Mary Bradish Titcomb | |
|---|---|
 Self portrait | |
| Born | 1858 Windham, New Hampshire |
| Died | 1927 (aged 68–69) |
| Nationality | American |
| Known for | Painting |
Mary Bradish Titcomb (1858 [1] – 1927) was an American painter, mainly of portraits and landscapes. She is often grouped with the American Impressionists. [2]
A native of Windham, New Hampshire, upon graduation from high school [3] Titcomb studied at the Massachusetts Normal Art School [2] before accepting a position as a drawing teacher in the public schools of Brockton, Massachusetts, where she remained for fourteen years before resigning, in 1889, to study painting at the School of the Museum of Fine Arts, Boston. [3] Her instructors there included Edmund Charles Tarbell, Philip Leslie Hale, and Frank Weston Benson. [4] In the 1890s she went to Paris to study with Jules Joseph Lefebvre and to travel. She then returned to Boston, taking studio space at the Harcourt Studios, where all three of her teachers kept space. In 1895 she became a member of the Copley Society and began exhibiting locally; from 1904 to 1927 she showed work in 29 exhibits at the Pennsylvania Academy of the Fine Arts. She began signing her name as "M. Bradish Titcomb" in 1905 to avoid prejudice against her gender. [3] The same year saw her making a sketching trip to the artists' colony at Old Lyme, Connecticut, a center for the American Impressionists; this trip seems to have cemented her interest in the style. [2]
In 1915, Titcomb's Portrait of Geraldine J. – the mother of actress Jane Russell – was shown at the Corcoran Gallery of Art and purchased by President Woodrow Wilson; another portrait, of Frank P. Sibley, was reproduced in the Boston Globe . During this period her work was shown in a traveling exhibition with that of Cecilia Beaux, Lydia Field Emmet, Jean MacLane, and Lillian Genth, winning plaudits; she was also a member of "The Group", a collective of Boston women painters organized in 1916 by Lucy S. Conant which exhibited at the Worcester Art Museum and the Detroit Institute of Art between 1917 and 1919. [3] She continued keeping a studio in Boston, later at the Fenway Studios [5] and the Grundmann Building, but expanded to spaces in Provincetown and Marblehead as well. She also traveled throughout New England, and once to Nogales, Arizona, to visit her brother, [3] as well as to Mexico and California. [6] She showed work at the Panama-Pacific Exposition of 1915 and the Third, Fifth, and Ninth Biennials at the Corcoran Gallery of Art, and received honorable mention from the Connecticut Academy of Fine Arts in 1917 in Hartford. [3]
Titcomb's painting Summer Girls, of c. 1912–13, was included in the inaugural exhibition of the National Museum of Women in the Arts, American Women Artists 1830–1930, in 1987. [3]
Mary Elizabeth Price, also known as M. Elizabeth Price, was an American Impressionist painter. She was an early member of the Philadelphia Ten, organizing several of the group's exhibitions. She steadily exhibited her works with the Pennsylvania Academy of the Fine Arts, the National Academy of Design, and other organizations over the course of her career. She was one of the several family members who entered the field of art as artists, dealers, or framemakers.
William McGregor Paxton was an American painter and instructor who embraced the Boston School paradigm and was a co-founder of The Guild of Boston Artists. He taught briefly while a student at Cowles Art School, where he met his wife Elizabeth Okie Paxton, and at the Museum of Fine Arts School in Boston. Paxton is known for his portraits, including those of two presidents—Grover Cleveland and Calvin Coolidge—and interior scenes with women, including his wife. His works are in many museums in the United States.
Lilla Cabot Perry was an American artist who worked in the American Impressionist style, rendering portraits and landscapes in the free form manner of her mentor, Claude Monet. Perry was an early advocate of the French Impressionist style and contributed to its reception in the United States. Perry's early work was shaped by her exposure to the Boston School of artists and her travels in Europe and Japan. She was also greatly influenced by Ralph Waldo Emerson's philosophies and her friendship with Camille Pissarro. Although it was not until the age of thirty-six that Perry received formal training, her work with artists of the Impressionist, Realist, Symbolist, and German Social Realist movements greatly affected the style of her oeuvre.
Lois Mailou Jones (1905–1998) was an artist and educator. Her work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection. She is often associated with the Harlem Renaissance.
Joseph Rodefer DeCamp was an American painter and educator.
Frank Weston Benson, frequently referred to as Frank W. Benson, was an American artist from Salem, Massachusetts known for his Realistic portraits, American Impressionist paintings, watercolors and etchings. He began his career painting portraits of distinguished families and murals for the Library of Congress. Some of his best known paintings depict his daughters outdoors at Benson's summer home, Wooster Farm, on the island of North Haven, Maine. He also produced numerous oil, wash and watercolor paintings and etchings of wildfowl and landscapes.
Ellen Day Hale was an American Impressionist painter and printmaker from Boston. She studied art in Paris and during her adult life lived in Paris, London and Boston. She exhibited at the Paris Salon and the Royal Academy of Arts. Hale wrote the book History of Art: A Study of the Lives of Leonardo, Michelangelo, Raphael, Titian, and Albrecht Dürer and mentored the next generation of New England female artists, paving the way for widespread acceptance of female artists.
George Loftus Noyes (1864–1954) was a Canadian born artist who gained fame in the early 20th century as an American Impressionist.
The Boston School was a group of Boston-based painters active in the first three decades of the twentieth century. Often classified as American Impressionists, they had their own regional style, combining the painterliness of Impressionism with a more conservative approach to figure painting and a marked respect for the traditions of Western art history. Their preferred subject matter was genteel: portraits, picturesque landscapes, and young women posing in well-appointed interiors. Major influences included John Singer Sargent, Claude Monet, and Jan Vermeer. Key figures in the Boston School were Edmund C. Tarbell, Frank Weston Benson, and William McGregor Paxton, all of whom trained in Paris at the Académie Julian and later taught at the School of the Museum of Fine Arts. Their influence can still be seen in the work of some contemporary Boston-area artists.
Edmund Charles Tarbell was an American Impressionist painter. A member of the Ten American Painters, his work hangs in the Boston Museum of Fine Arts, Metropolitan Museum of Art, National Gallery of Art, Smithsonian American Art Museum, Corcoran Gallery of Art, DeYoung Museum, National Academy Museum and School, New Britain Museum of American Art, Worcester Art Museum, and numerous other collections. He was a leading member of a group of painters which came to be known as the Boston School.
Sarah Paxton Ball Dodson was an American-born artist who was recognized as one of the leading American women artists in Paris during the 1880s, and whose artwork was exhibited at the World's Columbian Exposition in 1893.
Philip Leslie Hale (1865–1931) was an American Impressionist artist, writer and teacher. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Elizabeth Okie Paxton (1878–1972) was an American painter, married to another artist William McGregor Paxton (1869–1941). The Paxtons were part of the Boston School, a prominent group of artists known for works of beautiful interiors, landscapes, and portraits of their wealthy patrons. Her paintings were widely exhibited and sold well.
Helen Mary Knowlton was an American artist, art instructor and author. She taught in Boston from 1871 until the mid-1910s, when she was in her 70s. Her instructor and later employer, William Morris Hunt, was the subject of a portrait she made and several books; she is considered his principal biographer.
Marion Boyd Allen was an American painter, known for her portraits and landscapes.
Mary Brewster Hazelton was an American portrait painter. She attended the School of the Museum of Fine Arts, Boston, where she was later an instructor. Among her other achievements, Hazelton was the first woman to win an award open to both men and women in the United States when she won the Hallgarten Prize from the National Academy of Design in 1896. Her portrait paintings are in the collections of the Massachusetts State House, Harvard University, Peabody Essex Museum, and Wellesley Historical Society. The professional organizations that Hazelton was affiliated with included the Wellesley Society of Artists, of which she was a founding member, and The Guild of Boston Artists, of which she was a charter member. She lived her adult life with her sisters in the Hazelton family home in Wellesley, Massachusetts.
Theresa Pollak was an American artist and art educator born in Richmond, Virginia. She was a nationally known painter, and she is largely credited with the founding of Virginia Commonwealth University's School of the Arts. She was a teacher at VCU's School of the Arts between 1928 and 1969. Her art has been exhibited in the Whitney Museum of American Art in New York, the Boston Museum of Fine Art, and the Corcoran Gallery in Washington, D.C. She died at the age of 103 on September 18, 2002 and was given a memorial exhibition at Anderson Gallery of Virginia Commonwealth University.
Samuel Burtis Baker, commonly known as Burt Baker, was an American artist and teacher, best known for his portrait paintings.
Laura Coombs Hills (1859–1952) was an American artist and illustrator who specialized in watercolor and pastel still life paintings, especially of flowers, and miniature portrait paintings on ivory. She became the first miniature painter elected to the Society of American Artists, and she was a founder of the American Society of Miniature Painters. She also worked as a designer and illustrated children's books for authors such as Kate Douglas Wiggin and Anna M. Pratt.
Ethel Blanchard Collver was an American Impressionist artist and teacher who was best known for her portraits of children, scenes of daily life, and landscapes.
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