Ehe im Schatten | |
---|---|
Directed by | Kurt Maetzig |
Written by | Hans Scweikart Kurt Maetzig |
Produced by | Georg Kiaup |
Starring | |
Cinematography | Friedl Behn-Grund Eugen Klagemann |
Edited by | Alice Ludwig |
Music by | Wolfgang Zeller |
Production company | |
Distributed by | Sovexport-Film |
Release date |
|
Running time | 104 minutes |
Country | Soviet Occupation Zone |
Language | German |
Marriage in the Shadows (German: Ehe im Schatten) is 1947 German melodrama film directed by Kurt Maetzig and starring Paul Klinger, Ilse Steppat and Alfred Balthoff. It was produced in the Soviet zone in what later became East Germany and was released by DEFA. The film was described as an "attempt to confront the German people about the morals of the past", being the first film to confront the people about the persecution of the Jews and the atrocities conducted during World War II. [1] [2]
Actor Hans Wieland refuses to divorce his actress wife, Elisabeth, who is Jewish, even as extreme pressure is applied on him by the Nazi authorities. He even takes her to a premiere of one of his films where she is unwittingly introduced to a high Nazi Party official. Upon later discovering that the charming woman at the premiere was in fact Jewish, he orders her arrest. Hans Wieland is given an ultimatum by his former friend Herbert Blohm, now a Nazi official at the Reichskulturministerium (culture ministry), to save himself by divorcing his wife. Knowing that his wife will die in a concentration camp, Hans Wieland returns home and they drink poison in coffee whilst reciting the closing scene of Friedrich Schiller's tragic play Die Jungfrau von Orleans together.
The film ends with a dedication to the real-life actor Joachim Gottschalk who committed suicide with his Jewish wife Meta Wolff and their nine-year-old son Michael.
The screenplay was based on the life and suicide of actor Joachim Gottschalk and his family in 1941. [3] [4] However, Kurt Maetzig said of the film, "almost everything in the film is based on what I myself, or my family and friends, have experienced." [2] Indeed, the character of Kurt Bernstein, portrayed by Alfred Balthoff, is strongly based on Maetzig. [2] Maetzig's mother had committed suicide to avoid being caught by the Gestapo. [2] It is Kurt Maetzig's first feature film as director.
The film was shot at the Johannisthal Studios in Berlin and on location around the city. The film's sets were designed by the art directors Otto Erdmann and Kurt Herlth.
Ehe im Schatten was the only film to be released simultaneously in all the sectors of occupied Berlin, on 3 October 1947, becoming the most successful film produced in the first post-war years and is widely considered one of the best German films of this period. [5] The picture sold 12,888,153 tickets. [6]
Maetzig and cinematographer Friedl Behn-Grund received the National Prize of East Germany Second Class for their work. [7] The director was also awarded the first ever Bambi Prize, in 1948. [2]
Joachim Gottschalk was a German stage and film actor during the late 1930s, a romantic lead in the style of Leslie Howard.
Ernst Thälmann is an East German film in two parts about the life of Ernst Thälmann, leader of the Communist Party of Germany during much of the Weimar Republic, directed by Kurt Maetzig and starring Günther Simon in the title role. The first part, Ernst Thälmann - Sohn seiner Klasse, was released in 1954. It was followed by the 1955 sequel. Ernst Thälmann - Führer seiner Klasse.
Kurt Maetzig was a German film director who had a significant effect on the film industry in East Germany. He was one of the most respected filmmakers of the GDR. After his retirement he lived in Wildkuhl, Mecklenburg, and had three children.
Girls in Gingham —sometimes called Beaverskin—is a 1949 German drama film directed by Kurt Maetzig.
Berlin im Aufbau is an East German documentary film directed by Kurt Maetzig, one of East Germany's most respected film-makers, between 1945 and 1946. It was a prominent 22 minute documentary, released in 1946 and produced by the DEFA film company. Maetzig was assisted in the assembly of the film by Marion Keller, who had also scripted and organized several other propaganda films of the late 1940s.
The Blue Swords is a 1949 East German historical drama film directed by Wolfgang Schleif and starring Hans Quest, Ilse Steppat and Alexander Engel. It sold more than 3,299,432 tickets. The film portrays the life of Johann Friedrich Böttger, an alchemist of the early eighteenth century who was held prisoner by the Elector of Saxony in order to discover the secret of gold production. Failing to accomplish this, which he knows to be impossible, he instead works to develop porcelain. The title refers to the symbol of Meissen, a pair of crossed swords. His story had previously been turned into a 1935 film The King's Prisoner, released during the Nazi era.
Familie Benthin is an East German film. It was released in 1950.
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The Sailor's Song is an East German black-and-white film directed by Kurt Maetzig and Günter Reisch. It was released in 1958.
The Rabbit Is Me is an East German dramatic film directed by Kurt Maetzig. Based on the novel by Manfred Bieler, it was filmed in 1965.
September Love is an East German film directed by Kurt Maetzig. It was released in 1961.
The Axe of Wandsbek is a 1951 East German film, directed by Falk Harnack.
Felix Basch (1885–1944) was an American-Austrian actor, screenwriter and film director.
Rose-Girl Resli is a 1954 West German drama film directed by Harald Reinl and starring Christine Kaufmann, Josefin Kipper and Paul Klinger. The film made the child actress Kaufmann into a star. It was the debut film of the actress Karin Dor, who later married the director. It was shot at the Wiesbaden Studios in Hesse and on location in the vicinity. The film's sets were designed by the art director Heinrich Beisenherz.
The Rabanser Case is a 1950 West German crime film directed by Kurt Hoffmann and starring Hans Söhnker, Richard Häussler, and Carola Höhn. The film's sets were designed by the art director Franz Schroedter. It was shot at the Bendestorf Studios outside Hamburg.
The Seven Dresses of Katrin is a 1954 West German romantic comedy film directed by Hans Deppe and starring Sonja Ziemann, Paul Klinger, and Georg Thomalla.