Murder, Inc. | ||||
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Studio album by | ||||
Released | June 22, 1992 | |||
Genre | ||||
Length | 42:36 | |||
Label | Invisible | |||
Producer | Murder, Inc. | |||
Murder, Inc. chronology | ||||
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Murder, Inc. is the only studio album by the industrial rock supergroup Murder, Inc., featuring members of Killing Joke and Revolting Cocks. Originally released on Invisible Records in 1992, [1] [2] it was subsequently reworked and reissued in 1993, [3] with contributions from JG Thirlwell. [4] The album was recorded by Steve Albini. [3]
The album was subsequently included in the band's 1999 compilation album, Locate Subvert Terminate: The Complete Murder Inc. [1]
Review scores | |
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Source | Rating |
AllMusic | [5] |
The album received a mixed response from critics and fans. [1] AllMusic critic Tim DiGravina unfavorably compared the record's sound to Killing Joke's 1990 album, Extremities, Dirt and Various Repressed Emotions , describing the tracks to "Killing Joke on a bad day" or a "hit and miss affair". Nevertheless, he also praised vocalist Chris Connelly's vocals, stating that "the dynamics make for a thrilling beast" when "his bandmates allow him room to breathe." [5] Billboard described the music as "not terribly comfortable mix of industrial music and hard rock that will be either too soft or not though enough for listeners' tastes." [4] Trouser Press stated that band's "the viscous drones on Murder Inc. are at least comparable to Killing Joke (particularly Walker's pernicious guitar), if nowhere near as memorable." [3]
All tracks are written by Martin Atkins, John Bechdel, Chris Connelly, Paul Ferguson, Paul Raven and Geordie Walker. [6]
Album personnel as adapted from CD liner notes from 1992 issue: [6]
Killing Joke are an English rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman, Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass).
Martin Clive Atkins is an English drummer and session musician, best known for his work in post-punk and industrial groups including Public Image Ltd, Ministry, Nine Inch Nails, Pigface, and Killing Joke. He also works as a consultant, has written books, and is the music business program coordinator at Millikin University in Decatur, IL. Atkins is an honorary board member of the Chicago-based nonprofit organisation Rock For Kids.
Pigface is an American industrial rock supergroup formed in 1990 by Martin Atkins and William Rieflin.
The Damage Manual was an industrial supergroup formed in 2000. It featured Martin Atkins on drums and loops, Chris Connelly on vocals, Geordie Walker on guitar and Jah Wobble on bass. A second lineup saw Steven Seibold of the band Hate Dept. replacing both Walker and Wobble after their departure.
Killing Joke is the debut studio album by English post-punk band Killing Joke, released on 5 October 1980 by E.G. via Polydor Records. It debuted at number 41 on the UK Albums Chart on 26 October 1980 and later peaked at number 39.
Paul Vincent Raven was an English bassist best known for his work in the post-punk group Killing Joke. He later played in the industrial music bands Prong, Ministry, and Zilch.
Night Time is the fifth studio album by English post-punk band Killing Joke, released in February 1985 by E.G. through Polydor Records and produced by Chris Kimsey.
Fook is the second studio album by industrial rock supergroup Pigface, released in 1992 on Invisible Records.
Murder, Inc. was an American industrial music supergroup formed in 1991, featuring vocalist Chris Connelly, Killing Joke members Geordie Walker, Paul Raven, "Big Paul" Ferguson, John Bechdel, and former Public Image Ltd drummer Martin Atkins.
Pandemonium is the ninth studio album by English post-punk band Killing Joke, released on 2 August 1994 by Butterfly Records. The album marked Killing Joke's return after a four-year hiatus, the longest the band had taken since it was founded. It also featured the return of founding member Youth, who replaced Paul Raven on bass.
Fire Dances is the fourth studio album by English post-punk band Killing Joke, released in July 1983 by E.G. via Polydor Records. It was the band's first album to feature new bass player Paul Raven, recorded at Basing Street Studios in London between February and March 1983. According to Paul Ferguson the band's drug use contributed to the original mix of the album being "tinny".
Brighter Than a Thousand Suns is the sixth studio album by English post-punk band Killing Joke, released in November 1986 by E.G. Records. It was their first album to be distributed through Virgin Records. It entered the UK Albums Chart at number 54 on 22 November 1986, staying for one week. It was produced by Chris Kimsey, who had produced the band's 1985 album, Night Time.
Outside the Gate is the seventh studio album by English post-punk band Killing Joke, released in June 1988 by E.G. via Virgin Records worldwide. It was a significant stylistic departure for the band, with complex synthesised arrangements and less prominent guitar. Tensions within the band surfaced during pre-production. Drummer Paul Ferguson was dismissed at the beginning of the sessions and replaced by a studio musician while bassist Paul Raven took part to the recording but ultimately asked his name to be withdrawn from the credits for major disagreement over artistic content. The lead single was "America".
The Courtauld Talks is a live album by English post-punk band Killing Joke, released in 1989 by Invisible Records. It is different from the group's other releases in that it is essentially a spoken-word album.
Extremities, Dirt and Various Repressed Emotions is the eighth studio album by English post-punk band Killing Joke, released in November 1990 by Noise Records. After the commercial failure of their previous album Outside the Gate in 1988, singer Jaz Coleman and guitarist Geordie Walker were the last remaining members of the group. In December 1988, they recruited new musicians to perform a one-off concert in Porchester and premiered new songs, including early versions of "Extremities" and "The Beautiful Dead". The band didn't have any support of a record company anymore: Virgin had fired them and their label E.G. sued them. Coleman stated that it was a very stressful period of time for him and Walker. The new material was more intense, the band performed it live during a US tour in 1989. Extremities, Dirt and Various Repressed Emotions was recorded in 1990 for a German independent label: bassist Paul Raven was called back before entering into the studio. Drummer Martin Atkins, formerly of Public Image Ltd and Ministry, had joined the band in 1988 and co-composed the songs with Coleman and Walker.
Democracy is the tenth studio album by English post-punk band Killing Joke, released on 1 April 1996 by Butterfly Records and Big Life.
Hosannas from the Basements of Hell is the twelfth studio album by English post-punk band Killing Joke, released on 3 April 2006 by Cooking Vinyl.
Laugh? I Nearly Bought One! is the first major compilation album by English post-punk band Killing Joke, released in September 1992 by Caroline Records in the U.S. and in October by Virgin Records in the U.K. and Europe.
"Ha" or "Ha": Killing Joke Live is the first commercially distributed live recording by English post-punk band Killing Joke. It was recorded at Larry's Hideaway in Toronto, Ontario, Canada on 9 and 10 August 1982 by producer Conny Plank, and released on 4 November by E.G. Records. Rob O'Connor did the artwork for the album.
Whiplash Boychild is the solo debut album by Scottish musician and singer-songwriter Chris Connelly, who is best known for his work for bands such as Ministry, The Revolting Cocks, and Pigface. It was released in 1991 through Wax Trax! Records. The album also features session contributions from drummer William Rieflin, and bass guitarist Stuart Zechman, who later reunited with Connelly on his next album, Phenobarb Bambalam (1992).
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