Museo Provinciale Campano di Capua | |
Established | 1870 |
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Location | Via Roma, 68, Capua, Italy |
Coordinates | 41°06′39.12″N14°12′47.49″E / 41.1108667°N 14.2131917°E |
The Museo Provinciale Campano di Capua (commonly referred to as Museo Campano) is a provincial museum located in Capua, southern Italy. Established in 1870 and inaugurated in 1874, it is housed in the historic Palazzo Antignano. The museum is dedicated to ancient Italian civilization in Campania, and is home to an extensive collection of ritual statues representing matres matutae coming from the ancient Roman site of Capua antica. It also hosts the second largest lapidarium in the region, after that of the National Archaeological Museum of Naples. [1]
On August 21, 1869, a "Committee for the conservation of monuments and objects of antiquity and fine arts" founded by father Gabriele Iannelli was established by royal decree in what was then the region of Terra di Lavoro. The committee approved the establishment of a museum of antiquities in Capua, which was officially founded in 1870. The historic Palazzo Antignano (whose Lombard origins date back to the IX century, but which was heavily altered in the mid-XV century) [2] was chosen as the seat of the new museum, which opened to the public in 1874. [3]
The museum was established for the purpose of properly preserving and displaying the large quantity of precious archaeological material that had been discovered in the region, especially thanks to the excavations conducted on the many nearby archaeological sites. The museum continued growing over time, and in 1933 the building was rearranged to adapt to the ever-expanding collections. [3]
On September 9, 1943, an Allied air strike hit Capua, killing about a thousand people and destroying circa 75% of the buildings in the city, including Palazzo Antignano. Some important pieces of the collections were destroyed. Rebuilding of Palazzo Antignano started in 1945, and in 1956 the museum was reopened. [3]
The palace was the home of the prominent Antignano family, which gained prominence under the rule of Alfonso V of Aragon. [4] In its present form the palace dates back to the XV century, but incorporates much older spolia such as Longobard capitals and columns, as well as the remnants of the Longobard church of San Lorenzo ad Crucem, deconsecrated in 1594. [3] [5]
The façade features a Catalan Gothic portal and Renaissance elements; inside, the main courtyard boasts a monumental open staircase. [5]
Included in the collections housed on site are terracotta sculptures and adornments from the Mater Matuta temple near Capua recovered from the Fondo Paturelli estate. [6]
The largest collection is that of the Mater Matuta statues; totaling over 160. [6]
The collection includes the body of the 13th-century statue of Frederick II, Holy Roman Emperor once on the City Gate of Capua, an important monument. The head is now in Berlin.
Mater Matuta was an indigenous Latin goddess, whom the Romans eventually made equivalent to the dawn goddess Aurora and the Greek goddess Eos. She was the goddess of female maturation and later also of the dawn. Her cult is attested to in several places in Latium; her most famous temple was located at Satricum.
The Farnese Hercules is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; he was an Athenian but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome, where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled Hercules is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination.
The Farnese Bull, formerly in the Farnese collection in Rome, is a massive Roman elaborated copy of a Hellenistic sculpture. It is the largest single sculpture yet recovered from antiquity. Along with the rest of the Farnese antiquities, it has been since 1826 in the collection of the Museo Archeologico Nazionale Napoli in Naples, inv. no. 6002, though in recent years sometimes displayed at the Museo di Capodimonte across the city. The sculpture in Naples is much restored, and includes around the base a child, a dog, and other animals not apparently in the original composition, which is known from versions in other media.
The National Archaeological Museum of Naples is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as Real Museo Borbonico.
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