Mucho, Mucho | ||||
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Studio album by Shirley Scott | ||||
Released | 1960 | |||
Recorded | July 8, 1960 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 43:52 | |||
Label | Prestige PRLP 7182 | |||
Producer | Esmond Edwards | |||
Shirley Scott chronology | ||||
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Source | Rating |
Allmusic |
Mucho, Mucho is a Latin-oriented jazz album by organist Shirley Scott recorded and released in 1960 on Prestige Records as PRLP 7182.
Shirley Scott was an American jazz organist.
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them under subsidiaries. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.
Timbales or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms, and usually tuned much higher, especially for their size. The player uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells of the drum or auxiliary percussion such as a cowbell or cymbal to keep time in other parts of the song.
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist.
"Bésame Mucho" is a song written in 1940 by Mexican songwriter Consuelo Velázquez. A famous version is sung by Trio Los Panchos.
"¿Quién será?" is a bolero-mambo written by Mexican composer Luis Demetrio, who sold the rights to fellow songwriter Pablo Beltrán Ruiz. Beltrán recorded the song for the first time with his orchestra in 1953. The English version, "Sway", with lyrics by Norman Gimbel, has become a standard in both the pop and jazz repertoire. The first version to achieve considerable success in the United States was recorded by singer Dean Martin with the Dick Stabile orchestra in 1954.
Common Touch is an album by jazz saxophonist Stanley Turrentine featuring Shirley Scott recorded for the Blue Note label in 1968 and performed by Turrentine with Shirley Scott, Jimmy Ponder, Bob Cranshaw and Leo Morris. The CD reissue added one bonus track recorded in a different session and originally released on Ain't No Way. The other four tracks may be found on the CD reissue of Easy Walker.
Everybody Loves a Lover is an album by jazz organist Shirley Scott recorded for the Impuse! label in 1964 and performed by Scott with Stanley Turrentine, Bob Cranshaw and Otis Finch. The album has not appeared on CD yet, but the first three tracks were released on the CD reissue of Turrentine's Let it Go.
On a Clear Day is an album by American jazz organist Shirley Scott recorded in 1966 for the Impulse! label.
Soul Duo is an album by American jazz organist Shirley Scott and flugelhornist Clark Terry recorded in 1966 for the Impulse! label.
Workin' is a studio album by organist Shirley Scott recorded for Prestige, released in 1967 as PRLP 7424.
Great Scott! is the debut album by organist Shirley Scott recorded in 1958 for the Prestige label.
Hip Twist is an album by organist Shirley Scott featuring saxophonist Stanley Turrentine which was recorded in 1961 and released on the Prestige label.
Drag 'em Out is an album by organist Shirley Scott recorded in 1963 and released on the Prestige label.
Travelin' Light is an album by organist Shirley Scott and guitarist Kenny Burrell recorded in 1964 and released on the Prestige label.
Soul Song is an album by organist Shirley Scott recorded in 1968 and released on the Atlantic label.
Something is an album by organist Shirley Scott recorded in 1970 and released on the Atlantic label. It includes instrumental covers of several contemporary hits from artists such as the Beatles and the Jackson 5, along with the original song "Messie Bessie".
Mystical Lady is an album by organist Shirley Scott recorded in 1971 and released on the Cadet label.
The Eddie "Lockjaw" Davis Cookbook Volume 3 is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1958 for the Prestige label. The album was the third of Davis' popular "Cookbook" volumes to be released.
Smokin′ is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1958 for the Prestige label.
Eddie "Lockjaw Davis with Shirley Scott is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1960 and released on the Moodsville label.
Mucho Calor is an album by trumpeter Conte Candoli and alto saxophonist Art Pepper in an octet with tenor saxophonist Bill Perkins, pianist Russ Freeman, bassist Ben Tucker, drummer Chuck Flores and percussionists Jack Costanzo and Mike Pacheko recorded in 1957 and originally released on the Andex label.