Maple Leaf Rag

Last updated

Maple Leaf Rag
by Scott Joplin
Maple Leaf Rag 1st ed b.jpg
First-edition cover
Genre Ragtime
FormRag
Published1899 (1899)
PublisherJohn Stark & Son

The "Maple Leaf Rag" (copyright registered on September 18, 1899) [1] is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. [2] Its success led to Joplin being dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.

Contents

Despite ragtime's decline after Joplin's death in 1917, the "Maple Leaf Rag" continued to be recorded by many well-known artists. The ragtime revival of the 1970s brought it back to mainstream public notice once again.

Background

Front cover of a later edition Maple Leaf Rag.PNG
Front cover of a later edition

The "Maple Leaf Rag" is associated with the city of Sedalia, Missouri, although there is no record of Joplin having a permanent residence there before 1904. Joplin arrived in Sedalia in 1894 as a touring musician and stayed with the family of Arthur Marshall, who later became one of Joplin's students and a ragtime composer in his own right. [3] Joplin played as a solo musician at dances and at the major black clubs in Sedalia, among them the "Maple Leaf Club". It is possible that the rag was named after the Maple Leaf Club, although there is no direct evidence to prove the link, and there were probably many other possible sources for the name in and around Sedalia at the time. [4]

Although there were hundreds of rags in print by the time of the "Maple Leaf Rag's" publication, Joplin was not far behind. His first published rag was "Original Rags" (March 1899). The "Maple Leaf Rag" was already known in Sedalia prior to its publication in 1899; composer and pianist Brun Campbell claimed to have seen the manuscript of the work in or around 1898. [5] Prior to its publication, Joplin anticipated that the piece would be a success—he told Arthur Marshall that "The Maple Leaf will make me the king of ragtime composers". [6] [7]

The exact circumstances which led to publication of the "Maple Leaf Rag" are unknown, and there are versions of the event which contradict each other. After approaching several publishers, Joplin signed a contract with John Stillwell Stark on August 10, 1899 for a royalty of one cent ($0.37 in 2023 [8] ) on all sales of the rag, with a minimum sales price of 25 cents($9.16 in 2023 [8] ). The "Maple Leaf Rag" was published between August 10 and September 20, 1899, when the United States Copyright Office received two copies of the score. [9] It was reissued in 1900 or 1901 with a new cover showing a green maple leaf and a photograph of Joplin. [10] In 1903, Stark issued a "Maple Leaf Rag Song", an arrangement of Joplin's music with words by Sydney Brown. [11]

Structure

Scott Joplin in 1912 Scott Joplin in 1912.jpg
Scott Joplin in 1912

The "Maple Leaf Rag" is a multi-strain ragtime march with athletic bass lines and offbeat melodies. Each of the four parts features a recurring theme and a striding bass line with copious seventh chords. The piece may be considered the "archetypal rag" due to its influence on the genre; its structure was the basis for many other rags, including "Sensation" by Joseph Lamb.

It is more carefully constructed than almost all the previous rags, and the syncopations, especially in the transition between the first and second strain, were novel at the time.

Generally, the "Maple Leaf Rag" is considered difficult to play; [12] a pianist must have very good coordination in the left hand to perform it successfully, particularly for the trio, which involves leaps of two octaves. When it was published, it was considered significantly more difficult than the average Tin Pan Alley and early ragtime sheet music common at the time.

"Gladiolus Rag," a later composition by Joplin, is a developed variant of the "Maple Leaf Rag" showcasing Joplin's increasing musical sophistication, and is usually played at a somewhat slower tempo. In addition, the first strains of Joplin's "The Cascades," "The Sycamore," "Leola," and "Sugar Cane" are modeled on the structure Joplin created for the first strain of "Maple Leaf Rag."

The composition starts in the key of A-flat major and changes to D-flat major during the first part of the trio, then modulates back to A-flat major.

Lyrics

In 1903, Stark issued a "Maple Leaf Rag Song", an arrangement of Joplin's music with words by Sydney Brown. [11] Brown's lyrics tell the story of a poor man from Accomack County, Virginia, who stumbles into a ballroom where, in spite of his anxiety over the state of his appearance, he manages to wow the crowd with the Maple Leaf Rag. While the men are jealous of his dancing abilities and draw their razors, the women love him, and the "finest belle" sends for a carriage and the two of them ride away. [13]

Modern ragtime composer Ron O'Dell has commented that the song has characteristics in common with rap, such as the lyrical themes, the lyrics being written in the African American Vernacular English of the time, and the fact that the lyrics are sung over the least melodic strain of the music. [14]

Popularity and legacy

See also

Related Research Articles

<span class="mw-page-title-main">Ragtime</span> Music genre

Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.

<span class="mw-page-title-main">Scott Joplin</span> American composer, music teacher, and pianist (1868–1917)

Scott Joplin was an American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons.

<span class="mw-page-title-main">Joseph Lamb (composer)</span> American composer of ragtime music

Joseph Francis Lamb was an American composer of ragtime music. Lamb, of Irish descent, was the only non-African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. The ragtime of Joseph Lamb ranges from standard popular fare to complex and highly engaging. His use of long phrases was influenced by classical works he had learned from his sister and others while growing up, but his sense of structure was potentially derived from his study of Joplin's piano rags. By the time he added some polish to his later works in the 1950s, Lamb had mastered the classic rag genre in a way that almost no other composer was able to approach at that time, and continued to play it passably as well, as evidenced by at least two separate recordings done in his home, as well as a few recorded interviews.

<span class="mw-page-title-main">James Scott (composer)</span> Musical artist

James Sylvester Scott was an American ragtime composer and pianist. He is regarded as one of the "Big Three" composers of classical ragtime along with Scott Joplin and Joseph Lamb.

<span class="mw-page-title-main">John Stillwell Stark</span> American music publisher

John Stillwell Stark was an American publisher of ragtime music, best known for publishing and promoting the music of Scott Joplin.

<span class="mw-page-title-main">Arthur Marshall (composer)</span> Musical artist

Arthur Owen Marshall was an American composer and performer of ragtime music from Missouri. He was a protege of famed ragtime composer Scott Joplin.

Etilmon Justus Stark was an American ragtime composer and arranger, the eldest son of ragtime publisher John Stark. His best-known works include the pieces "Trombone Johnsen" (1902), "Billiken Rag" (1913), and "Gum Shoe" (1917), and the arrangements for the collection "Fifteen Standard High Class Rags" (1912), popularly known as "The Red Back Book".

<span class="mw-page-title-main">The Entertainer (rag)</span> Piano rag by Scott Joplin

"The Entertainer" is a 1902 classic piano rag written by Scott Joplin.

Richard “Dick” Zimmerman is a ragtime performer, historian, author and producer. He is regarded as being one of the key figures responsible for the worldwide revival of ragtime. Zimmerman is the first pianist to have recorded the complete works of Scott Joplin and in 1987 was awarded the first place prize “Champion Ragtime Performer of the World”. Zimmerman was technical advisor for the film Scott Joplin. He is a founder of the "Maple Leaf Club", and is the editor of its publication, "The Rag Times". Zimmerman is also a professional magician. He has contributed many signature illusions to the field of magic and has acted as consultant for such magicians as David Copperfield.

<span class="mw-page-title-main">Swipesy Cakewalk</span>

The "Swipesy Cakewalk" is a ragtime composition published in 1900 by a musical duo consisting of Scott Joplin, who likely composed the trio, and the young composer Arthur Marshall, who most probably composed the rest of the piece with oversight from Joplin. "Swipesy" uses the simple syncopations of a cakewalk - the first beat being a sixteenth, eighth, sixteenth note division, and the second beat an even eighth note division. The style follows the AA BB A CC DD musical form common for both cakewalks and rags, particularly after the earlier publication of Joplin's hit "Maple Leaf Rag". Although called a cakewalk, it departs from the cakewalk form in favor of the more standard ragtime idiom at various points, most notably throughout the C (Trio) section. "Swipesy" was most likely written in the late 1890s when Joplin was living with the Marshall family and teaching Arthur composition.

<span class="mw-page-title-main">Black and White Rag</span> Ragtime instrumental music

The "Black and White Rag" is a 1908 ragtime composition by George Botsford.

<span class="mw-page-title-main">Magnetic Rag</span> Ragtime composition by Scott Joplin

"Magnetic Rag" is a 1914 ragtime piano composition by American composer Scott Joplin. It is significant for being the last rag which Joplin published in his lifetime, three years before his death in 1917. It is also unique in form and in some of the musical techniques employed in the composition.

<span class="mw-page-title-main">Original Rags</span>

"Original Rags" was an early ragtime medley for piano. It was the first of Scott Joplin's rags to appear in print, in early 1899, preceding his "Maple Leaf Rag" by half a year.

<span class="mw-page-title-main">Frog Legs Rag</span> 1906 song by James Scott

"Frog Legs Rag" is a classic rag composed by James Scott and published by John Stillwell Stark in December 1906. It was James Scott's first commercial success. Prior to this composition Scott had published marches. With "Frog Legs Rag", Scott embarked upon a career as a successful and important ragtime songwriter.

<span class="mw-page-title-main">Weeping Willow (rag)</span>

"Weeping Willow" is a 1903 classic piano ragtime composition by Scott Joplin. It was one of Joplin's simpler and less famous ragtime scores, written during a transitional period in his life, and one of the few pieces that Joplin cut as a piano roll in a 1916 session.

<span class="mw-page-title-main">Bethena</span> 1905 waltz by Scott Joplin

"Bethena, A Concert Waltz" is a composition by Scott Joplin. It was the first Joplin work since his wife Freddie's death on September 10, 1904, of pneumonia, ten weeks after their wedding. At the time the composer had significant financial problems; the work did not sell successfully at the time of publication and was soon neglected and forgotten. It was rediscovered as a result of the Joplin revival in the 1970s and has received acclaim from Joplin's biographers and other critics. The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as "an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes", a "masterpiece", and "Joplin's finest waltz".

<span class="mw-page-title-main">The Ragtime Dance</span> 1902 composition by Scott Joplin

"The Ragtime Dance" is a piece of ragtime music by Scott Joplin, first published in 1902.

"The Silver Swan" by Scott Joplin is a ragtime composition for piano. It is the only known Joplin composition to be originally released on piano roll instead of in musical notation.

<i>Scott Joplin: Piano Rags</i> 1970 studio album by Joshua Rifkin

Piano Rags by Scott Joplin is an album by Joshua Rifkin consisting of ragtime compositions by Scott Joplin, released by Nonesuch Records in 1970. The spine of the original album and various compact disc reissues render the title as Scott Joplin: Piano Rags.

References

  1. Jasen & Tichenor 1978, p. 87.
  2. 1 2 Edwards 2008.
  3. Berlin 1994, p. 24 & 25.
  4. Berlin 1994, p. 62.
  5. Berlin 1994, p. 47 & 52.
  6. Berlin 1994, p. 52.
  7. Blesh & Janis 1971, p. 33.
  8. 1 2 3 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–" . Retrieved February 29, 2024.
  9. 1 2 Berlin 1994, p. 56 & 58.
  10. Berlin 1994, p. 59.
  11. 1 2 3 4 Berlin 1994, p. 131 & 132.
  12. Edwards, Robert. "Suggested levels in Scott Joplin's Piano Pieces" (PDF). San Antonio Ragtime Society. Retrieved December 22, 2019.
  13. "Maple Leaf Rag (Song)".
  14. Archived at Ghostarchive and the Wayback Machine : "Rare Scott Joplin song -- Maple Leaf Rag Song". YouTube .
  15. Jasen 1981, p. 319 – 320.
  16. 1 2 Edwards 2010.
  17. 1 2 RedHotJazz.
  18. 1 2 3 Blesh 1981, p. xxiii.
  19. 1 2 Jasen 1981, p. 319–320.
  20. Berlin (1996) pp. 237 & 239.
  21. 1 2 Blesh 1981, p. xxxix.
  22. Berlin 1994, p. 237.
  23. Berlin 1994.
  24. "Scott Joplin Piano Rags Nonesuch Records CD (w/bonus tracks)" . Retrieved March 19, 2009.
  25. "Nonesuch Records" . Retrieved March 19, 2009.
  26. Billboard magazine 1974, p. 61.
  27. LA Times.
  28. Rich 1979.
  29. CBC Radio 2004.
  30. "Piano Exam Pieces 2025 & 2026, ABRSM Grade 8 - ABRSM". shop.abrsm.org. Retrieved June 15, 2024.

Sources