The Man with the Golden Arm is a 1955 American independent drama film noir directed by Otto Preminger, based on the novel of the same name by Nelson Algren. Starring Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin, it recounts the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", although in Algren's book it is morphine. The film's initial release was controversial for its treatment of the then-taboo subject of drug addiction.
Alfred Hitchcock Presents is an American television anthology series created, hosted and produced by Alfred Hitchcock, airing on CBS and NBC, alternately, between 1955 and 1965. It features dramas, thrillers, and mysteries. Between 1962 and 1965, it was renamed The Alfred Hitchcock Hour. Hitchcock himself directed only 18 episodes during its run.
"(She Was A) Hotel Detective" is a song and single by alternative rock band They Might Be Giants. It was released as a single on May 5, 1988, two years after the release of They Might Be Giants, the album on which it originally appeared. The "Hotel Detective" title has become a somewhat recurring theme for the band.
Barry Adamson is an English pop and rock musician, composer, writer, photographer and filmmaker. He came to prominence in the late 1970s as a member of the post-punk band Magazine and went on to work with Visage, Nick Cave and the Bad Seeds, and the electro musicians Pan Sonic. In addition to prolific solo work, Adamson has also remixed Grinderman, The Jon Spencer Blues Explosion, Recoil and Depeche Mode. He also worked on the soundtrack for David Lynch's surrealistic crime film Lost Highway.
Family Plot is a 1976 American black comedy thriller film directed by Alfred Hitchcock in his final directing role. It was based on Victor Canning's 1972 novel The Rainbird Pattern, which Ernest Lehman adapted for the screen. The film stars Karen Black, Bruce Dern, Barbara Harris and William Devane; it was screened at the 1976 Cannes Film Festival, but was not entered into the main competition.
Trouble Man is a soundtrack and the twelfth studio album by American soul singer Marvin Gaye, released on December 8, 1972, on Motown-subsidiary label Tamla Records. As the soundtrack to the 1972 Blaxploitation film of the same name, the Trouble Man soundtrack was a more contemporary move for Gaye, following his politically charged album What's Going On. This was the first album to be written and produced solely by Gaye. The only other album recorded under his full creative control was In Our Lifetime, released in 1981.
Natural Born Killers: A Soundtrack for an Oliver Stone Film is the soundtrack to the film Natural Born Killers, produced by Trent Reznor of Nine Inch Nails. It was released on August 23, 1994. It charted at number 19 on US Billboard 200 album charts and was certified Gold in both the United States and Canada, and Silver in the United Kingdom.
"Our Frank" is a song by Morrissey, released as a single in February 1991. It was the first single taken from the Kill Uncle album. It was also the first of his collaborations with Mark Nevin to be released.
Funeral March of a Marionette is a short piece by Charles Gounod. It was originally written for solo piano in 1872 and orchestrated in 1879. It is perhaps best known as the theme music for the television program Alfred Hitchcock Presents.
Soundtracks Volume 2 is a 2003 album of film music by Marc Ribot released on Tzadik Records.
Satan in High Heels is a 1962 American sexploitation film directed by Jerald Intrator and starring Meg Myles and Grayson Hall.
Biff Elliot was an American actor. He is perhaps best known for his role as popular detective Mike Hammer in the 1953 version of I, the Jury and for his guest appearance as Schmitter in the Star Trek episode "The Devil in the Dark".
Soul Murder is a 1992 album by Barry Adamson. The album was nominated for the 1992 Mercury Prize.
Emotions is the fourth studio album by American singer Brenda Lee. The album was released on April 3, 1961 on Decca Records and was produced by Owen Bradley. It was one of two studio albums released by Lee in 1961 and its title track became a Top 10 hit on the Billboard Hot 100 the same year.
Television's Greatest Hits: 65 TV Themes! From the '50s and '60s is a compilation album of television theme songs released by Tee-Vee Toons in 1985 as the first volume of the Television's Greatest Hits series. It was initially released as a double LP record featuring 65 themes from television shows ranging from the mid-1950s until the late 1960s.
Cal Tjader Plays Harold Arlen is an album by American vibraphonist Cal Tjader, five of its 11 tracks arranged by Tjader's longtime colleague Clare Fischer. Recorded in June 1960 and released in February 1962 on the Fantasy label, it would be reissued on CD – together with Tjader's similarly semi-orchestral 1961 LP, West Side Story – on July 30, 2002, as Cal Tjader Plays Harold Arlen and West Side Story.
Stan Getz Plays Music from the Soundtrack of Mickey One is a 1965 studio album by Stan Getz arranged by Eddie Sauter of their music for the soundtrack of the 1965 film Mickey One. The two men had previously collaborated on Getz's album Focus (1961).
Stan Kenton Presents is an album by pianist and bandleader Stan Kenton with his "Innovations" Orchestra featuring performances recorded in 1950 and originally released as 78 RPM records and a 10-inch LP on Capitol before being reissued in 12-inch LP format in 1955.
Sweet Smell of Success is the soundtrack to the 1957 Hecht-Hill-Lancaster Productions film of the same name. The music from the film was released by Decca Records in June 1957 on two separate long play records; one featuring Elmer Bernstein's score, the other with Chico Hamilton Quintet's music.
Oedipus Schmoedipus is an album by the English musician Barry Adamson, released in 1996. Like Adamson's previous albums, Oedipus Schmoedipus was conceived as a soundtrack to an imaginary film. The album peaked at No. 51 on the UK Albums Chart.
