Melanie at Carnegie Hall | ||||
---|---|---|---|---|
Live album by | ||||
Released | April 1973 | |||
Recorded | 2–3 February 1973 | |||
Venue | Carnegie Hall, New York City | |||
Genre | Pop | |||
Label | Neighborhood Records | |||
Producer | Peter Schekeryk | |||
Melanie chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Melanie at Carnegie Hall is a 1973 double album released by Melanie and the second concert record after the release of Leftover Wine in 1970. The album contains material from Melanie's Carnegie Hall concerts of February 2 and 3 in 1973.
It is the only Melanie album to contain her Top 40 hit "Bitter Bad" (which was a single-only release).
In their review of the album, Billboard commented that "the singer's special vocal quality produces an intimate sense of involvement and that is how this LP comes off as a tie between entertainer and listener." [2]
Cashbox noted that the album was "a specially priced and attractively designed two record set...it presents Melanie in the same frame of reference that brought her to such a peak of success on the concert scene where she remains quite happily. With just her voice and her guitar, she smiles and muses through "Brand New Key," "Bitter Bad." "Together Alone" and older material like "Beautiful People" and "Any Guy." Should be a long-range seller." [3]
Record Mirror called it "a very satisfying set, though much of the material is familiar, and the overall standard of sound is good. What emerges most strongly is the quite astonishing rapport Melanie has with an audience . . . she somehow plays with them, lures them. Maybe she's not the greatest singer, but she is a very fine performer." [4]
Allmusic stated that Melanie "sounds like an artist on the verge of a nervous breakdown, battling chronic fatigue syndrome to boot. Over four sides, she struggles through her back catalog and, judging by the performance, does so reluctantly...it's clear her heart's not in it." [5]
All songs written by Melanie Safka except where noted.
Disc 1:
Disc 2:
Album Charts | Peak position |
---|---|
U.S Billboard Chart [6] | 109 |
U.S Cash Box Chart [7] | 67 |
German Chart [8] | 31 |
Heart is an American rock band formed in 1973 in Seattle, Washington. The band evolved from previous projects led by founding members Roger Fisher (guitar) and Steve Fossen, including The Army (1967–1969), Hocus Pocus (1969–1970), and White Heart (1970–1973). By 1975, original members Fisher, Fossen, and Ann Wilson, along with Nancy Wilson, Michael Derosier (drums), and Howard Leese formed the lineup for the band's initial mid- to late-1970s success period. These core members were included in the band's 2013 induction into the Rock and Roll Hall of Fame.
Melanie Anne Safka-Schekeryk, professionally known as Melanie or Melanie Safka, is an American singer-songwriter. She is best known for the 1971–72 global hit "Brand New Key", plus her 1970 version of "Ruby Tuesday", which was originally written and recorded by the Rolling Stones, her composition "What Have They Done to My Song Ma", and her 1970 international breakthrough hit "Lay Down ".
"Liar" is a song by the British rock band Queen, written by the lead singer Freddie Mercury in 1970. The song featured on the band's 1973 debut album Queen. A heavily truncated version of "Liar" was released as a single – backed with "Doing All Right" – in the United States and New Zealand by Elektra Records in February 1974.
Judy at Carnegie Hall is a double-LP live recording of a concert by Judy Garland at Carnegie Hall in New York, with backing orchestra led by Mort Lindsey. This concert appearance, on the night of Sunday April 23, 1961, has been called "the greatest night in show business history".
"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", is a song with words by Gerry Goffin and music composed by Carole King. It was recorded in 1960 by the Shirelles at Bell Sound Studios in New York City, and hit number one on the Billboard Hot 100 chart. The song was the first by an African-American all-girl group to reach number one in the United States. It has since been recorded by many other artists including a 1971 version by co-writer Carole King.
Candles in the Rain is singer Melanie's third album. Released in 1970, the album produced Melanie's first Top Ten single in North America, "Lay Down ", which was inspired by the crowd's reaction to her performance at Woodstock. The cover of the Rolling Stones' 1967 song "Ruby Tuesday" reached the Top Ten in the United Kingdom.
Gather Me is a 1971 album released by Melanie and featuring the US Billboard Hot 100 Singles Chart #1 song "Brand New Key". The album also features the singles "Some Day I'll Be a Farmer" and the Top 40 hit "Ring the Living Bell". The album was certified Gold in the U.S. and was arranged by Roger Kellaway.
Photograph is an album released by American singer Melanie in 1976, her only release on Atlantic Records. The album contains "Cyclone" which was released as a single. Despite making a publicity tour on American Bandstand and The Brady Bunch Hour to promote the single, it failed to chart in America.
The Good Book is a 1971 album released by Melanie and featuring the Top 40 hit "Nickel Song". The album also features "Birthday of the Sun", a track Melanie originally performed at Woodstock in 1969.
Born to Be is the singer Melanie's debut album, released on Buddah Records in 1968.
Affectionately Melanie is the second album by Melanie Safka. It contains "Beautiful People", a song that Melanie performed at the Woodstock Festival in 1969. In the Netherlands, this album was released as Back in Town.
Madrugada is a 1974 album released by Melanie featuring the singles "Lover's Cross" and "Love to Lose Again". In November 1973, "Will You Love Me Tomorrow" became a Top 40 hit in the United Kingdom and was subsequently added to the British release of the album.
Leftover Wine is a live album released by Melanie in 1970 on the Buddah label. Production and arrangements were conducted by her husband, Peter Schekeryk. The album was recorded at Carnegie Hall in New York City, except for the closing track "Peace Will Come", which was a studio recording that was released as a single to promote the album.
Stoneground Words is an album released by Melanie in 1972. It contains the singles "Together Alone" and "Do You Believe".
"Everybody Loves You Now" is a song written by Billy Joel. It was first released on his 1971 debut album Cold Spring Harbor and was also released as a b-side to his singles "She's Got a Way" and "Tomorrow Is Today." Live versions were included on the albums Songs in the Attic, 12 Gardens Live and Live at Shea Stadium: The Concert.
"Use Me" is a song, composed and originally recorded by Bill Withers. It was included on his 1972 album Still Bill and was released as a single. An eight-minute live version opens the 1973 album "Live at Carnegie Hall."
Ballroom Streets is a 1978 double album released by Melanie. The album is essentially a live album but recorded in the studio with a small audience. It mixed new recordings of old songs with some new songs and featured the vocals of The Persuasions. When first issued on CD in 1989, it did not contain "Holding Out", "Any Guy", "Groundhog Day" and "Friends and Company". There was a rare promotional only 12-inch single with the songs "Cyclone " and "Running After Love" [Tomato TOM 12D-0004] distributed at the time of the album's release.
Mama Tried is the seventh studio album by American country music singer and songwriter Merle Haggard and The Strangers, released on Capitol Records in 1968. It reached number 4 on Billboard's country albums chart. The title song was one of Haggard's biggest hit singles and won the Grammy Hall of Fame Award in 1999.
The Stone Poneys is the debut studio album by the Stone Poneys; other than the single of "So Fine" in 1965, this album marks the first official recordings by Linda Ronstadt.
"Can't Put a Price on Love" is a 1980 song written by Doug Fieger and Berton Averre. It was originally released by American pop group The Knack on their second album, ...But the Little Girls Understand. It was the second song from that album that was released as a single, reaching #62 on the Billboard Hot 100, falling short of the performance by its preceding single, "Baby Talks Dirty", which reached #30 in Cash Box and #38 in Billboard. Overall, it was the fourth single which The Knack had released, and was the first such release which did not reach the Top 40.