Film | 123 |
---|
Mala Sinha is a former Indian actress who has worked in Hindi, Bengali and Nepali films. Initially starting her career with regional cinema, she went on to become an actress in Hindi Cinema in the late 1950s, 1960s and early 1970s. In a career spanning four decades, Mala Sinha rose to prominence with films like Guru Dutt's Pyaasa (1957) and Yash Chopra's Dhool Ka Phool (1959). Later, she starred in over hundred film productions including Phir Subah Hogi (1958), Hariyali Aur Rasta , Anpadh (both 1962), Dil Tera Deewana (1962), Gumrah , Bahurani (both 1963), Jahan Ara (1964), Himalay Ki God Mein (1965), Ankhen , Do Kaliyan (both 1968), Maryada (1971) . [1] She was known as the "daring diva" and "torch bearer of women's cinema" for essaying strong female centric and unconventional roles in a range of movies considered ahead of her times. [2] [3] Having received multiple awards and nominations, she was given the Filmfare Lifetime Achievement Award in 2018.
Mala Sinha was constantly paired in roles opposite Uttam Kumar, Kishore Kumar, Dev Anand, Dharmendra, Raaj Kumar, Rajendra Kumar, Biswajeet, Manoj Kumar, Rajesh Khanna. She was the highest-paid actress from 1958 to 1965 with Vyjayanthimala, second with Vyjayanthimala from 1966 to 1967, then shared the second spot with Sharmila Tagore from 1968 to 1971, and third position with Sadhana and Nanda in 1972–73. [4]
Year | Film | Role | Notes |
---|---|---|---|
1994 | Zid | Daadimaa | |
1992 | Radha Ka Sangam | Thakurain | |
Khel | Sulakshana | ||
1987 | Dil Tujhko Diya | Savitri | |
1985 | Babu | Pinky's Mother | |
1984 | Aasmaan | Kumar's Mother | |
1982 | Nek Parveen | ||
1981 | Ye Rishta Na Tootay | Madhu | |
Harjaee | Sharda | ||
Naseeb | Cameo | ||
1980 | Be-Reham | Maya/Devki Bai | |
Dhan Daulat | Vasudha | ||
1978 | Karmayogi | Durga | |
Sone Ka Dil Lohe Ke Haath | Maa | ||
1977 | Prayashchit | ||
1976 | Do Ladkiyan | ||
Zindagi | Sarojini | ||
Mazdoor Zindabaad | Seeta Singh | ||
1975 | Sunehra Sansar | Laxmi | |
1974 | Archana | Archana | |
Kora Badan | Guest Appearance | ||
36 Ghante | Deepa Roy | ||
Phir Kab Milogi | Sapna/Paro | ||
1973 | Rickshawala | ||
Kahani Hum Sab Ki | Sandhya | ||
1972 | Rivaaj | Laxmi | |
Lalkar | Usha Chaudhary | ||
1971 | Sanjog | Asha | |
Maryada | Laxmi/Lalita | ||
Chaahat | Geeta | ||
1970 | Holi Ayee Re | Suhagi/Hemlata | |
Kangan | Shanta | ||
Geet | Kamla | ||
1969 | Do Bhai | Sandhya | |
Paisa Ya Pyar | Shanti | ||
Pyar Ka Sapna | Sudha/Sushma | ||
Tamanna | |||
1968 | Mere Huzoor | Sultanat | |
Humsaya | Sin Tan | ||
Do Kaliyan | Kiran | ||
Ankhen | Meenakshi Mehta | ||
1967 | Nai Roshni | Rekha | |
Night in London | Renu Sinha/ Princess Vijay Nagar | ||
Jaal | Sheela | ||
Jab Yaad Kisi Ki Aati Hai | Roopa | ||
1966 | Aasra | Shobha | |
Dillagi | Seema | ||
Mere Lal | |||
Baharen Phir Bhi Aayengi | Amita Sinha | ||
1965 | Himalay Ki God Mein | Phoolwa | Nominated: Filmfare Best Actress Award |
Neela Aakash | Neela | ||
Bahu Beti | Shanta | ||
1964 | Main Suhagan Hoon | Shanti | |
Jahan Ara | Jahan Ara | Nominated: Filmfare Best Actress Award | |
Apne Huye Paraye | Rekha | ||
Suhagan | Sharda Dubey | ||
Pooja Ke Phool | Shanti Rai | ||
1963 | Phool Bane Angaare | Usha | |
Gumrah | Meena | ||
Bahurani | Padma | Nominated: Filmfare Best Actress Award | |
Gehra Daag | Shobha | ||
1962 | Hariyali Aur Rasta | Shobhna/Kamla | |
Anpadh | Lajwanti | ||
Bombay Ka Chor | |||
Ankh Micholi | Mala/ Nayantara | ||
Gyara Hazar Ladkian | Asha | ||
Dil Tera Deewana | Meena | ||
1961 | Suhag Sindoor | Ratna/ Chanda | |
Maya | Shyama | ||
Dharmputra | Husn Bano | ||
1960 | Patang | Shanti | |
Bewaqoof | Mala | ||
Mitti Mein Sona | |||
1959 | Dhool Ka Phool | Meena Khosla | Nominated: Filmfare Best Actress Award |
Love Marriage | Geeta | ||
Main Nashe Mein Hoon | Shanta | ||
Duniya Na Mane | Geeta | ||
Jaalsaz | |||
Ujala | |||
1958 | Devar Bhabhi | ||
Parvarish | Asha Singh | ||
Phir Subah Hogi | Soni | ||
Chandan | |||
Detective | Mashin Loonpe | ||
1957 | Nausherwan-E-Adil | Marcia | |
Ek Gaon Ki Kahani | Jaya | ||
Apradhi Kaun? | Shobha | ||
Laal Batti | |||
Naya Zamana | |||
Fashion | Shanta | ||
Pyaasa | Meena | ||
1956 | Rangeen Raatein | Mala | |
Ek Shola | Mala | ||
Paisa Hi Paisa | Mala | ||
Jaldeep | |||
1955 | Ekadashi | Maharani Sandyavalli | |
Riyasat | Amber | ||
1954 | Badshah | Malti | |
Hamlet | Ophelia | ||
Out of 22 Bengali films acted by Mala Sinha, 7 films are paired opposite Mahanayak Uttam Kumar.
Bengali Film's Name | Year | Lead Actor |
---|---|---|
Kulangaar | 2000 | Prosenjit Chatterjee |
Kabita | 1977 | Ranjit Mallick |
Dampati | 1976 | Ranjit Mallick |
Abhaya O Srikanta | 1965 | Basanta Chowdhury |
Saathihaara | 1961 | Uttam Kumar |
Rai Bahadur | 1961 | Pradeep Kumar |
Shohorer Itikotha | 1960 | Uttam Kumar |
Khelaghar | 1959 | Uttam Kumar |
Chhabi | 1959 | Ashish Kumar |
Lukochuri | 1958 | Kishore Kumar |
Louha Kapat | 1958 | Nirmal Kumar |
Bondhu | 1958 | Uttam Kumar |
Surer Parashey | 1957 | Uttam Kumar |
Prithibi Amare Chaay | 1957 | Uttam Kumar |
Putrabadhu | 1956 | Uttam Kumar |
Dhuli | 1954 | Prasanta Kumar |
Chitrangadha | 1954 | Utpal Dutt |
Bhakta Bilwamangal | 1954 | Robin Majumdar |
Jog Biyog | 1953 | Anil Chatterjee |
Roshanara | 1952 | Asit Baran |
Krishno Leela | 1947 | Child Artist |
Jai Boishnob Debi | 1946 | Child Artist |
Geeta Dutt was an Indian classical and playback singer. She found particular prominence as a playback singer in Hindi cinema and Bengali cinema and is considered as one of the best playback singers of all time in Hindi films. She also sang many modern Bengali songs in the non-film genre.
Omkar Prasad Nayyar was an Indian film music composer, singer-songwriter, music producer, and musician. He is considered to be one of the most rhythmic and melodious music directors of the Hindi film industry. He won the 1958 Filmfare Award for Best Music Director for Naya Daur. Nayyar worked extensively with singers Geeta Dutt, Asha Bhosle, Mohammed Rafi, though not with leading Bollywood female singer Lata Mangeshkar.
Alda Sinha, better known by her stage name Mala Sinha, is a former Indian actress who has worked in Hindi, Bengali and Nepali films. Initially starting her career with regional cinema, she went on to become a top leading actress in Hindi Cinema in the late 1950s, 1960s and early 1970s. In a career spanning four decades, Mala Sinha rose to prominence with films like Guru Dutt's Pyaasa (1957) and Yash Chopra's Dhool Ka Phool (1959). Later, she starred in over hundred film productions including Phir Subah Hogi (1958), Hariyali Aur Rasta, Anpadh, Dil Tera Deewana (1962), Gumrah, Bahurani, Himalay Ki God Mein (1965), Aasra (1966), Ankhen, Do Kaliyan, Maryada (1971). She was known as the "daring diva" and "torch bearer of women's cinema" for essaying strong female centric and unconventional roles in a range of movies considered ahead of their times. Having received multiple awards and nominations, she was given the Filmfare Lifetime Achievement Award in 2018.
Guru Dutt was an Indian film actor, director, producer, choreographer, and writer. He is regarded as one of the greatest filmmakers of Indian cinema.
Waheeda Rehman is an Indian actress. Regarded as one of Hindi cinema's most accomplished actresses, she has worked in more than 90 feature films, in a career spanning over five decades. Her accolades include a National Film Award and three Filmfare Awards. She was honoured with India's civilian awards; the Padma Shri in 1972 and the Padma Bhushan in 2011. In 2021 she was honoured with the Dadasaheb Phalke Award, India's highest award in the field of cinema, but was awarded in 2023.
Tanuja Samarth, known mononymously as Tanuja, is an Indian actress who predominantly works in the Hindi film industry. Part of the Mukherjee-Samarth family, she is the daughter of actress Shobhna Samarth and producer Kumarsen Samarth, and was married to filmmaker Shomu Mukherjee, with whom she has two daughters, actresses Kajol and Tanisha. A recipient of two Filmfare Awards, Tanuja is best known for her roles in the Hindi and Bengali films like Memdidi (1961), Deya Neya (1963), Chand Aur Suraj (1965), Baharen Phir Bhi Aayengi (1966), Jewel Thief (1967), Nai Roshni (1967), Antony Firingee (film) (1967), Pratham Kadam Phool (1969), Teen Bhubaner Pare (1969), Jeene Ki Raah (1969), Rajkumari (1970), Haathi Mere Saathi (1971), Anubhav (1971), Mere Jeevan Saathi (1972) and Do Chor (1972). Her pairings with actors Sanjeev Kumar,Uttam Kumar, Rajesh Khanna and Dharmendra were popular in the late 1960s and early 1970s.
Pyaasa is a 1957 Indian Hindi drama film directed and produced by Guru Dutt, who stars alongside Mala Sinha, Waheeda Rehman, Rehman, and Johnny Walker. Set in Calcutta, it focuses on the disillusioned Urdu poet Vijay (Dutt), whose works are underestimated by publishers and panned for writing on social issues rather than romantic topics. The film follows his encounters with the golden-hearted prostitute Gulabo and his former girlfriend Meena (Sinha), how the former helps him to get his poetry published, the success of his works, and his romantic relationship with Gulabo.
Bangalore Saroja Devi is an Indian actress who has acted in Kannada, Tamil, Telugu and Hindi films. She acted in around 200 films over seven decades. She is known by the epithets "Abhinaya Saraswathi" in Kannada and "Kannadathu Paingili" in Tamil. She is one of the most successful actresses in the history of Indian cinema.
South Asian cinema refers to the cinema of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan and Sri Lanka. The broader terms Asian cinema, Eastern cinema and Oriental cinema in common usage often encompass South Asia as well as East Asia and Southeast Asia.
Sangam (transl. Confluence) is a 1964 Indian musical romantic drama directed, produced and edited by Raj Kapoor at R. K. Studios, written by Inder Raj Anand, and distributed by R. K. Films with Mehboob Studio and Filmistan. The film stars Kapoor, Vyjayanthimala and Rajendra Kumar in lead roles, with Iftekhar, Raj Mehra, Nana Palsikar, Lalita Pawar, Achala Sachdev and Hari Shivdasani in supporting roles. It tells the story of a pilot (Kapoor), who upon returning home from war after being assumed dead, weds the woman (Vyjayanthimala) he had long loved, unaware that she had been planning to marry his best friend (Kumar).
Moushumi Chatterjee is an Indian actress who is recognised for her work in Hindi and Bengali cinema. She was one of the highest paid actresses in Hindi films during the 1970s. She joined the Bharatiya Janata Party in 2019.
Sahib Bibi Aur Ghulam is a 1962 Indian Hindi-language drama film that was directed by Abrar Alvi and produced by Guru Dutt, who also co-stars in it alongside Meena Kumari, Rehman, and Waheeda Rehman. The film, which is based on Bimal Mitra's Bengali-language novel Saheb Bibi Golam (1953) which was the second adaptation of the novel after the 1956 Bengali film with the same title Saheb Bibi Golam starring Sumitra Devi, Uttam Kumar and Chhabi Biswas. Having seen the novel and its staged version, Dutt wanted to adapt Saheb Bibi Golam into a film, was set in the 19th century during the British Raj and focuses on Bhoothnath (Dutt), who meets Chhoti Bahu (Kumari), the lonely wife of a zamindar (Rehman). The film follows Chhoti Bahu's effort to keep her husband—who likes drinking and watching tawaifs perform—at their home by drinking with him. She becomes addicted to alcohol, leading both of them into bankruptcy.
Vyjayanthimala is an Indian actress, dancer and parliamentarian. Regarded as one of Indian cinema's finest actresses and dancers, she is the recipient of several accolades, including five Filmfare Awards and two BFJA Awards. She made her screen debut at the age of 16 with the Tamil film Vaazhkai (1949), and followed this with a role in the Telugu film Jeevitham (1950). Her first work in Hindi cinema was the social guidance film Bahar (1951), which she headlined, and achieved her breakthrough with the romance Nagin (1954).
Biswajit Chatterjee, known mononymously as Biswajit, is a veteran Indian actor, producer, director, singer and politician known for his work in Bengali cinema and Hindi cinema.
Supriya Devi was an Indian actress who is known for her work in Bengali cinema for more than 50 years. She is best known for her portrayal of Neeta in Ritwik Ghatak's Bengali film Megha Dhaka Tara (1960). She was conferred the Filmfare Award and the BFJA Award twice. In 2011, she received the Banga-Vibhushan, the highest civilian honour in West Bengal. In 2014, she was awarded the Padma Shri by the Government of India, the fourth highest civilian award in India, for her contributions to the entertainment industry.
Kumkum,, was an Indian actress.
Nishi Kohli is an Indian former actress who has worked in Punjabi and Hindi-language films. She frequently acted with Dara Singh.
Leela Mishra was an Indian actress. She worked as a character actor in over 200 Hindi films for five decades, and is best remembered for playing stock characters such as aunts. She is best known for her role of "mausi" in the blockbuster Sholay (1975), Dil Se Mile Dil (1978), Baton Baton Mein (1979), Rajesh Khanna films such as Palkon Ki Chhaon Mein, Aanchal, Mehbooba, Amar Prem and Rajshri Productions hits such as Geet Gaata Chal (1975), Nadiya Ke Paar (1982) and Abodh (1984). Her career's best performance was in Naani Maa in 1981, for which she received Best Actress award at the age of 73.
Fali Mistry (1919–1979) was an Indian cinematographer, who worked in Bollywood films, from the 1940s to 1980, both in black and white and colour cinema, and along with younger brother Jal Mistry, he was one of the most acclaimed cinematographers of his era. He also produced and directed a few films.
The Dialogue of Pyaasa is a 2011 book by the British author and television documentary producer Nasreen Munni Kabir, containing the dialogues of the 1957 Indian romantic drama Pyaasa in Hindustani and its translation in English. The book was published by Om Books International on 28 February 2011 and received positive critical reviews.