Garden in the City | ||||
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Studio album by | ||||
Released | 1971 | |||
Genre | Pop | |||
Label | Buddah Records | |||
Producer | Peter Schekeryk | |||
Melanie chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Garden in the City is a Melanie album released by Buddah Records in 1971. Although marketed as an album of new recordings it was actually a compilation of "leftover" songs from Melanie's time at that label and released without her consent, after she left to form her own record label. Two of the songs had been previously released on the soundtrack album to the movie R. P. M. (produced by Barry De Vorzon & Perry Botkin, Jr.) in 1970.
The United Kingdom release of the album had a "scratch 'n' sniff" label on the sleeve with the message "Rub gently to release the magic of Melanie's Garden."
The song "People in the Front Row" was later sampled by Australian hip hop group Hilltop Hoods for their song "The Nosebleed Section". Melanie was reportedly pleased with the use of her song in this recording. [1]
In their review, Record World stated that "Melanie fans who can't get enough of her wonderful stuff will pick this one up in quick time." [2]
Allmusic noted that "in fact it isn't too bad" yet conceded that "this curiosity is now remembered more for its scratch 'n' sniff "smell Melanie's Magic Garden" cover than for its content." [3]
All songs written by Melanie Safka except where noted.
Chart | Peak position |
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Australian Albums Chart | 38 |
US Billboard 200 [4] | 115 |
US Cash Box Charts [5] | 124 |
UK Albums Chart | 19 |
Chart | Title | Peak position |
---|---|---|
U.S Billboard Bubbling Under Chart | "Stop! I Don't Wanna Hear It Anymore" | 112 |
Valiant Records was an independent record label distributed in the 1960s by Warner Bros. Records. The label was sold to Warner Bros. in 1967.
Perry Botkin Jr. was an American composer, producer, arranger, and musician. The tune "Nadia's Theme", composed by Botkin and Barry De Vorzon, peaked at No. 8 on the Billboard Hot 100 in 1976 and became the theme song for the long-running television soap opera The Young and the Restless. He was also a major contributor to Incredible Bongo Band, one of the most influential groups of all-time for its Bongo Rock album which is one of the most sampled from records, making it a major influence in the origins of Hip hop.
"Nadia's Theme", originally titled "Cotton's Dream", is a piece of music composed by Barry De Vorzon and Perry Botkin Jr. in 1971. It was originally used as incidental music for the 1971 film Bless the Beasts and Children, and is better known as the theme music to the television soap opera The Young and the Restless since the series premiered in 1973. "Cotton's Dream" was renamed "Nadia's Theme" after it became associated with Olympic gymnast Nadia Comăneci during and after the 1976 Summer Olympics.
"The Nosebleed Section" is a song by the Australian hip hop music group Hilltop Hoods. It was released as a radio single in 2003, and was the final single release from their 2003 album The Calling. The chorus and backing beat of "The Nosebleed Section" are sampled from the song "People in the Front Row" written and sung by Melanie Safka from her 1972 album Garden in the City.
The Hard Road is the fourth studio album by Australian hip hop group Hilltop Hoods. Released on 1 April 2006 by Obese Records, it debuted at number one on the Australia ARIA Albums Chart, and was the first album by Australian artists to achieve that position. It contains the top 20 single "Clown Prince". It achieved Gold status on 8 April 2006, a week after release, and has now surpassed Platinum status.
High Energy is the twenty-eighth studio album by American girl group the Supremes, released in 1976 on the Motown label. The album is the first to feature Susaye Greene; former member of Stevie Wonder's Wonderlove; and is notable for featuring the last Billboard Hot 100 Top 40 pop hit for the group, "I'm Gonna Let My Heart Do the Walking". Of their 1970s releases, High Energy is the second-highest charting album on the US Billboard 200, the first being Right On (1970). In Canada, High Energy is the highest-charting Supremes album since TCB (1968).
Candles in the Rain is singer Melanie's third album. Released in 1970, the album produced Melanie's first Top Ten single in North America, "Lay Down ", which was inspired by the crowd's reaction to her performance at Woodstock. The cover of the Rolling Stones' 1967 song "Ruby Tuesday" reached the Top Ten in the United Kingdom.
Today is the 29th studio album by Perry Como. It was his final album for RCA Records and of his 55-year music career. This is also the penultimate recording ever made by Perry Como, the last being for a Christmas television special in 1994. This album is also significant in that it was the first and only album of Como's career to be released contemporaneously in both vinyl LP format and compact disc.
Gather Me is a 1971 album released by Melanie and featuring the US Billboard Hot 100 Singles Chart #1 song "Brand New Key". The album also features the singles "Some Day I'll Be a Farmer" and the Top 40 hit "Ring the Living Bell". The album was certified Gold in the U.S. and was arranged by Roger Kellaway.
Photograph is an album released by American singer Melanie in 1976, her only release on Atlantic Records. The album contains "Cyclone" which was released as a single.
The Good Book is a 1971 album released by Melanie and featuring the Top 40 hit "Nickel Song". The album also features "Birthday of the Sun", a track Melanie originally performed at Woodstock in 1969.
Madrugada is a 1974 album released by Melanie featuring the singles "Lover's Cross" and "Love to Lose Again". In November 1973, "Will You Love Me Tomorrow" became a Top 40 hit in the United Kingdom and was subsequently added to the British release of the album.
"Bless the Beasts and Children" is the theme song to the 1971 eponymous film and was performed by the Carpenters. It was featured on the B-side to their hit, "Superstar". The song received enough of its own airplay that Billboard listed the single as "Superstar"/"Bless the Beasts and Children" on the Hot 100, charting first at number 16 for the week of 11/20/71, and then number 21 for the week of 11/27/71. Then "Bless The Beasts and Children" had its own run as an A-side charting on the Billboard Hot 100, eventually topping out at number 67. In order to promote it, the Carpenters performed it on their television series, Make Your Own Kind of Music, as "F" for "Film Music". It was nominated for a 1972 Academy Award for Best Song, but it lost to Isaac Hayes's "Theme from Shaft".
Leftover Wine is a live album released by Melanie in 1970 on the Buddah label. Production and arrangements were conducted by her husband, Peter Schekeryk. The album was recorded at Carnegie Hall in New York City, except for the closing track "Peace Will Come", which was a studio recording that was released as a single to promote the album.
Stoneground Words is an album released by Melanie in 1972. It contains the singles "Together Alone" and "Do You Believe".
Pianist, Arranger, Composer, Conductor is the second solo album by American musician Richard Carpenter, released in 1998. It includes instrumental versions of popular songs of the Carpenters, and is dedicated to their deceased mother, Agnes Carpenter. The album contains two new songs, "All Those Years Ago" and "Karen's Theme", which was released as a single.
Barry De Vorzon is an American singer, songwriter, producer, composer, label owner and music publisher. His earliest hit compositions were "Just Married" (1958), written with Al Allen and recorded by Marty Robbins, which reached number 26 on Billboard magazine's Hot 100 chart and number one on the Country chart; and "Dreamin'" (1960), written with Ted Ellis, recorded by Johnny Burnette, and charting at number 11 on the Hot 100. Dorsey Burnette and De Vorzon co-wrote several of Dorsey's hits.
And I Love You So is a 1972 album by Shirley Bassey.
R. P. M. is a 1970 American drama film directed by Stanley Kramer, starring Anthony Quinn and Ann-Margret. As the film's poster notes, the title is an initialism for "revolutions per minute", which at the time was a common term for the variable speed of a record player's turntable.
This is the discography of American singer-songwriter Melanie Safka, mainly known mononymously as Melanie.