Born to Be | ||||
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Studio album by | ||||
Released | November 1968 | |||
Recorded | 1968 | |||
Studio | Allegro Sound Studios, New York City | |||
Genre | Pop rock, folk rock | |||
Label | Buddah | |||
Producer | Peter Schekeryk | |||
Melanie chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Rolling Stone | (negative) [2] |
Born to Be is the debut album by singer Melanie, released on Buddah Records in 1968.
Following Melanie's success at the Woodstock Festival in 1969, Buddha repackaged and reissued the album as My First Album. [3]
In their review of the album, Billboard stated that "The voice is that of a very young girl, but the way she conveys musical thoughts is that of one wise beyond her years. Her non-conformist approach to the selections on this LP make her a new talent to be reckoned with." [4]
Rolling Stone were more cool in their praise of the record, nothing that "when she's not busy being Streisand, Temple, Garland and Buffy St. Marie with a little Gracie Allen thrown in on the side, and when she concentrates on being Melanie, she can really get to you. Like on "Momma, Momma," for instance, or "Bo Bo's Party." Her voice, her lyrics, her guitar all work for her to produce a tight unit of action and reaction." [5]
U.K. publication NME called it an "interesting album," calling Melanie "a young lady who sings in a strange, arresting way, as if she cant quite remember the words (or the tune at times). She wrote most of the songs and is a sort of female Dylan." [6]
AllMusic noted that the album was "an intriguing curate's egg. Neither Melanie, nor her producer-husband Peter Schekeryk, seem sure exactly where her strengths lie, so she is cast in a number of roles: Piaf-imitating chanteuse, soul-searching, angst-heavy troubadour, giggling novelty figure and children's entertainer. Stranger still, half the time the experiment works." [7]
All songs written by Melanie Safka except where noted.
Chart | Peak position |
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Dutch Album Charts [8] | 8 |
French Album Charts [9] | 5 |
Roberta Joan "Joni" Mitchell is a Canadian-American singer-songwriter, multi-instrumentalist, and painter. As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate pop and jazz elements. She has received many accolades, including eleven Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her "one of the greatest songwriters ever", and AllMusic has stated, "Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century."
Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.
Melanie Anne Safka Schekeryk, professionally known as Melanie or Melanie Safka, was an American singer-songwriter.
Anne Erin Clark, known professionally as St. Vincent, is an American musician and singer. Her guitar playing has been praised for its melodic style and use of distortion, and she has been listed among the best guitarists of the 21st century by multiple publications. Rolling Stone named Clark the 26th-greatest guitarist of all time in 2023.
"The Boxer" is a song written by Paul Simon and recorded by the American music duo Simon & Garfunkel from their fifth and final studio album, Bridge over Troubled Water (1970). Produced by the duo and Roy Halee, it was released as a standalone single on March 21, 1969, but included on the album nine months later. The song is a folk rock ballad that variously takes the form of a first-person lament as well as a third-person sketch of a boxer. The lyrics are largely autobiographical and partially inspired by the Bible and were written during a time when Simon felt he was being unfairly criticized. The song's lyrics discuss poverty and loneliness. It is particularly known for its plaintive refrain, in which they sing 'lie-la-lie', accompanied by a heavily reverbed snare drum.
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"Lay Lady Lay", sometimes rendered "Lay, Lady, Lay", is a song written by Bob Dylan and originally released in 1969 on his Nashville Skyline album. Like many of the tracks on the album, Dylan sings the song in a low croon, rather than in the high nasal singing style associated with his earlier recordings. The song has become a standard and has been covered by numerous bands and artists over the years.
Bob Dylan is an American singer-songwriter. Often considered to be one of the greatest songwriters in history, Dylan has been a major figure in popular culture over his 60-year career. He rose to prominence in the 1960s, when songs such as "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. Initially modeling his style on Woody Guthrie's folk songs, Robert Johnson's blues and what he called the "architectural forms" of Hank Williams's country songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social and philosophical influences, defying pop music conventions and appealing to the burgeoning counterculture.
"Just Like a Woman" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan allegedly wrote it on Thanksgiving Day in 1965, though some biographers doubt this, concluding that he most likely improvised the lyrics in the studio. Dylan recorded the song at Columbia Studio A in Nashville, Tennessee in March 1966. The song has been criticized for sexism or misogyny in its lyrics, and has received a mixed critical reaction. Some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez. Retrospectively, the song has received renewed praise, and in 2011, Rolling Stone magazine ranked Dylan's version at number 232 in their list of the 500 Greatest Songs of All Time. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the Billboard Hot 100. The single also reached 8th place in the Australian charts, 12th place on the Belgium Ultratop Wallonia listing, 30th in the Dutch Top 40, and 38th on the RPM listing in Canada.
"19th Nervous Breakdown" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, it was recorded in late 1965 and released as a single in February 1966. It reached number 2 on both the US Billboard Hot 100 and Britain's Record Retailer chart, while topping the charts compiled by Cash Box and NME. In the UK, it broke the band's streak of consecutive number-one singles that had started with "It's All Over Now" (1964).
Gather Me is a 1971 album released by Melanie and featuring the US Billboard Hot 100 Singles Chart #1 song "Brand New Key". The album also features the singles "Some Day I'll Be a Farmer" and the Top 40 hit "Ring the Living Bell". The album was certified Gold in the U.S. and was arranged by Roger Kellaway.
The Good Book is a 1971 album released by Melanie and featuring the Top 40 hit "Nickel Song". The album also features "Birthday of the Sun", a track Melanie originally performed at Woodstock in 1969.
Affectionately Melanie is the second album by Melanie Safka. It contains "Beautiful People", a song that Melanie performed at the Woodstock Festival in 1969. In the Netherlands, this album was released as Back in Town.
Madrugada is a 1974 album released by Melanie featuring the singles "Lover's Cross" and "Love to Lose Again". In November 1973, "Will You Love Me Tomorrow" became a Top 40 hit in the United Kingdom and was subsequently added to the British release of the album.
Leftover Wine is a live album released by Melanie in 1970 on the Buddah label. Production and arrangements were conducted by her husband, Peter Schekeryk. The album was recorded at Carnegie Hall in New York City, except for the closing track "Peace Will Come", which was a studio recording that was released as a single to promote the album.
"One of Us Must Know (Sooner or Later)" is a song by American singer-songwriter Bob Dylan, which was released as a single on February 14, 1966, and as the fourth track on his seventh studio album Blonde on Blonde in June of that year. The song was written by Dylan and produced by Bob Johnston. It is the narrator's account of a burned-out relationship. It was recorded at Columbia studio A in New York on January 25, 1966, with Dylan and other musicians developing the song through over twenty takes during the session.
"Tonight I'll Be Staying Here with You" is a song written by Bob Dylan from his 1969 album Nashville Skyline. It was the closing song of the album. The song was the third single released from the album, after "I Threw It All Away" and "Lay Lady Lay", reaching #50 on the US Billboard Hot 100 chart, and reaching the top 20 in other countries. It was anthologized on the compilation albums Bob Dylan's Greatest Hits Vol. II and Playlist: The Very Best of Bob Dylan '60s.
Ballroom Streets is a 1978 double album released by Melanie. The album is essentially a live album but recorded in the studio with a small audience. It mixed new recordings of old songs with some new songs and featured the vocals of the Persuasions. When first issued on CD in 1989, it did not contain "Holding Out", "Any Guy", "Groundhog Day" and "Friends and Company". There was a rare promotional only 12-inch single with the songs "Cyclone " and "Running After Love" [Tomato TOM 12D-0004] distributed at the time of the album's release.
Lost on the River: The New Basement Tapes is an album produced by T Bone Burnett featuring a collective of musicians recording under the moniker The New Basement Tapes—Elvis Costello, Rhiannon Giddens, Taylor Goldsmith, Jim James and Marcus Mumford.
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