Adaptations
The story/novel has been adapted several times for the operatic stage. Stephen Oliver's adaptation was premiered in 1988 at the Battignano Festival. 1989 saw a one-act opera by the Hungarian composer János Vajda to a libretto by Gábor Bókkon. A recording was issued in 1990 on the Hungaroton label. . A three-hour-long opera adaptation by composer Harry Somers with lyrics by Rod Anderson premiered 19 May 1992 at the Elgin Theatre, Toronto. Mario and the Magician was adapted into an English opera by librettist J. D. McClatchy and composer Francis Thorne. It was first performed in 2005 by the Center for Contemporary Opera in the auditorium of Hunter College. A recording of this production was released on compact disc by Albany Records in 2006. The original cast included Justin Vickers as Mario, Larry Small, Jessica Grigg, Wendy Brown, Beata Safari, Sankofa Sarah Wade, Jim Gaylord, Eric Jordan, Isai Jess Muñoz, Leandra Ramm, Richard Cassell, Jason Cammorata and Nathan Resika. There is also a 1994 film with Klaus Maria Brandauer as Cipolla and Julian Sands as the patriarch, directed by Brandauer. Briscula the Magician is an operatic adaptation by Bob Misbin with music by Frances Pollock. It was performed in Silver Spring Maryland in March 2020 by Bel Cantanti Opera. In this adaptation the magician prevails. This change reflects the history of the ascendance of fascism in Europe not yet evident when Mann published his story in 1929. As noted by Dr. Mark Dreisonstok in Maryland Theatre Guide, March 7 2020, this opera is an "accessible entry point" into the work of Thomas Mann.
Klaus Maria Brandauer is an Austrian actor and director. He is also a professor at the Max Reinhardt Seminar.
Paul Thomas Mann was a German novelist, short story writer, social critic, philanthropist, essayist, and the 1929 Nobel Prize in Literature laureate. His highly symbolic and ironic epic novels and novellas are noted for their insight into the psychology of the artist and the intellectual. His analysis and critique of the European and German soul used modernized versions of German and Biblical stories, as well as the ideas of Johann Wolfgang von Goethe, Friedrich Nietzsche, and Arthur Schopenhauer.
The Threepenny Opera is a "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, contribution Hauptmann might have made to the text, Brecht is usually listed as sole author.
A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.
Les Liaisons dangereuses is a French epistolary novel by Pierre Choderlos de Laclos, first published in four volumes by Durand Neveu from March 23, 1782.
The Seagull is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. The Seagull is generally considered to be the first of his four major plays. It dramatises the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Treplev.
Song of Norway is an operetta written in 1944 by Robert Wright and George Forrest, adapted from the music of Edvard Grieg and the book by Milton Lazarus and Homer Curran. A very loose film adaptation with major changes to both the book and music was released in 1970.
Woyzeck is a stage play written by Georg Büchner. Büchner wrote the play between July and October 1836, yet left it incomplete at his death in February 1837. The play first appeared in 1877 in a heavily edited version by Karl Emil Franzos, and was first performed at the Residence Theatre in Munich on 8 November 1913.
Doctor Faustus is a German novel written by Thomas Mann, begun in 1943 and published in 1947 as Doktor Faustus: Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde.
Der Graf von Luxemburg is an operetta in three acts by Franz Lehár to a German libretto by Alfred Willner, Robert Bodanzky, and Leo Stein. A Viennese take on bohemian life in Paris at the beginning of the 20th century, the story revolves around an impoverished aristocrat and a glamorous opera singer who have entered into a sham marriage without ever seeing each other and later fall in love at first sight, unaware that they are already husband and wife.
Das Dreimäderlhaus, adapted into English-language versions as Blossom Time and Lilac Time, is a Viennese pastiche operetta with music by Franz Schubert, rearranged by Heinrich Berté (1857–1924), and a libretto by Alfred Maria Willner and Heinz Reichert. The work gives a fictionalized account of Schubert's romantic life, and the story was adapted from the 1912 novel Schwammerl by Rudolf Hans Bartsch (1873–1952). Originally the score was mostly Berté, with just one piece of Schubert's, but the producers required Berté to discard his score and create a pasticcio of Schubert music.
Moby-Dick is an 1851 novel by Herman Melville that describes the voyage of the whaleship Pequod, led by Captain Ahab, who leads his crew on a hunt for the whale Moby Dick. There have been a number of adaptations of Moby-Dick in various media.
Chatterton is a dramma lirico or opera in three acts by Ruggero Leoncavallo. The libretto was written by the composer himself and is freely adapted from the life of the young English poet from Bristol, Thomas Chatterton (1752–1770). Although composed in 1876, it premiered 20 years later on 10 March 1896, at the Teatro Drammatico Nazionale in Rome.
Salvatore Di Vittorio is an Italian composer and conductor. He is music director and Conductor of the Chamber Orchestra of New York. He has been recognized by Luigi Verdi as a "lyrical musical spirit, respectful of the ancient Italian tradition… an emerging leading interpreter of the music of Ottorino Respighi".
Mala Pasqua! is an opera in three acts composed by Stanislao Gastaldon to a libretto by Giovanni Domenico Bartocci-Fontana. The libretto is based on Giovanni Verga's play, Cavalleria rusticana which Verga had adapted from his short story of the same name. Mala Pasqua! premiered on 9 April 1890 at the Teatro Costanzi in Rome, six weeks before Pietro Mascagni's opera Cavalleria rusticana which was also based on Verga's play. Bartocci-Fontana's libretto adds some elements that were not in Verga's original and expands on others. The name of the Santuzza character was also changed to Carmela, but the basic plot and setting remain the same. Its title refers to the curse which Carmela places on Turiddu, the lover who had spurned her: "Mala Pasqua a te!". Following its Rome premiere, Mala Pasqua! had a few more performances in Perugia and Lisbon, but it was completely eclipsed by the phenomenal success of Mascagni's opera. After the 1891 Lisbon run it was not heard again until 2010 when it was given a semi-staged performance in Agrigento, Sicily.
János Vajda is a Hungarian composer.
Mario and the Magician is a 1994 German-language drama film directed by Klaus Maria Brandauer, based on the 1929 novella of the same name by Thomas Mann. It was entered into the 19th Moscow International Film Festival where Lajos Koltai won the Special Silver St. George for the Director of Photography.
The Italian Straw Hat is a five-act comedy by Eugène Labiche and Marc-Michel. It premiered at the Théâtre du Palais-Royal in Paris on 14 August 1851. It has been adapted for the cinema in French, English, German, Czech and Russian, and as a musical play in English and Italian versions. The piece remains regularly staged in France, where it entered the repertoire of the Comédie-Française in Paris and of theatres in other French cities.
Il Postino is an opera in three acts by Daniel Catán with a Spanish libretto by the composer. Based on the novel Ardiente paciencia by Antonio Skármeta and the film Il Postino by Michael Radford, the work contains elements of drama and comedy, integrating themes of love and friendship along with political and spiritual conflict. The opera premiered at the Dorothy Chandler Pavilion by Los Angeles Opera on 23 September 2010.
