Marjorie Rosen

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Marjorie Rosen is an American author, journalist, screenwriter, and professor best known for her 1973 book Popcorn Venus: Women, Movies and the American Dream . [1] Rosen currently teaches Journalism at Lehman College in New York. [1]

Contents

Career

Holding both a Bachelor's and Master's degree from the University of Michigan and New York University respectively, Rosen has worked for a multitude of companies as a journalist including The Los Angeles Times, Glamour, and Film Comment as well as many others. [1]

Rosen has written four books throughout her career, the first being her most well-known feminist film work Popcorn Venus (1971), followed by a mystery novel titled What Nigel Knew (1981) which was written under the alias Evan Field. [2] Rosen's next book is Mia & Woody: Love and Betrayal (1994), which was written about Mia Farrow and Woody Allen's relationship, with the help of Mia Farrow's past nanny, Kristi Groteké. [1] Marjorie Rosen's most recent book is Boom Town: How Wal-Mart Transformed an All-American Town into an International Community (2009), which examines Walmart's influence on a small town in Arkansas. [2]

Rosen has also worked as a screenwriter on projects such as The Alfred G. Graebner Handbook of Rules and Regulations with CBC, and First the Egg with ABC. [2] Additionally, she worked as a screenwriter on an Emmy award-winning special for ABC, Read Between the Lines: Starring the Harlem Globetrotters [2] .

For her screenwriting, Rosen has earned two fellowships throughout her career. [2]

Now, Rosen is a professor of Journalism at Lehman College.

Role in Feminist Film Theory

Marjorie Rosen's novel Popcorn Venus: Women, Movies & the American Dream is one of the first feminist film theory books. [3] In Rosen's own words, Popcorn Venus is the "first major retrospective on women in films". [4] The book is comprehensive coverage of films from the early to later 20th century, focusing primarily on women's problematic characterization on-screen. [3] Despite some criticism of Rosen's lack of emphasis on diverse women in film, Rosen laid much of the groundwork for feminist film analysis with her book. [3]

Related Research Articles

Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.

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Popcorn Venus: Women, Movies & the American Dream is a book written by Marjorie Rosen, published in 1973. Considered one of the first books written by a woman exploring film from a feminist perspective, Rosen's study covers women's roles in movies from the 1900s into the 1960s and early 1970s in the form of reflection theory. Popcorn Venus explores the changing characterization of women in film throughout the decades, with Rosen emphasizing an unrealistic and stereotypical portrayal depending on the social and political climate of the time. Rosen outlines different archetypes of cinematic female characters in her book, from "Vamp(s)" and "Pin-up(s)" to "Spinsters" and "Fatal Women".

References

  1. 1 2 3 4 "Journalism, Communication and Theatre - Lehman College". www.lehman.edu. Retrieved 2021-12-09.
  2. 1 2 3 4 5 "Marjorie Rosen - Artist". MacDowell. Retrieved 2021-12-10.
  3. 1 2 3 McCabe, Janet (2004). "Book Review: Old Wives' Tales: Feminist Re-Visions of Film and other Fictions". Feminist Review. 74 (1): 116–119. doi:10.1057/palgrave.fr.9400106. ISSN   0141-7789. S2CID   144362924.
  4. Marjorie, Rosen (1975). Popcorn Venus. Avon. ISBN   0-380-00177-2. OCLC   1281852037.