Development
May December is scored by Marcelo Zarvos,who previously collaborated with Haynes on Dark Waters (2019). [2] Zarvos adapted and reorchestrated the music from Legrand's The Go-Between and alternatively composed melodies in piano. [3] [4] According to Haynes,"the score sits so upfront and ahead of and beyond the ultimate events that unfold in that particular storyline" where the audiences be alert of an incident happening,and then read the details in the frame and the performances acutely,in every single moment. The music reinforces that in a mischievous sense,where this can be a pleasurable inquisition. [5]
Haynes initially thought of the music while reading the script and regularly played the score from that film in both the filming and editing process,attempting the film's need to give the audience that kind of invitation and employ the emotional effect throughout,in scenes that lacked dialogues. While supervising the edit,he shared the cues from the score to Zarvos which he felt excited and used many aspects of the music that he had adapted and added original music to it and re-orchestrated it. This even served as a metaphor for the film. [5]
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