| Maximum | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | December 11, 1996 | |||
| Recorded | 1995–1996 | |||
| Genre | Eurobeat | |||
| Length | 50:27 | |||
| Label | Avex Trax | |||
| Producer | Max Matsuura | |||
| MAX chronology | ||||
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| Singles from Maximum | ||||
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Maximum is MAX's debut studio album released under Avex Trax. The album consists entirely of Japanese language covers of Eurobeat songs. The album sold more than 1.2 million copies becoming the group's most successful release. It spent 4 non-consecutive weeks at #1. [1] It is also the 15th best-selling album of 1997. [2]
| # | Title | Songwriters | Time |
|---|---|---|---|
| 1. | "Love Love Fire" | Yuko Ebine, Groovesurfers, Giancarlo Pasquini | 4:24 |
| 2. | "Extasy" | Alberto Contini, Y. Ebine, Groovesurfers | 3:37 |
| 3. | "Tora Tora Tora" | Andrea Leonardi, Kazumi Suzuki, Tiger Boys | 3:49 |
| 4. | "So Much In Love" | G. Pasquini, K. Suzuki, Tiger Boys | 4:03 |
| 5. | "Broken Heart" | A. Contini, G. Pasquini, K. Suzuki, Groovesurfers | 3:45 |
| 6. | "Because I Need You ~Ai wa Mada Ikiteru Noni~" | A. Contini, Y. Ebine, G. Pasquini, Groovesurfers | 3:45 |
| 7. | "Reality" | A. Contini, Y. Ebine, G. Pasquini, Groovesurfers | 3:26 |
| 8. | "Kiss Me Kiss Me, Baby" | G. Pasquini, K. Suzuki, Hinoky Team | 3:21 |
| 9. | "Summer Time" | G. Pasquini, K. Suzuki, Groovesurfers | 3:57 |
| 10. | "Koisuru Velfarre Dance ~Saturday night~ (Hyper J-Euro Mix)" | Yasushi Akimoto, Alfredo Pignagnoli, Davide Riva | 4:59 |
| 11. | "Seventies" | G. Pasquini, K. Suzuki, Groovesurfers | 3:50 |
| 12. | "Get My Love!" | Y. Ebine, Syrups | 3:43 |
| 13. | "Stranger in the Night" | Y. Ebine, Groovesurfers | 3:48 |
Album - Oricon Sales Chart (Japan)
| Release | Chart | Peak Position | Sales Total | Chart Run |
|---|---|---|---|---|
| December 11, 1996 | Oricon Weekly Albums Chart | 1 [3] | 1,288,260 | 27 weeks [4] |
| December 11, 1996 | Oricon Yearly Albums Chart | 15 [5] | 1,288,260 [6] | |
Loveppears is the second studio album by Japanese recording artist Ayumi Hamasaki. It was released in Japan, Hong Kong and China on November 10, 1999, through Avex Trax and the China Record Corporation, and distributed worldwide on April 10, 2001, by Avex Entertainment Inc. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. Musically, Loveppears is a dance album and lyrically focuses on themes of love, frustration of life, loneliness, and individualism.
Duty is the third studio album by Japanese recording artist Ayumi Hamasaki. It was released on September 27, 2000, by Avex Trax. Duty is Hamasaki's first studio album inside the 2000s decade, and her third consecutive studio album to be fully produced by Japanese musician and businessman Max Matsuura. The album's composing and arrangement was handled by several music collaborators, such as Ken Harada, Kazuhito Kikuchi, Dai Nagao, HΛL, among many others. Hamasaki contributed to the album as the primary and background vocalist, and songwriter to every song. Three different formats were released to promote the album: a standalone CD, a limited edition Playbutton, and a digital download. The cover sleeve has Hamasaki wearing a leopard-print cat suit.
"Carols" is the thirty-fourth single released by Japanese recording artist Ayumi Hamasaki. It was released on September 29, 2004, by Avex Trax. It was released on the same day as her ARENA TOUR 2003~2004 A DVD. "Carols" was used as the Panasonic Digital Camera "LUMIX FX7" CM song. "Carols" is to date Hamasaki's only single to be released on the DVD-Audio and SACD formats. It was the last single to be released from her sixth studio album, My Story (2004).
"Love (Destiny)" (stylized as "LOVE ~Destiny~") is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the second single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Taiwan on April 14, 1999, and through Avex Entertainment Inc. worldwide in September 2008. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Three versions of the recording have been made available—a ballad version arranged by Tsunku, an edited version with vocals by Tsunku, and a dance-influenced version included on Loveppears.
"To Be" is a song by Japanese recording artist Ayumi Hamasaki. It served as the third single from Hamasaki's second studio album Loveppears (1999). The track was released by Avex Trax in Japan and Taiwan on May 12, 1999, and through Avex Entertainment Inc. worldwide in September 2008. It was Hamasaki's final single to be distributed as a Mini-CD, a format that debuted at the start of her career in April 1998. "To Be" was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, it is a J-Pop that was written in third person perspective, much like the content from the parent album.
"Boys & Girls" is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the fourth single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on July 14, 1999, and through Avex USA in North America in early 2001, while being re-distributed in 2003. "Boys & Girls" marks Hamasaki's first single to be made available for purchase as a maxi single with additional remixes. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Musically, the song is a dance recording, a genre that heavily influences Loveppears. The single's lyrical content is written in third-person perspective.
"Kanariya" is a song recorded by Japanese recording artist Ayumi Hamasaki for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on December 8, 1999, and through Avex USA in North America in early 2000. The recording also served as Hamasaki's second limited edition single, with limited physical units of 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Kanariya" were made available for consumption—a radio edit produced by American disc jockey Jonathan Peters, and the album version composed by Yasuhiko Hoshino. Lyrically, the song was written in third person perspective.
"Fly High" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax in Japan on February 9, 2000, and through Avex Entertainment Inc. worldwide in September 2008. The recording served as Hamasaki's third and final limited edition single from her second studio album, Loveppears (1999), limiting physical units to 300,000 copies. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Fly High" were made available for consumption—a radio edit composed by HΛL, and the album version produced by Dai Nagao. Lyrically, the song was written in third person perspective.
Super Monkey's was a Japanese pop-singing and dancing group that spawned the careers of Namie Amuro and some members of the girl group MAX. The group was active between 1991 until 1996.
181920 is debut greatest hits album by Japanese singer Namie Amuro. Avex Trax released it in Japan on January 28, 1998, and it was later available in a variety of formats throughout Asia. The album contains Amuro's single releases from her debut studio album Dance Tracks Vol. 1 (1995) to her third album Concentration 20 (1997), as well as three tracks from her time with Toshiba-EMI. The album also included a new song called "Dreaming I Was Dreaming," which served as the only single from the album.
"You're My Sunshine" is the sixth single by Japanese singer Namie Amuro. It was released on June 5, 1996, by Avex Trax and was produced by Tetsuya Komuro. The song was the image song for the Bristol-Myers Squibb "Sea Breeze '96" commercial in which she appeared. The version used in the initial commercial had a different tempo and tune from the CD package version. The following year, 1997, she was used for the second consecutive year in a "Sea Breeze" commercial, this time using her hit song "How to Be a Girl".
A Best 2 is a two-part greatest hits album by Japanese singer Ayumi Hamasaki. Both albums, titled Black and White, were released on 28 February 2007 on various formats by Avex Trax. Produced by Max Matsuura, they follow Hamasaki's compilation album A Best, which was released in March 2001. "A Best 2" are concept albums, with Black focusing on darker and more serious tones and White on lighter and more upbeat themes. The albums contain 31 songs, including an unreleased track titled "Part of Me" on the Black edition, that were released between the periods of her albums I Am... (2002) and (Miss)understood (2006).
Dolce is the sixth studio album Japanese singer Ami Suzuki. Avex Trax released it in Japan on February 6, 2008, in a variety of formats. Max Matsuura executive produced Dolce, and is the second and final instalment of her "Join" series, which follows her previous album Connetta (2007). The "Join" series features a number of different producers and artists who worked together on various tracks from the album and appear as featured artists. Musically, Dolce is an upbeat dance record with house and j-pop influences.
A Complete: All Singles is a greatest hits album by Japanese singer Ayumi Hamasaki. Avex Trax released it on September 10, 2008 in a variety of formats, and was created to commemorate the singer's tenth anniversary since the release of her 1998 single "Poker Face". The album is divided into three sections, each highlighting a single released by Hamasaki from her debut in 1998 to her most recent single, "Talkin' 2 Myself" in 2007. Additionally, the compilation includes two new songs: the stand-alone single "Mirrorcle World" and a re-recorded version of "Who...".
Supreme Show is the seventh and most recent studio album by Japanese singer Ami Suzuki. Avex Trax distributed it in CD and DVD formats on November 12, 2008. It was released ten months after her previous studio album, Dolce, and was promoted to commemorate the singer's tenth career anniversary. Yasutaka Nakata, who had previously appeared as a featured artist and produced on Dolce, handled the album in its entirety. Crafted to re-invent her sound and image, Supreme Show is an electronic album with additional dance notes, and includes tracks in English and Japanese language.
"Give Me A Shake" is MAX's 6th single released under Avex Trax. Until the release of this single, all of MAX's music was covers of Italian Eurobeat songs, "Give Me A Shake" is their first original Japanese language song. Upon its release the song debuted at #1 on Oricon weekly charts, becoming their first and only top charting single. The song brought the group their first Japan Record Award grand prix nomination and allowed them to make their first appearance on Kōhaku Uta Gassen.
Next Level is the tenth studio album by Japanese recording artist Ayumi Hamasaki. It was released through Avex Trax on March 25, 2009 in five physical formats, and for digital consumption. The album was solely produced by Avex Trax owner Max Matsuura, whereas the album's content was written by Hamasaki herself. Additionally, it marks a return for several composers that helped construct her previous records, including Dai Nagao, CMJK, Kazuhiro Hara, HΛL, amongst others. Stylistically, Next Level is a departure from her previous albums, focusing on electronic music with elements of rock and dance.
Rock 'n' Roll Circus is the eleventh studio album by Japanese recording artist Ayumi Hamasaki. It was released on April 14, 2010, by Avex Trax. It was also released just a little over a year after her 2009 album, Next Level. Rock 'n' Roll Circus marks Hamasaki's eleventh consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Rock 'n' Roll Circus is a rock album with numerous musical elements such as electropop, J-pop, rock, pop ballad, and dance music.
Japonesque is the tenth studio album by Japanese recording artist Kumi Koda. It was released on January 25, 2012 by Rhythm Zone. It was also released just a little under a year after her 2011 album, Dejavu. Japonesque marks Koda's tenth consecutive studio album to be produced by Japanese producer and manager Max Matsuura, amongst many other producers, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to majority of the songs. Recorded in Japanese with minor phrases in English language, Japonesque is a Japanese pop album with numerous musical elements such as dance music, R&B, electronica, and rock music.
Colours is the fifteenth studio album by Japanese recording artist Ayumi Hamasaki. It was released on July 2, 2014, in Japan by Avex Trax, worldwide by Avex Entertainment Inc., and on July 18 in Taiwan by Avex Taiwan. The songs on the album were entirely written by Hamasaki, while production was led by long-time collaborator Max Matsuura; it also included a variety of Western producers such as Armin van Buuren, members from RedOne Productions De Paris and Rush, Darkchild, and Fedde Le Grand, among others. This became Hamasaki's first studio album to have not been fully produced by Matsuura, and her first album to incorporate a large amount of English language. Musically, Colours is an electronic dance music album.
