Scott Joplin: Piano Rags | |
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Studio album by | |
Released | November 1970 |
Genre | Ragtime |
Length | 32:40 |
Label | Nonesuch Records |
Piano Rags by Scott Joplin is an album by Joshua Rifkin consisting of ragtime compositions by Scott Joplin, released by Nonesuch Records in 1970. The spine of the original album and various compact disc reissues render the title as Scott Joplin: Piano Rags. [1]
The album is considered to have been the first to reintroduce Joplin's music in the early 1970s and thus contributing to the 1970s revival of Ragtime. It received critical recognition upon its release, and, after several of Joplin's compositions were featured in the 1973 film The Sting , achieved commercial success, becoming Nonesuch Records' first million-selling album.
In the liner notes he wrote for the album, Rifkin provides a brief history of ragtime music, a biographical sketch of Joplin, and a musical analysis of the included compositions. He concludes by saying: "The awakening of interest in black culture and history during the last decade has not yet resurrected Joplin and his contemporaries, who remain barely known beyond a growing coterie of ragtime devotees. Yet it offers a perfect opportunity to discover the beauties of his music and accord him the honor that he deserves."
The album was released in November 1970. It sold 100,000 copies the first year, and went on to become Nonesuch's first million-selling album. [2] [3] For the first time, record stores found themselves putting ragtime in the classical music section. The Billboard "Best-Selling Classical LPs" chart for 28 September 1974 has this album at #5, Rifkin's follow-up album, Volume II, at #4, and a combined set of both volumes at #3; in total, the two volumes had been on the chart for 64 weeks. [4] At the 14th Annual Grammy Awards, Piano Rags was nominated for Best Album Notes and Best Instrumental Soloist Performance (without orchestra). [5]
In January 1971, Harold C. Schonberg of The New York Times , having just heard the album, wrote a featured Sunday edition article entitled "Scholars, Get Busy on Scott Joplin!" [6] Schonberg's call to action has been described as the catalyst for classical music scholars, the sort of people Joplin had battled all his life, to conclude that Joplin was a genius. [7] In 1979, Alan Rich wrote in New York magazine that, by giving artists like Rifkin the opportunity to put Joplin's music on record, Nonesuch "created, almost alone, the Scott Joplin revival." [8]
Chart (1973) | Peak position |
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Australia (Kent Music Report) [10] | 58 |
Nonesuch reissued the album on CD in 1987. This release features nine additional tracks, which were taken from Rifkin's two subsequent albums of music composed by Joplin. [11]
Rifkin recorded two more albums of music composed by Joplin, Piano Rags by Scott Joplin, Volume II (1972) and Piano Rags by Scott Joplin, Volume III (1974), both of which were also released by Nonesuch. [12]
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
Scott Joplin was an American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons.
Joseph Francis Lamb was an American composer of ragtime music. Lamb, of Irish descent, was the only non-African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. The ragtime of Joseph Lamb ranges from standard popular fare to complex and highly engaging. His use of long phrases was influenced by classical works he had learned from his sister and others while growing up, but his sense of structure was potentially derived from his study of Joplin's piano rags. By the time he added some polish to his later works in the 1950s, Lamb had mastered the classic rag genre in a way that almost no other composer was able to approach at that time, and continued to play it passably as well, as evidenced by at least two separate recordings done in his home, as well as a few recorded interviews.
William Elden Bolcom is an American composer and pianist. He has received the Pulitzer Prize, the National Medal of Arts, a Grammy Award, the Detroit Music Award and was named 2007 Composer of the Year by Musical America. He taught composition at the University of Michigan from 1973 until 2008. He is married to mezzo-soprano Joan Morris.
The "Maple Leaf Rag" is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. Its success led to Joplin being dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.
Nonesuch Records is an American record company and label owned by Warner Music Group, distributed by Warner Records, and based in New York City. Founded by Jac Holzman in 1964 as a budget classical label, Nonesuch has developed into a label that records critically acclaimed music from a wide range of genres. Robert Hurwitz was president of the company from 1984 to 2017.
Kicking Mule Records was an American independent record label, founded in Berkeley, California in 1971 by guitarist Stefan Grossman and Eugene "ED" Denson, formerly co-owner of Takoma Records. The company's name comes from the country blues sexual two-timing allegory "there's another mule kicking in your stall".
Classic rag is the style of ragtime composition pioneered by Scott Joplin and the Missouri school of ragtime composers. These compositions were first considered "classic" by Joplin's publisher, John Stark, as a way to distinguish them from what he considered the "common" rags of other publishers. Today, any composition fitting this particular ragtime structural form is considered classic rag.
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin.
Joshua Rifkin is an American conductor, pianist, and musicologist. He is currently a professor of music at Boston University. As a performer he has recorded music by composers from Antoine Busnois to Silvestre Revueltas; as a scholar has published research on composers from the Renaissance to the 20th century.
The Baroque Beatles Book is a record album by the American keyboardist and conductor Joshua Rifkin. Released by Elektra/Nonesuch in 1965, it takes musical themes of The Beatles and reworks them into Baroque style. The artwork on the cover, signed by illustrator Roger Hane, depicts classical composers reviewing the music to "I Want to Hold Your Hand," one of whom sports a Beatles t-shirt.
The Even Dozen Jug Band was founded in 1963 by Stefan Grossman and Peter Siegel in New York City, New York. Other members were David Grisman, Steve Katz, Maria Muldaur, Joshua Rifkin, and John Sebastian.
"Magnetic Rag" is a 1914 ragtime piano composition by American composer Scott Joplin. It is significant for being the last rag which Joplin published in his lifetime, three years before his death in 1917. It is also unique in form and in some of the musical techniques employed in the composition.
"Root Beer Rag" is a composition from Billy Joel's 1974 album Streetlife Serenade. An instrumental track in a very fast ragtime style, it was later released as the B-side of several singles from Joel's 52nd Street album, including "Big Shot" in the US, "Until the Night" in the UK, and "Honesty" in Japan and some European countries. A live version was included with the DVD that was part of the 30th anniversary re-release of The Stranger.
"Bethena, A Concert Waltz" is a composition by Scott Joplin. It was the first Joplin work since his wife Freddie's death on September 10, 1904, of pneumonia, ten weeks after their wedding. At the time the composer had significant financial problems; the work did not sell successfully at the time of publication and was soon neglected and forgotten. It was rediscovered as a result of the Joplin revival in the 1970s and has received acclaim from Joplin's biographers and other critics. The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as "an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes", a "masterpiece", and "Joplin's finest waltz".
"The Ragtime Dance" is a piece of ragtime music by Scott Joplin, first published in 1902.
"The Silver Swan" by Scott Joplin is a ragtime composition for piano. It is the only known Joplin composition to be originally released on piano roll instead of in musical notation.
The Even Dozen Jug Band is the debut and only studio album by the American jug band Even Dozen Jug Band, released in December 1963.
The New England Ragtime Ensemble was a Boston chamber orchestra dedicated to the music of Scott Joplin and other ragtime composers.