Scott Joplin | |
---|---|
Directed by | Jeremy Kagan |
Produced by | Stanley Hough Janet Hubbard |
Starring | Billy Dee Williams |
Cinematography | David M. Walsh |
Edited by | Patrick Kennedy |
Music by | Scott Joplin Dick Hyman |
Production companies | |
Distributed by | NBC Universal Studios |
Release date |
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Running time | 96 min. |
Country | United States |
Language | English |
Scott Joplin is a 1977 biographical film directed by Jeremy Kagan and based on the life of African-American composer and pianist Scott Joplin. It stars Billy Dee Williams and Clifton Davis. Its script won an award from the Writers Guild of America in 1979. [2] Eubie Blake makes an appearance in the movie.
In the late 19th century, Scott Joplin, a young African-American musician, moves to Missouri and to make ends meet finds a job as a piano teacher. He befriends Louis Chauvin, who plays the piano in a brothel.
Joplin composes ragtime music. One day his "Maple Leaf Rag" is heard by John Stark, a publisher of sheet music in Sedalia, Missouri and later St. Louis, Missouri. Stark is impressed, buys the rights to the composition and sells it, with Joplin sharing some of the profits. Joplin's new songs also achieve a great popularity.
Chauvin is equally talented, but contracts syphilis and dies in his 20s. Joplin becomes obsessed with composing more serious music, yet is continually thwarted in his attempt to write and publish an opera.
The film was made as a TV movie that was to air on NBC as Motown Productions' first venture into dramatic television. However, the film was given a theatrical release instead after Universal Pictures executives thought it had box-office potential. [3]
After the film tested poorly in Phoenix, Arizona, but strongly in Washington, D.C., it was marketed primarily to black audiences. [3]
A review in Variety stated, "Williams is fine, and the film has a lot of verve and intensity, but the story of Joplin's life is so grim it makes the film a real downer. Another problem is that the Motown Production was originally intended for TV, and shows it in the choppy episodic structure and corner-cutting production values." [4]
Gene Siskel of the Chicago Tribune awarded 2 stars out of 4 and called it "a turgid film" consisting of "two Joplin successes and a whole mess of failures. Both successes come in the film's first 30 minutes ... From then on the film is a downer." [5]
Hollie J. West of The Washington Post wrote, "The film was originally intended for television, and may wind up there yet. Lingering close-ups are plentiful, and the dramatic content fleshless and simplistic. As Joplin, Billy Dee Williams is believable. But he is ensnared in a screenplay which presents the greatest ragtime composer on only two levels: driven by a desire to become an accepted composer, and tormented by a crippling case of syphilis." [6]
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott, and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
Scott Joplin was an American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons.
James Hubert "Eubie" Blake was an American pianist and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals written and directed by African Americans. Blake's compositions included such hits as "Bandana Days", "Charleston Rag", "Love Will Find a Way", "Memories of You" and "I'm Just Wild About Harry". The 1978 Broadway musical Eubie! showcased his works, and in 1981, President Ronald Reagan awarded Blake the Presidential Medal of Freedom.
James Sylvester Scott was an American ragtime composer and pianist. He is regarded as one of the "Big Three" composers of classical ragtime along with Scott Joplin and Joseph Lamb.
Artie Matthews was an American songwriter, pianist, and ragtime composer.
Lady Sings the Blues is a 1972 American biographical musical drama film directed by Sidney J. Furie about jazz singer Billie Holiday, loosely based on her 1956 autobiography that, in turn, took its title from Holiday's song. It is produced by Motown Productions for Paramount Pictures. Diana Ross, in her feature film debut, portrays Holiday, alongside a cast that includes Billy Dee Williams, Richard Pryor, James T. Callahan and Scatman Crothers. The film was nominated for five Academy Awards in 1973, including Best Actress for Diana Ross.
The "Maple Leaf Rag" is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. Its success led to Joplin being dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.
Noble Lee Sissle was an American jazz composer, lyricist, bandleader, singer, and playwright, best known for the Broadway musical Shuffle Along (1921), and its hit song "I'm Just Wild About Harry".
John Stillwell Stark was an American publisher of ragtime music, best known for publishing and promoting the music of Scott Joplin.
Arthur Owen Marshall was an American composer and performer of ragtime music from Missouri. He was a protege of famed ragtime composer Scott Joplin.
Thomas Million John Turpin was an American composer of ragtime music. Turpin is credited with the first published rag by an African American, his "Harlem Rag" of 1897.
Louis Chauvin was an American ragtime pianist and composer.
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin.
Richard “Dick” Zimmerman is a ragtime performer, historian, author and producer. He is regarded as being one of the key figures responsible for the worldwide revival of ragtime. Zimmerman is the first pianist to have recorded the complete works of Scott Joplin and in 1987 was awarded the first place prize “Champion Ragtime Performer of the World”. Zimmerman was technical advisor for the film Scott Joplin. He is a founder of the "Maple Leaf Club", and is the editor of its publication, "The Rag Times". Zimmerman is also a professional magician. He has contributed many signature illusions to the field of magic and has acted as consultant for such magicians as David Copperfield.
"Magnetic Rag" is a 1914 ragtime piano composition by American composer Scott Joplin. It is significant for being the last rag which Joplin published in his lifetime, three years before his death in 1917. It is also unique in form and in some of the musical techniques employed in the composition.
"Root Beer Rag" is a composition from Billy Joel's 1974 album Streetlife Serenade. An instrumental track in a very fast ragtime style, it was later released as the B-side of several singles from Joel's 52nd Street album, including "Big Shot" in the US, "Until the Night" in the UK, and "Honesty" in Japan and some European countries. A live version was included with the DVD that was part of the 30th anniversary re-release of The Stranger.
"Weeping Willow" is a 1903 classic piano ragtime composition by Scott Joplin. It was one of Joplin's simpler and less famous ragtime scores, written during a transitional period in his life, and one of the few pieces that Joplin cut as a piano roll in a 1916 session.
"Bethena, A Concert Waltz" is a composition by Scott Joplin. It was the first Joplin work since his wife Freddie's death on September 10, 1904, of pneumonia, ten weeks after their wedding. At the time the composer had significant financial problems; the work did not sell successfully at the time of publication and was soon neglected and forgotten. It was rediscovered as a result of the Joplin revival in the 1970s and has received acclaim from Joplin's biographers and other critics. The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as "an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes", a "masterpiece", and "Joplin's finest waltz".