Madonna and Child with Four Saints is an oil on canvas painting by Moretto da Brescia, executed c. 1543, now in the Pinacoteca di Brera in Milan, to which it moved during the Napoleonic seizures in 1808. [1] It was painted for the church of Santa Maria degli Angeli in Gardone Val Trompia. In the foreground are the saints Jerome, Francis of Assisi and Anthony the Great. [2]
Giovanni Ambrogio Figino was an Italian Renaissance painter from Milan.
Giuseppe Maria Crespi, nicknamed Lo Spagnuolo, was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings.
The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.
Altobello Melone was an Italian painter of the Renaissance.
The Accademia di Belle Arti di Brera, also known as the Accademia di Brera or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di Brera, Milan's main public museum for art. In 2010 an agreement was signed to move the accademia to a former military barracks, the Caserma Magenta in via Mascheroni. In 2018 it was announced that Caserma Magenta was no longer a viable option, with the former railway yard in Via Farini now under consideration as a potential venue for the campus extension.
The Madonna of the Cherubim is a painting of c. 1485 by the Italian Renaissance painter Andrea Mantegna in the Pinacoteca di Brera, Milan.
The San Lucas Altarpiece, also known as the San Lucas Polyptych, is a 1453 polyptych panel painting by Northern Italian Renaissance painter Andrea Mantegna. The altarpiece is a polyptych panel painting featuring 12 figures each in their own arch. The six figures in the top row flank the central figure of Jesus Christ. The four beneath flank Saint Luke.
The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael. Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph. It changed hands several times before settling in 1806 at the Pinacoteca di Brera.
St. Bernardino of Siena between Two Angels is a painting attributed to the Italian Renaissance artist Andrea Mantegna and his assistants, dated to 1460 and housed in the Pinacoteca di Brera of Milan.
The Valle Romita Polyptych is a painting by the Italian late Gothic painter Gentile da Fabriano, dating from c. 1410-1412 and now housed in the Pinacoteca di Brera in Milan. It was originally executed for the Franciscan hermitage of Valle Romita near Gentile's birthplace, Fabriano.
Giovanni Agostino da Lodi was an Italian painter who was active from c. 1495 to c. 1525.
The Santa Maria in Porto Altarpiece is a painting by the Italian Renaissance painter Ercole de' Roberti, executed in 1479-1481 and housed in the Pinacoteca di Brera, Milan, northern Italy.
Pietà or The Dead Christ Supported by the Virgin Mary and St John the Evangelist is a c. 1465–1470 tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the Pinacoteca di Brera in Milan.
St Peter Martyr with St Nicholas and St Benedict is an oil-on-canvas painting by the Italian Renaissance painter Cima da Conegliano, created c. 1505–1506, now in the Pinacoteca di Brera in Milan. It references the sacra conversazione pieces by Giovanni Bellini, whilst the landscape shows the artist as an early adopter of the new style of Giorgione.
The San Domenico di Pesaro Altarpiece is an oil-on-panel painting created ca. 1524–1526 by the Italian Renaissance artist Giovanni Girolamo Savoldo, now in the Pinacoteca di Brera, in Milan. The work dates to the same period as Savoldo's Rest on the Flight into Egypt, also produced for San Domenico. It shows the Madonna and Child seated between two angel musicians, while in the lower register it shows Saint Peter, Saint Dominic, Saint Paul and Saint Jerome.
Mystic Marriage of Saint Catherine is a c.1616-1620 oil on canvas painting by Giulio Cesare Procaccini, now in the Pinacoteca di Brera in Milan. It is one of the artist's last works, influenced by Correggio, Titian's allegories and Leonardo da Vinci's The Virgin and Child with Saint Anne (Louvre).
Transfiguration is a c. 1515–1516 tempera on panel painting by Pordenone, now in the Pinacoteca di Brera in Milan.
The Sacred Conversation or Madonna and Child Enthroned with praying brothers and devotees, Saint Sebastian, Saint John the Baptist, Saint Mary Magdalene and Saint Roch is a 1490 oil-on-panel painting by the Italian artist Cima da Conegliano, now in the Pinacoteca di Brera in Milan.
The Saint Helena Altarpiece is a three-panelled oil on panel painting by Jacopo Palma il Vecchio, created c. 1524–1525, now in the Pinacoteca di Brera in Milan.
The Adoration of the Magi with Saint Helena is an oil painting on canvas of c. 1525–1526 by Palma Vecchio in the Pinacoteca di Brera, Milan.
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