Scott Joplin (film)

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Scott Joplin
Scott Joplin movie.jpg
Directed by Jeremy Kagan
Produced by Stanley Hough
Janet Hubbard
Starring Billy Dee Williams
Cinematography David M. Walsh
Edited by Patrick Kennedy
Music by Scott Joplin
Dick Hyman
Production
companies
Distributed by NBC
Universal Studios
Release date
  • February 11, 1977 (1977-02-11) [1]
Running time
96 min.
CountryUnited States
LanguageEnglish

Scott Joplin is a 1977 biographical film directed by Jeremy Kagan and based on the life of African-American composer and pianist Scott Joplin. It stars Billy Dee Williams and Clifton Davis. Its script won an award from the Writers Guild of America in 1979. [2] The only other composers mentioned as worthy equals in the film are John Philip Sousa and Jelly Roll Morton. Eubie Blake makes an appearance in the movie.

Contents

Plot

In the late 19th century, Scott Joplin, a young African-American musician, moves to Missouri and to make ends meet finds a job as a piano teacher. He befriends Louis Chauvin, who plays the piano in a brothel.

Joplin composes ragtime music. One day his "Maple Leaf Rag" is heard by John Stark, a publisher of sheet music in St. Louis, Missouri. Stark is impressed, buys the rights to the composition and sells it, with Joplin sharing some of the profits. Joplin's new songs also achieve a great popularity.

Chauvin is equally talented, but contracts syphilis and dies in his 20s. Joplin becomes obsessed with composing more serious music, yet is continually thwarted in his attempt to write and publish an opera.

Cast

Production

The film was made as a TV movie that was to air on NBC as Motown Productions' first venture into dramatic television. However, the film was given a theatrical release instead after Universal Pictures executives thought it had box-office potential. [3]

Reception

After the film tested poorly in Phoenix, Arizona, but strongly in Washington, D.C., it was marketed primarily to black audiences. [3]

A review in Variety stated, "Williams is fine, and the film has a lot of verve and intensity, but the story of Joplin's life is so grim it makes the film a real downer. Another problem is that the Motown Production was originally intended for TV, and shows it in the choppy episodic structure and corner-cutting production values." [4]

Gene Siskel of the Chicago Tribune awarded 2 stars out of 4 and called it "a turgid film" consisting of "two Joplin successes and a whole mess of failures. Both successes come in the film's first 30 minutes ... From then on the film is a downer." [5]

Hollie J. West of The Washington Post wrote, "The film was originally intended for television, and may wind up there yet. Lingering close-ups are plentiful, and the dramatic content fleshless and simplistic. As Joplin, Billy Dee Williams is believable. But he is ensnared in a screenplay which presents the greatest ragtime composer on only two levels: driven by a desire to become an accepted composer, and tormented by a crippling case of syphilis." [6]

Related Research Articles

Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated, or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.

<span class="mw-page-title-main">Scott Joplin</span> American composer, music teacher, and pianist (1868–1917)

Scott Joplin was an American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons.

<span class="mw-page-title-main">Eubie Blake</span> American jazz pianist (1887–1983)

James Hubert "Eubie" Blake was an American pianist and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals written and directed by African Americans. Blake's compositions included such hits as "Bandana Days", "Charleston Rag", "Love Will Find a Way", "Memories of You" and "I'm Just Wild About Harry". The 1978 Broadway musical Eubie! showcased his works; in 1981, President Ronald Reagan awarded Blake the Presidential Medal of Freedom.

<span class="mw-page-title-main">James Scott (composer)</span> Musical artist

James Sylvester Scott was an American ragtime composer and pianist. He is regarded as one of the "Big Three" composers of classical ragtime along with Scott Joplin and Joseph Lamb.

<i>Lady Sings the Blues</i> (film) 1972 film by Sidney J. Furie

Lady Sings the Blues is a 1972 American biographical drama film directed by Sidney J. Furie about jazz singer Billie Holiday, loosely based on her 1956 autobiography which, in turn, took its title from Holiday's song. It was produced by Motown Productions for Paramount Pictures. Diana Ross, in her feature film debut, portrayed Holiday, alongside a cast including Billy Dee Williams, Richard Pryor, James T. Callahan, and Scatman Crothers. The film was nominated for five Academy Awards in 1973, including Best Actress in a Leading Role for Diana Ross.

<span class="mw-page-title-main">Maple Leaf Rag</span> Ragtime composition for piano by Scott Joplin

The "Maple Leaf Rag" is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. Its success led to Joplin being dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.

<span class="mw-page-title-main">Noble Sissle</span> African-American jazz musician (1889–1975)

Noble Lee Sissle was an American jazz composer, lyricist, bandleader, singer, and playwright, best known for the Broadway musical Shuffle Along (1921), and its hit song "I'm Just Wild About Harry".

<span class="mw-page-title-main">John Stillwell Stark</span> American music publisher

John Stillwell Stark was an American publisher of ragtime music, best known for publishing and promoting the music of Scott Joplin.

<span class="mw-page-title-main">Arthur Marshall (composer)</span> Musical artist

Arthur Owen Marshall was an American composer and performer of ragtime music from Missouri. He was a protege of famed ragtime composer Scott Joplin.

<span class="mw-page-title-main">Tom Turpin</span>

Thomas Million John Turpin was an African American composer of ragtime music.

<span class="mw-page-title-main">Louis Chauvin</span> American pianist and composer (1881-1908)

Louis Chauvin was an American ragtime pianist and composer.

<span class="mw-page-title-main">The Entertainer (rag)</span> Piano rag by Scott Joplin

"The Entertainer" is a 1902 classic piano rag written by Scott Joplin.

Richard “Dick” Zimmerman is a ragtime performer, historian, author and producer. He is regarded as being one of the key figures responsible for the worldwide revival of ragtime. Zimmerman is the first pianist to have recorded the complete works of Scott Joplin and in 1987 was awarded the first place prize “Champion Ragtime Performer of the World”. Zimmerman was technical advisor for the film Scott Joplin. He is a founder of the "Maple Leaf Club", and is the editor of its publication, "The Rag Times". Zimmerman is also a professional magician. He has contributed many signature illusions to the field of magic and has acted as consultant for such magicians as David Copperfield.

<span class="mw-page-title-main">Magnetic Rag</span> Ragtime composition by Scott Joplin

"Magnetic Rag" is a 1914 ragtime piano composition by American composer Scott Joplin. It is significant for being the last rag which Joplin published in his lifetime, three years before his death in 1917. It is also unique in form and in some of the musical techniques employed in the composition.

<span class="mw-page-title-main">Weeping Willow (rag)</span>

"Weeping Willow" is a 1903 classic piano ragtime composition by Scott Joplin. It was one of Joplin's simpler and less famous ragtime scores, written during a transitional period in his life, and one of the few pieces that Joplin cut as a piano roll in a 1916 session.

<span class="mw-page-title-main">Bethena</span> 1905 waltz by Scott Joplin

"Bethena, A Concert Waltz" is a composition by Scott Joplin. It was the first Joplin work since his wife Freddie's death on September 10, 1904, of pneumonia, ten weeks after their wedding. At the time the composer had significant financial problems; the work did not sell successfully at the time of publication and was soon neglected and forgotten. It was rediscovered as a result of the Joplin revival in the 1970s and has received acclaim from Joplin's biographers and other critics. The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as "an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes", a "masterpiece", and "Joplin's finest waltz".

References

  1. "Scott Joplin - Details". AFI Catalog of Feature Films . American Film Institute . Retrieved May 13, 2019.
  2. Pearce, Carol A. (April 13, 1979). "Writers Guild Presents Awards". Back Stage . p. 15.
  3. 1 2 "Scott Joplin - History". AFI Catalog of Feature Films . American Film Institute . Retrieved May 13, 2019.
  4. "Film Reviews: Scott Joplin". Variety . February 9, 1977. 22.
  5. Siskel, Gene (September 27, 1977). "Films reflect fall attitude: Don't compete with the tube". Chicago Tribune . Section 2, p. 6.
  6. West, Hollie J. (February 18, 1977). "'Scott Joplin': A Ragtime Melodrama". The Washington Post . B1.