Impossible Remixes is the fourth remix album by Australian singer and songwriter Kylie Minogue. It was released on 8 July 1998 by Mushroom Records. The album was materialized while on her Intimate and Live Tour (1998) and contains remixes from her sixth studio album Impossible Princess (1997). Originally scheduled for a 1999 release, Mushroom released Impossible Remixes in Australia in July 1998 after releasing the UK counterpart Mixes (1998) earlier than its original date.
Mixes is the fifth remix album by Australian recording artist Kylie Minogue. It was released on 3 August 1998, by Deconstruction Records. The album contains remixes of tracks from her sixth studio album, Impossible Princess (1997). The remixes were done by DJs such as Brothers in Rhythm, Junior Vasquez, and Todd Terry. The remixes was influenced by various genres of dance music, such as electronica and dance-pop. The album was originally scheduled for a 1999 release, but Deconstruction pre-poned the release date of Mixes in the United Kingdom to August 1998, since the Australian counterpart, Impossible Remixes (1998), had been released earlier than its original date. With favourable critical reception, Mixes charted in the United Kingdom at number sixty-three on the UK Albums Chart, her highest remix album at the time. The Brothers in Rhythm remix of "Too Far" was released as a promotional single in the UK and North America.
"Number 1" is a song by English electronic music duo Goldfrapp from their third studio album, Supernature (2005). Written and produced by Alison Goldfrapp and Will Gregory, the song features a synthesiser and bass guitar arrangement and was written about the importance and meaningfulness that somebody shares with another, despite that it might not necessarily last.
"Ooh La La" is a song by English electronic music duo Goldfrapp from their third studio album, Supernature (2005). Written and produced by Alison Goldfrapp and Will Gregory, the song consists largely of a synthesiser and guitar arrangement, and has been described as "a dirty, decadent homage to Marc Bolan".
"Wish" is a song by American industrial rock band Nine Inch Nails from their debut EP Broken (1992). It was released in 1992 as a promotional single from the EP. The drumming on the track was performed by Martin Atkins.
"Ride a White Horse" is a song by English electronic music duo Goldfrapp. The song was written by Alison Goldfrapp, Will Gregory and Nick Batt for Goldfrapp's third album Supernature (2005). The song was inspired by the disco era nightclub Studio 54.
"How Come U Don't Call Me Anymore?" is a song by Prince. It is a ballad of romantic longing with some gospel elements. On his original recording of the song, which was released as the non-album B-side to his 1982 single "1999", Prince performs most of the song in his falsetto range, with his own bluesy piano playing providing the only instrumental accompaniment. The song's first album appearance was on his 1993 compilation The Hits/The B-Sides. It was later included on the soundtrack to the 1996 film Girl 6. Prince also performs the song on his 2002 live album One Nite Alone... Live!.
"John the Revelator" / "Lilian" is the second double A-side single released by English electronic music band Depeche Mode, issued on 5 June 2006. Both songs are included on the band's eleventh studio album, Playing the Angel (2005), and served as the fourth single from the album. The single became another UK top-20 hit for the band, reaching number 18. "John the Revelator" was edited down several seconds for the single, while "Lilian" was slightly remixed and the introduction was shortened.
"Fly Me Away" is an electronic song performed by British group Goldfrapp. The song was written and produced by Alison Goldfrapp and Will Gregory for the duo's third album Supernature (2005). The song features a synthesizer and orchestral arrangement and was written about the need to escape from the troubles of daily life.
"A Little Respect" is a song written and recorded by British synth-pop duo Erasure, released in September 1988 by Mute. It was written by Vince Clarke and Andy Bell. The lyrics are a plea to a lover to show compassion and respect. The heavily synthesized instrumentation is accentuated by acoustic guitar and Bell's vocal falsetto in the chorus. It was their tenth single and was taken from their third studio album, The Innocents (1988). Known as one of their signature songs, the single reached number four on the UK Singles Chart and was Erasure's second consecutive top-20 hit on the US Billboard Hot 100, where it made number 14, and reached number two on the US Billboard Dance Club Play chart.
"Relight My Fire" is a disco song written and released by American musician, singer, songwriter, and record producer Dan Hartman as the title track from his 1979 album of the same name. It was also performed by Costa Anadiotis' band Café Society in 1984 and British boy band Take That in 1993, five months before Hartman died.
"She Sells Sanctuary" is a song by British rock band the Cult. It is from their second studio album, Love (1985), and was released as a single on 13 May 1985, peaking at number 15 on the UK Singles Chart in July of the same year. In March 2023, the British Phonographic Industry (BPI) awarded the song a platinum certification for sales and streams of over 600,000. In January 1993, the song was re-released as "Sanctuary MCMXCIII" and experienced chart success once more, matching its original peak on the UK Singles Chart and entering the top 10 in New Zealand.
"I Wouldn't Normally Do This Kind of Thing" is a song by English synth-pop duo Pet Shop Boys from their fifth studio album, Very (1993). The song, both written and produced by the duo, describes a person normally hesitant to unwind and show his feelings, who—because of some event in his life—suddenly becomes willing to loosen up. It was released in the United Kingdom on 29 November 1993 by Parlophone as the album's third single, reaching number 13 on the UK Singles Chart. In the United States, where it was released in January 1994, it reached number two on the Billboard Hot Dance Club Play chart. The song's accompanying music video was directed by Howard Greenhalgh.
English alternative dance band Saint Etienne have released ten studio albums, two soundtrack albums, nine compilation albums, two remix albums, seven mix albums, two video albums, one box set, four extended plays, 38 singles, and five promotional singles.
"Stuck on Repeat" is a song by English singer and songwriter Little Boots from her debut extended play (EP), Arecibo (2008), and later appearing on her debut studio album, Hands (2009). Written by Little Boots, Greg Kurstin and Joe Goddard, and produced by Goddard, the song was released as a promotional single in the United Kingdom in February 2008.
English singer and songwriter Little Boots has released three studio albums, one live album, 10 extended plays, 10 mixtapes, 18 singles, four promotional singles and 16 music videos.
"Vive El Verano" is a song by Mexican singer Paulina Rubio from her fifth studio album, Paulina (2000). It was released first as a promotional single on July 4, 1999, by Universal Spain, and then as the fifth single from the album in Europe by Universal Latino, Polydor, Muxxic and Mercury in June 9, 2001. The singer first recorded the vocals for the track in Madrid —which were later re-recorded for the 'album version' of the song— for a television Spanish show by Antena 3 titled of the same name, where Rubio hosted. The Latin pop song was written by Richard Daniel Roman and Ignacio Ballesteros, and was produced by Francisco Pellicer.
Artificial Horizon is a compilation album of remixed tracks by rock band U2. It was released exclusively to subscribing members of U2.com, replacing Medium, Rare & Remastered. The remix CD is of a similar vein to the band's 1995 release Melon: Remixes for Propaganda, which was also released exclusively to fans. A triple-vinyl edition was released to the general public until 14 May 2010; this version included an MP3 for the Snow Patrol remix of the song "Unknown Caller".
"Love Has No Name" is a song from British-New Zealand electronic dance music group Babble, which was released in 1996 as the sole single from their second and final studio album Ether. The song was written by Alannah Currie (lyrics) and Tom Bailey (music), and was produced by Bailey, Currie and Keith Fernley. It reached number 10 on the US Billboard Hot Dance Music Club Play chart.
