Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
William Dobson was a portraitist and one of the first significant English painters, praised by his contemporary John Aubrey as "the most excellent painter that England has yet bred". He died relatively young and his final years were disrupted by the English Civil War.
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1790. He stayed at the top of his profession until his death, aged 60, in 1830.
Allan Ramsay was a prominent Scottish portrait-painter.
Robert Harris was a Welsh-born Canadian painter, most noted for his portrait of the Fathers of Confederation.
Robert Peake the Elder was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz.
Peter Kuhfeld is an English figurative painter. He was born in Cheltenham and is married to the English figurative painter Cathryn Kuhfeld, née Showan. They have two daughters who have often appeared in their paintings.
Philippe Mercier was an artist of French Huguenot descent from the German realm of Brandenburg-Prussia, usually defined to French school. Active in England for most of his working life, Mercier is considered one of the first practitioners of the Rococo style, and is credited with influencing a new generation of 18th-century English artists.
Roy Petley is a British painter.
John Stanton Ward CBE was an English portrait artist, landscape painter and illustrator. His subjects included British royalty and celebrities.
Peter Edwards,, is a British painter. He won the 1994 BP Portrait Award.
Charles Allen Duval, often spelled duVal or Du Val,, was a well-known Victorian portrait painter, photographer, literary critic, illustrator and writer. He played a large role within the city of Manchester's thriving art scene, including the Manchester Academy of Fine Arts, the Manchester City Art Gallery and the Art Treasures Exhibition, Manchester 1857: a scene which was underpinned by Manchester's industrial entrepreneurs and politicians who all flocked to his studio to have their portraits painted.
Ralph Heimans, is an Australian-British contemporary portrait painter based in London, England. He is considered to be "one of today's leading portrait artists". He is best known for his large-scale Royal portraits of Queen Elizabeth II, Charles, Prince of Wales, and Prince Philip, Duke of Edinburgh, along with portraits of leading contemporary cultural figures. In 2014, Heimans was awarded a Member of the Order of Australia for Services to Portraiture.
Jean Esme Oregon Cooke RA was an English painter of still lifes, landscapes, portraits and figures. She was a lecturer at the Royal Academy and regularly exhibited her works, including the summer Royal Academy exhibitions. She was commissioned to make portraits by Lincoln College and St Hilda's College, Oxford. Her works are in the National Gallery, Tate and the Royal Academy collections. In the early years of her marriage, she signed her works Jean Bratby.
Sir Richard Brinsley Ford was a British art historian, scholar, and collector. He inherited a large collection of art from his family and was himself an avid collector. A drawing that he purchased in 1936 was sold by his estate for $12 million in 2000. Ford was the director of the Burlington Magazine, president of Walpole Society and chaired the National Art Collections Fund. During World War II he was a Troop Sergeant-Major in the Royal Artillery and then served in the military intelligence organisation, MI9.
Hugh Buchanan is a Scottish watercolour painter, renowned for his detailed draughtsmanship and treatment of light and shadows in interiors, and for a sense of depth and space that is reminiscent of the work of Cotman and Piranesi.
Charles Harris is a British painter, art instructor and teacher.
Cherryl Angela Fountain is an English still life, landscape and botanical artist. As the daughter of a gamekeeper and a resident of rural east Kent, much of her work reflects an environment of farming, botanical gardens and country life. Her work has been accepted for exhibition at the Royal Academy Summer Exhibition on 28 occasions, and she has received bursaries and numerous awards in honour of her work.
Piano Nobile is a commercial art gallery in London, England, specialising in twentieth-century British art. It was established by Dr Robert Travers at premises in Richmond in 1985. In 2000, the gallery moved to its current address at 129 Portland Road, London. In 2019, an additional gallery space was acquired at 96 Portland Road. Between 2008 and 2019, the gallery also had an exhibition space at Kings Place in King’s Cross.
Conversation Piece at the Royal Lodge, Windsor is an oil-on-canvas painting by Herbert James Gunn. It is part of the collection of the National Portrait Gallery (NPG) in London. The painting depicts King George VI and Queen Elizabeth and their daughters Princesses Elizabeth and Margaret taking tea in the Royal Lodge in Windsor Great Park. It was commissioned by the NPG in 1950.
