album in the SVH series.
Sebastian R. Komor is a Polish-born, Norwegian-raised electronic musician, best known for his collaborative work in Icon of Coil and Zombie Girl. A prolific artist, Komor has also released electronic music under a variety of solo projects and aliases since the late 1990s.
LVL is both the solo music project and personal moniker for New York City musician Dan Albert. Formerly called Level, he changed his stage name to avoid confusion with others with the same name. His musical output ranges from fast-paced industrial metal to mellow electronica. Albert is the younger brother of musician Klayton.
Wish Upon a Blackstar is the second vocal studio album from American electronic rock project, Celldweller. While the album had been a work in progress since 2004, finalized songs from the album were not released until mid-2009. The full album was released on June 12, 2012. Grant Mohrman, producer of the debut Celldweller album, returned to co-produce the album with Klayton.
Circle of Dust is the title of two versions of a studio album American industrial rock band Circle of Dust. The first version was the band's debut, released through R.E.X. Records in 1992. In 1994, Circle of Dust completely re-recorded the album and replaced some songs with new, different tracks. This version, released in 1995 through R.E.X., achieved the 25th slot on CMJ's Hard Rock 75 listings that same year.
Brainchild is the second studio album by the industrial metal band Circle of Dust, released in 1994 through R.E.X. Music and re-released as a remaster in 2016 through FiXT Music.
Disengage is the fourth studio album by American industrial rock band Circle of Dust, released in 1998, two years after the band was put on hiatus. This is their final piece of material before resurfacing in 2016.
This is the discography of Celldweller, an American electronic rock project created by multi-instrumentalist artist Klayton.
Blue Stahli is an American electronic rock project by Bret Autrey. Blue Stahli has appeared in a number of movie trailers, shows and games.
FiXT is an American independent media company with several divisions including a record label, an online music store, and a film/TV/video game music licensing arm. FiXT was founded and is owned by Klayton, the sole member of the electronic rock project Celldweller.
Soundtrack for the Voices in My Head: Volume 02 is the second production-based studio album by the American electronic rock artist, Celldweller. It is the second album in the Soundtrack for the Voices in My Head series.
Scandroid is an American electronic music project created by Klayton, which previously included Varien in 2013. The project released its debut single, "Salvation Code", on August 6, 2013. Scandroid can be described as encompassing the retro synth melodies of the 1980s while still adapting to modern production, thus creating a new retro sound.
Blue Stahli is a Los Angeles, CA-based electronic rock project that was created by multi-instrumentalist Bret Autrey. He has released 9 studio albums, 5 of which are instrumental based, and the other 4 are vocal based. He has also released 5 compilation albums, 25 singles and has released 7 music videos. Most singles have been released already onto albums, and there is currently 1 re-release.
End of an Empire is the third vocal studio album from electronic rock project Celldweller. It was released in "chapters", like most of Celldweller's previous works. The first of four chapters, Time, was released on September 16, 2014. The second, Love, was released on December 5, 2014. The third, Dreams, was released on March 13, 2015. The fourth and final chapter, Death, was released on July 17, 2015. The full album was released on November 6, 2015.
Offworld is the fourth vocal studio album by electronic rock project Celldweller, released on July 28, 2017. The album marks a temporary change of style for Celldweller, focusing on more emotional songwriting instead of the usual aggressive metal and electronic aspects found in his previous albums.