Star Trek V: The Final Frontier is a 1989 science fiction film directed by William Shatner based on the television series Star Trek: The Original Series and the fifth film in the Star Trek film series. Jerry Goldsmith composed the film's musical score after he did the same for Star Trek: The Motion Picture (1979) which was nominated for an Academy Award. The score was positively received, unlike the film, which garnered mixed-to-negative reception.
Shatner wanted to hire Jerry Goldsmith to compose music for The Final Frontier so that he could craft the film's music with the similar level of ambition while adding action and character, two elements largely missing from the first film's score. Goldsmith did not want to accentuate the film's comedy with music, feeling it would "[take] drama to the point of silliness". He focused on the God planet as his most difficult task. [1]
As he did with The Motion Picture, Goldsmith referenced Alexander Courage's original television series theme in the main theme's opening notes that in-turn references a rendition of the march from that film. [2] He also reused the Klingon theme with an addition of a crying ram horn, which music critic Jeff Bond opined that it is treated with a "Prokofiev-like style as opposed to the avant-garde counterpoint" as seen in The Motion Picture. [3] Goldsmith also rescinded his two-themed approach for the first film, in favor of leitmotifs, where recurring music is used for locations and characters. [4]
The score was recorded at the Paramount Stage M in the Record Plant studio in Los Angeles. Goldsmith composed nearly 73 minutes of the dramatic score performed by a 91-piece orchestra. Recording sessions were held on March 27 and 28, and later on April 10, 11, 14 and 15, at sporadic schedules to make up for the studio availability. [5]
Star Trek V: The Final Frontier | ||||
---|---|---|---|---|
Film score by | ||||
Released | 1989 | |||
Recorded | March 27–April 15, 1989 | |||
Studio |
| |||
Genre | Film score | |||
Length | 41:57 | |||
Label | Epic | |||
Producer | Jerry Goldsmith | |||
Star Trek soundtracks chronology | ||||
| ||||
Jerry Goldsmith chronology | ||||
|
The original soundtrack for the film was released by Epic Records and included nine score tracks and the song "The Moon Is a Window to Heaven" by Hiroshima.[ citation needed ]
No. | Title | Length |
---|---|---|
1. | "The Mountain" | 3:50 |
2. | "The Barrier" | 2:50 |
3. | "Without Help" | 4:18 |
4. | "A Busy Man" | 4:40 |
5. | "Open The Gates" | 2:59 |
6. | "An Angry God" | 6:55 |
7. | "Let's Get Out Of Here" | 5:12 |
8. | "Free Minds" | 3:17 |
9. | "Life Is A Dream" | 3:56 |
10. | "The Moon's A Window To Heaven" (Hiroshima) | 4:00 |
Total length: | 41:57 |
Star Trek V: The Final Frontier (Expanded Edition) | |
---|---|
Film score by | |
Released | November 30, 2010 (first issue) May 15, 2012 (second issue) |
Genre | Film score |
Length | 132:53 (first issue) 126:38 (second issue) |
Label | La-La Land (first issue) Intrada (second issue) |
Producer | Jerry Goldsmith |
On November 30, 2010, La-La Land Records reissued the soundtrack in a double CD edition limited to 5,000 units, featuring the film's complete score on the first disc and the original 1989 soundtrack album as well as some alternate cues on the second disc. [6] It was again issued by Intrada Records and released on May 15, 2012, with the only difference being the change in the album duration. [7]
No. | Title | Length |
---|---|---|
1. | "Nimbus III" | 2:04 |
2. | "The Mind-Meld" | 2:47 |
3. | "The Mountain" (main title) | 4:56 |
4. | "The Big Drop" | 0:27 |
5. | "Raid on Paradise" | 2:46 |
6. | "Not Alone" | 1:12 |
7. | "Target Practice" | 1:54 |
8. | "A Tall Ship" | 1:45 |
9. | "Plot Course" | 1:49 |
10. | "No Harm" | 2:16 |
11. | "Approaching Nimbus III" | 3:02 |
12. | "Open the Gates" | 3:04 |
13. | "Well Done" | 1:17 |
14. | "Without Help" | 4:58 |
15. | "Pick It Up" | 2:34 |
16. | "No Authority" | 0:32 |
17. | "It Exists" | 1:49 |
18. | "Free Minds" | 3:20 |
19. | "The Birth" | 3:56 |
20. | "The Barrier" | 2:55 |
21. | "A Busy Man" | 4:44 |
22. | "An Angry God" | 7:00 |
23. | "Let's Get Out of Here" (part 1) | 3:45 |
24. | "Let's Get Out of Here" (part 2) | 3:10 |
25. | "Cosmic Thoughts" | 1:17 |
26. | "Life Is a Dream" (end credits) | 3:58 |
Total length: | 73:17 |
No. | Title | Length |
---|---|---|
1. | "The Mountain" | 3:54 |
2. | "The Barrier" | 2:54 |
3. | "Without Help" | 4:22 |
4. | "A Busy Man" | 4:43 |
5. | "Open The Gates" | 3:03 |
6. | "An Angry God" | 7:00 |
7. | "Let's Get Out Of Here" | 5:16 |
8. | "Free Minds" | 3:20 |
9. | "Life Is A Dream" | 4:00 |
10. | "The Moon's A Window To Heaven" | 4:05 |
11. | "The Mountain" (main title) (alternate) | 4:48 |
12. | "A Busy Man" (alternate) | 4:43 |
13. | "Paradise Saloon" (source) | 2:45 |
14. | "The Moon's A Window To Heaven" (film version) | 1:12 |
15. | "Vulcan Song / Row, Row, Row Your Boat" (source) | 1:37 |
16. | "Synclavier Effects" | 1:54 |
Total length: | 59:36 |
Christian Clemmensen of Filmtracks reviewed "The Final Frontier is a very strong score with highlights not be missed." [8] Craig Lysy of Movie Music UK wrote "In Star Trek V we participate in a religious quest and so Goldsmith provides us with music that is more intimate, warm and contemplative than his iconic Star Trek I score." [9] In a mixed review, Jason Ankeny of AllMusic wrote "For all of its complexity and craft, Star Trek V doesn't reinvent Goldsmith's earlier soundtrack so much as it refines it." [10] Chris Bumbray of JoBlo.com described it as "a good score by Jerry Goldsmith, who returns to the series for the first time since Star Trek: The Motion Picture." [11] Joshua M. Patton of Comic Book Resources called it as "a timeless, beautiful score by legendary composer Jerry Goldsmith". [12]
Star Trek V: The Final Frontier is a 1989 American science fiction film directed by William Shatner and based on the television series Star Trek created by Gene Roddenberry. It is the fifth installment in the Star Trek film series, and takes place shortly after the events of Star Trek IV: The Voyage Home (1986). Its plot follows the crew of the USS Enterprise-A as they confront renegade Vulcan Sybok, who is searching for God at the center of the galaxy.
Jerrald King Goldsmith was an American composer, with a career in film and television scoring that spanned nearly 50 years and over 200 productions, between 1954 and 2003. He was considered one of film music's most innovative and influential composers. He was nominated for eighteen Academy Awards, six Grammy Awards, five Primetime Emmy Awards, nine Golden Globe Awards, and four British Academy Film Awards.
James Roy Horner was an American film composer. He worked on more than 160 film and television productions between 1978 and 2015. He was known for the integration of choral and electronic elements alongside traditional orchestrations, and for his use of motifs associated with Celtic music.
Alien: Original Motion Picture Score came out in 1979 and achieved critical acclaim, being released commercially in multiple forms during the following decades. The iconic, avant-garde score to the film Alien was composed by Jerry Goldsmith and is considered by some to be one of his best, most visceral scores. Rather than focusing on themes, Goldsmith creates a bleak and dissonant soundscape that fits the film's dark and intense atmosphere, with only a few "romantic" cues.
Round Midnight is a soundtrack album by Herbie Hancock featuring music recorded for Bertrand Tavernier's film Round Midnight released in 1986 on Columbia Records. The album features performances by Hancock, trumpeter Freddie Hubbard, bassist Ron Carter, drummer Tony Williams, vocalist Bobby McFerrin, tenor saxophonist Dexter Gordon, bassist Pierre Michelot, drummer Billy Higgins, guitarist John McLaughlin, trumpeter/vocalist Chet Baker, vibraphonist Bobby Hutcherson, saxophonist Wayne Shorter, vocalist Lonette McKee, and pianist Cedar Walton, most of whom appear in the film. It won the Academy Award for Best Music, Original Score in 1986, beating Ennio Morricone's The Mission and Jerry Goldsmith's Hoosiers, among others. Additional music recorded during the making of the film was released under Dexter Gordon's name as The Other Side of Round Midnight (1986).
Up (Original Motion Picture Soundtrack) is the film score to the 2009 Disney-Pixar film of the same name composed by Michael Giacchino. This is his third feature film for Pixar after The Incredibles and Ratatouille. Giacchino wrote a character theme-based score that the filmmakers felt enhanced the story of the film. Up received positive reviews from music critics and won major awards. Despite being well regarded, Up was not released as a compact disc (CD) until 2011, when it became available via Intrada Records.
Star Trek: Nemesis – Music from the Original Motion Picture Soundtrack is a soundtrack album for the 2002 film, Star Trek: Nemesis, composed by Jerry Goldsmith. Released on December 10, 2002 through Varèse Sarabande, the soundtrack features fourteen tracks of score at a running time just over forty-eight minutes, though bootleg versions containing the entire score have since been released. A deluxe edition soundtrack limited to 5000 copies was released on January 6, 2014 by Varèse Sarabande.
The Black Cauldron: Original Motion Picture Soundtrack is the soundtrack album to the animated dark fantasy adventure film The Black Cauldron. The film, unlike other ventures, does not feature any songs, which was a rarity in Disney films. The film, however, featured musical score composed by Elmer Bernstein. Due to the last-minute revisions, much of Bernstein's score were cut and unused. In its minority, the score was re-recorded for the album's first release by Varèse Sarabande in 1985, with Bernstein conducting the Utah Symphony Orchestra. The album soon fell out of print and many of the film's score did not resurface until a bootleg copy entitled "Taran" was supplied to soundtrack specialty outlets in 1986. The full score was re-issued by Intrada Records on April 3, 2012 which consisted of 75-minutes long.
The music to the 1979 American science fiction film Star Trek: The Motion Picture featured musical score composed by Jerry Goldsmith, beginning his long association with the Star Trek film and television. Influenced by the romantic, sweeping music of Star Wars by John Williams, Goldsmith created a similar score, with extreme cutting-edge technologies being used for recording and creating the sound effects. The score received critical acclaim and has been considered one of Goldsmith's best scores in his career.
The Mummy (Original Motion Picture Soundtrack) is the soundtrack to the 1999 film The Mummy directed by Stephen Sommers. The film score is composed by Jerry Goldsmith which utilizes traditional orchestral music and native instruments. The 15-track score album was released under the Decca Records label on May 4, 1999, while a special edition album that consisted of previously unreleased material was released through Intrada Records on July 17, 2018. The score was positively reviewed and highlighted as one of Goldsmith's best scores in his career.
Star Trek II: The Wrath of Khan is a 1982 science fiction film directed by Nicholas Meyer, based on the television series Star Trek and is the second film in the Star Trek film series, following Star Trek: The Motion Picture (1979). The film is scored by James Horner, in his first major film score he composed in his career. He was selected after sorting numerous composers, in place of Jerry Goldsmith, who scored the predecessor and was not considered because of the film's reduced budget. Horner produced a modernistic sound over the John Williams style of epic orchestral film scores for the Star Wars films. According to of Comic Book Resources, his score for Battle Beyond the Stars (1980) served as the inspiration for Wrath of Khan.
Star Trek III: The Search for Spock is the 1984 science fiction film directed by Leonard Nimoy based on the television series Star Trek: The Original Series and the third film in the Star Trek franchise. The film score is composed by James Horner, that served as a continuation from the score of Star Trek II: The Wrath of Khan (1982) with few themes being reworked for this film.
Star Trek IV: The Voyage Home is a 1986 science fiction film directed by Leonard Nimoy based on the television series Star Trek: The Original Series and the fourth film in the Star Trek film series. The film is scored by Leonard Rosenman, who is the third Star Trek film composer after Jerry Goldsmith and James Horner. The score received an Academy Award nomination.
The music for the 1991 science fiction film Star Trek VI: The Undiscovered Country directed by Nicholas Meyer, based on Star Trek: The Original Series and the sixth film in the Star Trek franchise, features an original score composed by Cliff Eidelman. He produced a darker score that accentuates the film's theme in contrast to the epic themes in previous Star Trek films. The score was well received by critics and led Eidelman to being a prominent composer at that time.
The musical score for the 1994 science fiction film Star Trek Generations is composed by Dennis McCarthy. Generations, the seventh Star Trek film overall, is directed by David Carson and based on the television series Star Trek: The Next Generation, which was also scored by McCarthy. He had to balance the score from the series and film score and emphasize the dramatic writing to compliment the action onscreen. The album was released through the independent label GNP Crescendo Records on November 8, 1994.
The music to the 1996 science fiction film Star Trek: First Contact is composed by Jerry Goldsmith, in his third Star Trek film after The Motion Picture (1979) and The Final Frontier (1989). The film, directed by Jonathan Frakes, is based on the television series The Next Generation and the eighth Star Trek film overall. Goldsmith composed and recorded most of the cues in a short span of time with assistance from his son Joel Goldsmith, who in-turn had written few cues and additional music based on his father's motifs. The score was released by GNP Crescendo Records on December 2, 1996.
Star Trek: Insurrection is the musical score for the 1998 science fiction film of the same name. It is the fourth musical score for a Star Trek film composed by Jerry Goldsmith, following The Motion Picture (1979), The Final Frontier (1989) and First Contact (1996). Insurrection is directed by Jonathan Frakes, based on the television series Star Trek: The Next Generation and is the ninth Star Trek film overall. The album was released through GNP Crescendo Records on December 22, 1998.
The Omen (Original Motion Picture Soundtrack) is the score soundtrack for the 1976 film of the same name directed by Richard Donner. The film's original score is composed by Jerry Goldsmith which consisted of choral elements predominantly used throughout with the film with foreboding Latin chants. The score was criticially acclaimed for which Goldsmith won his only Academy Award for Best Original Score in his career.
The Omen (Original Motion Picture Soundtrack) is the soundtrack to the 2006 film The Omen, a remake of the 1976 film of the same name directed by John Moore. The film score was composed by Marco Beltrami, who reuses themes from the original film's score composed by Jerry Goldsmith. A score album featuring 20 tracks was released through Varèse Sarabande label on June 6, 2006, the same day as the film's release.