Making Every Moment Count | ||||
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Studio album by | ||||
Released | February 5, 1990 | |||
Recorded | 1988–89 | |||
Genre | Pop | |||
Length | 38:27 | |||
Label | RCA | |||
Producer | Irwin Fisch, Larry Saltzman, Marc Shaiman, Michael Jay, Seth Swirsky | |||
Peter Allen chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Making Every Moment Count is the eighth and final studio album by Australian singer-songwriter Peter Allen, released in 1990, two years before his death from an AIDS-related illness. It was his first album of entirely new material since 1983's "Not the Boy Next Door".
William Ruhlmann from AllMusic gave the album 3 out of 5, saying; "There may [be] nods to his past, but otherwise Allen was very up to date on Making Every Moment Count, employing five different producers to come up with a recording that had a timely sound, complete with icy synthesizer riffs and programmed drums coming on like torpedoes.” He added, “he remained most affecting on the ballads, which had a poignancy that would be accentuated by Allen's death from AIDS in 1992.” [1]
Eric Carmen is the fifth album by rock and roll musician Eric Carmen. It was also his second self-titled LP after the 1975 album of the same name. The album spent ten weeks on the U.S. Billboard album charts and reached its peak position of #128 in early March 1985.
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Peter Allen was an Australian singer-songwriter, musician, and entertainer, known for his flamboyant stage persona, energetic performances, and lavish costumes. Allen's songs were made popular by many recording artists, including Elkie Brooks, Melissa Manchester and Olivia Newton-John, including Newton-John's first chart-topping hit "I Honestly Love You", and the chart-topping and Academy Award-winning "Arthur's Theme " by Christopher Cross. In addition to recording many albums, Allen enjoyed a cabaret and concert career, including appearances at the Radio City Music Hall riding a camel. His patriotic song "I Still Call Australia Home", has been used extensively in advertising campaigns, and was added to the National Film and Sound Archive's Sounds of Australia registry in 2013.
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