Madhouse | |
---|---|
Directed by | Jim Clark |
Written by | Ken Levison Greg Morrison |
Based on | Devilday by Angus Hall |
Produced by | Max Rosenberg Milton Subotsky executive Samuel Z. Arkoff |
Starring | Vincent Price Peter Cushing Robert Quarry Adrienne Corri Natasha Pyne Michael Parkinson Linda Hayden Barry Dennen |
Cinematography | Ray Parslow |
Edited by | Clive Smith |
Music by | Douglas Gamley |
Production company | |
Distributed by | American International Pictures |
Release dates |
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Running time | 91 minutes |
Countries | United Kingdom United States |
Language | English |
Madhouse (also known as The Revenge of Dr. Death) is a 1974 horror film directed by Jim Clark for Amicus Productions in association with American International Pictures. [1] [2] The film, which is a British-American co-production, stars Vincent Price, Natasha Pyne, Peter Cushing, Robert Quarry, Adrienne Corri, and Linda Hayden. [3] [4] [5] The film was based on the 1969 novel Devilday by Angus Hall.
Paul Toombes is a successful horror actor whose trademark role is Dr. Death, a skull-faced serial killer. During a party in Hollywood marking his fifth Dr. Death film, Paul announces his engagement to Ellen Mason, who gives him an engraved watch as an engagement gift. However, adult film producer Oliver Quayle reveals to Paul that Ellen previously performed in his movies and had also slept with him. Distraught at Paul's angry reaction, Ellen returns to her room, where a masked man in a Dr. Death's costume approaches her with a knife. An apologetic Paul enters the room shortly after, only for her severed head to fall from her shoulders when he touches her. Although he is acquitted, Paul isn't sure whether he was the killer. His career is destroyed as he spends several years in a mental hospital.
Twelve years later, Paul is called to London by his friend, screenwriter Herbert Flay, who has partnered with Quayle to produce a Dr. Death television series for the BBC. While on the cruise en route to England, Paul encounters a persistent young actress, Elizabeth Peters, who steals his watch and follows him through London and eventually to Flay's house. In the spider-infested basement, Paul discovers Faye Carstairs, Flay's wife and a former Dr. Death co-star, who was driven mad after being disfigured in a car accident. Outside Flay's house, Elizabeth sees the costumed figure stalking the grounds; believing it to be Paul, she approaches him and is killed with a pitchfork. When her body is discovered, Scotland Yard suspects Paul, as the killing resembles a scene from one of the Dr. Death films.
Unimpressed to find that Quayle has given Dr. Death a female "assistant" for the series, which he never had in the films, Paul berates his co-star on set; she is soon found hanged by her hair, resembling another Dr. Death scene. Scotland Yard questions Paul but finds no conclusive evidence. Paul is also harassed by Elizabeth's parents, who have found the watch she had stolen and threaten to deliver the watch to the police unless he pays a ransom. However, the killer lures the parents into the house and impales them both with a broadsword. On set, the series director is crushed by a descending bed canopy in a trap intended for Paul. Later, Paul is chased through the studio by the killer while on his way to an interview. Julia Wilson, Quayle's public relations chief, discovers a contract in his files but is murdered by the killer; Paul discovers her body in a replication of Ellen's death, seated in front of her dressing table. A distraught Paul carries her body to the set, turns on the camera on and sets the place ablaze.
Believing Paul to have died in the fire, Flay signs a contract to take his place as Dr. Death. Later he watches the reel of film from Paul's "death" in his home – only to see Paul seemingly walk out of the screen, burned but alive. When Paul demands to know why Flay wishes to destroy him, Flay rages that he had written the Dr. Death role for himself, but was passed over in favour of Paul; he murdered Ellen to frame Paul in the hopes of destroying his career but was still not given the role. He then reveals that the contract that Julia had discovered stipulated that if Paul died, Flay would take over the role by right. The two struggle into the basement, where Faye enters and stabs Flay in the back. He falls into a tank of spiders and they devour his flesh. Paul applies makeup to his burn-scarred face, now looking similar to Flay, and sits down to dinner with Faye. Faye says she has made Paul his favourite meal—sour cream and "red herrings"—and they both laugh.
The title credits mention "special participation" by Basil Rathbone and Boris Karloff, who had died in 1967 and 1969, respectively; the film included scenes in which they had appeared with Vincent Price from previous AIP films (Rathbone from Tales of Terror [1962], Karloff from The Raven [1963]). Other AIP films starring Price that had scenes played in the film include The Haunted Palace , The Pit and the Pendulum , Scream and Scream Again , and House of Usher . [6]
American International Pictures purchased the rights to Angus Hall's novel Devilday in 1970. Although Robert Fuest was originally named as director, in 1973 Jim Clark was signed to direct; more known for his editing, this ended up being Clark's fourth and final feature film as a director. [7] Filming began at London's Twickenham Studios. [8]
In his autobiography, Clark referred to the film as "stillborn", reflecting that the edits imposed by Milton Subotsky was the final nail of the coffin of a film that had its script worked on (by Ken Levison) during the actual production because of its quality. It was the last film to feature Price for American International, as his contract was not renewed (the feeling was mutual, as he once referred to Arkoff and his colleagues as "those cocksuckers!" [9] [10]
The film opened in Los Angeles in December 1974. [6]
The film performed considerably less well at the box office than other horror movies Price had made for AIP and Samuel Z. Arkoff considered it marked the end of the horror cycle. [11]
The Monthly Film Bulletin wrote: "The tale of an actor's revenge, exacted by Hammer veteran Peter Cushing on AIP stalwart Vincent Price, Madhouse borrows a trick from last year's Theatre of Blood – allowing Price's baroque, hypersensitive acting style to become the subject of the film – and pusillanimously fritters it away. Where Theatre of Blood employed a properly rhetorical style to give the Price rhetoric room to flower in grandiloquent self-parody, Madhouse descends to a coy, show-biz in-joking. Michael Parkinson gets to chair a chat-show with 'Doctor Death', and AIP get to run through clips from just about all the Corman-Poe movies as highlights from the Doctor's own screen canon. Inevitably arriving at the duel of the Masters from The Raven . Madhouse finds that particular joke rather hard to cap; its equivalent scene – a quite fitting final conceit in which Price, having stolen Cushing's thunder, sets about stealing his appearance in order to return to the screen – is carried out with little invention or panache." [12]
Author and film critic Leonard Maltin awarded the film 3/4 stars, calling it "Good, if somewhat unimaginative". [13]
Time Out gave the film a mostly positive review, noting its tendency to go over-the-top, but commended the film's interweaving of Price's character Toombes with the actor's actual film career, and "reasonably witty in its use of inter-penetrating fantasies born of the Dream Factory". [14]
Dennis Schwartz from Ozus' World Movie Reviews awarded the film a grade B−, calling it, "Cheesy but enjoyable". [15]
TV Guide awarded the film 1/5 stars, writing, "With its behind-the-scenes setting and focus on an aging star whose glory days are behind him, this could have been a wonderful elegy to the twilight of Price's long career. Unfortunately, the script and direction simply aren't up to the task, and the film becomes an inferior spin-off of Dr. Phibes series. Not even the interaction between Price and Cushing--two very different actors--manages to generate much interest, leaving the clips from Price's Corman-AIP films the best part of the movie." [16]
John Stanley wrote: "Sleazy spooker filmed in London...about a hammy actor (Vincent Price) suspected of committing gore murders during the filming of a TV series. The climax is so unbelievable and forced even horror fans will wonder what's happening. Made by the kind of mentality that thinks the sight of a spider is the height of horror. Eeeekkkkk!" [17]
Vincent Leonard Price Jr. was an American actor. He was known for his work in the horror film genre, mostly portraying villains. He appeared on stage, television, and radio, and in more than 100 films. Price has two stars on the Hollywood Walk of Fame, one for motion pictures and one for television.
Peter Wilton Cushing was an English actor. His acting career spanned over six decades and included appearances in more than 100 films, as well as many television, stage and radio roles. He achieved recognition for his leading performances in the Hammer Productions horror films from the 1950s to 1970s and as Grand Moff Tarkin in Star Wars (1977).
The Abominable Dr. Phibes is a 1971 British comedy horror film directed by Robert Fuest, and written by James Whiton and William Goldstein. It stars Vincent Price in the title role, Dr. Anton Phibes, who blames the medical team that attended to his wife's surgery four years earlier, for her death and sets out to exact vengeance on each one. He is inspired in his murder spree by the Ten Plagues of Egypt from the Old Testament. The film co-stars Joseph Cotten, Hugh Griffith, Terry-Thomas, Virginia North, with an uncredited Caroline Munro appearing as Phibes's wife.
Dr. Phibes Rises Again! is a 1972 British comedy horror film, produced by Louis M. Heyward, directed by Robert Fuest, and starring Vincent Price and Robert Quarry. The film is a sequel to The Abominable Dr. Phibes (1971). After seeking vengeance on the doctors whom he blamed for his wife's death in the first film, Phibes returns to seek eternal life in Egypt, while he pursues a centuries-old man who holds the ancient secrets that Phibes needs.
It Conquered the World is an independently made 1956 American science fiction film produced and directed by Roger Corman, and starring Peter Graves, Lee Van Cleef, Beverly Garland, and Sally Fraser. Shot in black-and-white, It Conquered the World was released theatrically by American International Pictures (AIP) as a double feature with The She-Creature.
Dr. Death may refer to:
Beach Party is a 1963 American film and the first of seven beach party films from American International Pictures (AIP) aimed at a teen audience. This film is often credited with creating the beach party film genre.
Dr. Goldfoot and the Bikini Machine is a 1965 Pathécolor comedy film directed by Norman Taurog and distributed by American International Pictures. Starring Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart and Jack Mullaney, and featuring Fred Clark, the film is a parody of the then-popular spy trend, made using actors from AIP's beach party and Edgar Allan Poe films. The film was retitled Dr G. and the Bikini Machine in England due to a threatened lawsuit from Eon, holder of the rights to the James Bond series.
The Masque of the Red Death is a 1964 horror film directed by Roger Corman and starring Vincent Price. The story follows a prince who terrorizes a plague-ridden peasantry while merrymaking in a lonely castle with his jaded courtiers. The screenplay, written by Charles Beaumont and R. Wright Campbell, was based upon the 1842 short story of the same name by American author Edgar Allan Poe, and incorporates a subplot based on another Poe tale, "Hop-Frog". Another subplot is drawn from Torture by Hope by Auguste Villiers de l'Isle-Adam.
I Was a Teenage Frankenstein is a horror film starring Whit Bissell, Phyllis Coates and Gary Conway, released by American International Pictures (AIP) in November 1957 as a double feature with Blood of Dracula. It is the follow-up to AIP's box office hit I Was a Teenage Werewolf, released less than five months earlier. Both films later received a sequel in the crossover How to Make a Monster, released in July 1958. The film stars Whit Bissell, Phyllis Coates, Robert Burton, Gary Conway and George Lynn.
The Pit and the Pendulum is a 1961 horror film directed by Roger Corman, starring Vincent Price, Barbara Steele, John Kerr, and Luana Anders. The screenplay by Richard Matheson was loosely inspired by Edgar Allan Poe's 1842 short story of the same name. Set in sixteenth-century Spain, the story is about a young Englishman who visits a foreboding castle to investigate his sister's mysterious death. After a series of horrific revelations, apparently ghostly appearances and violent deaths, the young man becomes strapped to the titular torture device by his lunatic brother-in-law during the film's climactic sequence.
Sugar Hill is a 1974 American blaxploitation horror film, directed by Paul Maslansky and starring Marki Bey as the title character who uses voodoo to get revenge on the people responsible for her boyfriend's death. It was released by American International Pictures. According to the film, the zombies are the preserved bodies of slaves brought to the United States from Guinea. AIP had previously combined the horror and blaxploitation genres with Blacula (1972) and its sequel Scream Blacula Scream (1973).
The Haunted Palace is a 1963 gothic fantasy horror film released by American International Pictures, starring Vincent Price, Lon Chaney Jr. and Debra Paget, in a story about a village held in the grip of a dead necromancer. Directed by Roger Corman, it is one of his series of eight films based largely on the works of American author Edgar Allan Poe.
Robert Walter Quarry was an American actor, known for several prominent horror film roles.
The Day the World Ended is a 2001 American science fiction/horror television film and is the fourth in the Creature Features series broadcast on Cinemax. It stars Nastassja Kinski, Randy Quaid, and Bobby Edner.
Murders in the Rue Morgue is a 1971 American mystery horror film directed by Gordon Hessler by American International Pictures (AIP). It stars Jason Robards, Christine Kaufmann, Herbert Lom, Adolfo Celi, Michael Dunn and Lilli Palmer. The screenplay by Christopher Wicking and Henry Slesar is a loose adaptation of Edgar Allan Poe's 1841 short story of the same name. However, it departs from Poe's version in several significant aspects, at times more resembling Gaston Leroux's The Phantom of the Opera, and incorporating the historical character Eugène François Vidocq.
The She-Creature, or The She Creature, is a 1956 American black-and-white science fiction horror film, released by American International Pictures from a script by Lou Rusoff. It was produced by Alex Gordon, directed by Edward L. Cahn, and stars Chester Morris, Marla English and Tom Conway, and casting Frieda Inescort and El Brendel in smaller roles. The producers hired Marla English because they thought she bore a strong resemblance to Elizabeth Taylor.
Scream and Scream Again is a 1970 British science-fiction horror film directed by Gordon Hessler for Amicus Productions, and starring Vincent Price, Christopher Lee, Alfred Marks, Michael Gothard, and Peter Cushing. The screenplay was by Christopher Wicking, based on the 1967 novel The Disorientated Man, attributed to "Peter Saxon", a house pseudonym used by various authors in the 1960s and 1970s.
The House of 1,000 Dolls is a 1967 Harry Alan Towers German-Spanish international co-production white slavery thriller directed by Jeremy Summers and starring Vincent Price. It has been described as "quite possibly the sleaziest movie AIP ever made". The film is set in Tangier. Released initially in Spain, it was not released in the United States until November 1967.
Don't Answer the Phone! is a 1980 American psychological horror film co-written and directed by Robert Hammer. While not prosecuted for obscenity, the film was seized and confiscated in the UK under Section 3 of the Obscene Publications Act 1959 during the video nasty panic.